The Windigo in indigenous mythology is a human who has turned cannibalistic with an insatiable hunger for human flesh. Although the spirit was once human, all sense of morality disappeared within the first bite of their own kind. However, if killing a human being - by any means - is immoral, then the Windigo killers must also become “Windigos” in a psychological sense of the word with their first Windigo kill. In Joseph Boyden’s Three Day Road, the two narratives of Niska and Xavier are written as reflections of one another to portray the thin line of morality between the need for survival and the subsequent shift in identity due to individuals’ beliefs not aligning with their reality. This is explored when the question of survival and addiction …show more content…
This law is the same law as in the bush. Turn fear and panic into the sharp blade of survival” (Boyden 19). He is told to make no distinction between the animals he hunts in the bush and the humans he hunts on the battlefield - survival being his justification of means because they align with his beliefs as an indigenous hunter; “It is just like hunting, [he thinks]. It is hunting” (Boyden 86). On the other hand, Elijah “cannot wait to get over there. He tells me he’s afraid the war will end before we arrive” (Boyden 101); he rapidly develops an obsession with killing the Germans and with the continuation of the war, takes to “opening each man’s eyes and staring into them, then closing them with his calloused right hand, letting a strange spark of warmth accumulate deep in his gut each time that he does it...knowing that he, Elijah, is the last thing that each will see” (Boyden 200). Elijah begins to kill to “fill his belly when it gnaws for food” (200) which marks his continued transition into a Windigo; he believes he is the greatest sniper in the war, but he feels the need to keep killing in order to make his belief a reality. Although this solidifies his reputation as a skilled sniper, it leads him to shift into something inhuman because of the loss of all ethics. In comparison, Niska quenches her loneliness by seducing the French trapper. She believes “[she] has chosen a wemistikoshiw for a mate” indicating that …show more content…
In a similar fashion, Niska’s and Xavier’s stories portray the unnerving similarities between the hunter and the hunted through the exploration of survival and addiction, the choices and their consequences and the resulting loss of control. Due to the instinct for survival, the ones who carry the burden of looking after the ones who do not have the same ethics must make decisions that are not based on their beliefs, which eventually lead them to lose their identities unless they find their redemption and
1. Summarize Ernest Gaines’ life in 5-7 sentences. Ernest James Gaines was conceived on the Stream Lake Manor close to the little villa of Oscar, in Pointe Coupee Area, Louisiana. His progenitors had lived on the same ranch since bondage, staying after liberation to work the area as tenant farmers. Gaines and his crew lived in the houses, tremendously extended, that had once served as slave quarters.
The acclaimed Canadian author Joseph Boyden is often praised for providing an insightful look into Indigenous culture and history through his debut, Three Day Road. While the novel does explore the haunting memories of an Indigenous soldier, it also tackles concepts about storytelling and the power of words. Consequently, this essay investigates the question; How does Joseph Boyden use literary devices and narrative structure in Three Day Road to illustrate the power of stories and language? The novel serves as an examination of the power of words and the different roles they play in communication,
The thick line between humanity and savagery that is portrayed by the formation of civilization is nothing but an illusion. As seen in the book, The Road, the line that separates humanity and savagery is in reality paper thin. Through the use of a post apocalyptic setting, Cormac McCarthy manipulates the sense of humanity through the bare primitive survival instincts the individuals living in the ruins of the world must adapt in order to survive. The fall of civilization presented the survivors the choice of staying within the realms of humanity or to fall the victim to savagery.
This is seen when the squadron was short on food and Xavier asks Elijah if he is hungry. Elijah responds by saying, “I have found the one thing I am truly talented at and that is killing men. I do not need food when I have this.” (Boyden, 320). This quote signifies that Elijah views killing men as a sport rather than an assigned job.
This is most evident in the eyes of Niska. When she is the narrator of the novel, she most often is telling stories to Xavier. On the surface, she uses stories from her past in order to fill the void that the war had created between herself and her nephew, but with deeper analysis, it is obvious that Niska is trying to use her stories to heal Xavier, “ I will
She is one of the last Canadian medicine women to live off the land. Niska is a proud, strong and independent character who does not give in during a time of cultural interference from the white people. Her two boys, Xavier and Elijah, have fought in the Great War and one of them has returned. Xavier is an invalid and addicted to the army’s morphine when he comes back to Canada.
Jon Krakauer’s Into the Wild investigates the life and adventures of Chris McCandless. The author provides information about Chris’ life to illuminate his journey. Krakauer also uses rhetorical appeals to defend Chris’ rationale for his journey. Through Krakauer’s use of pathos, ethos, and logos, he persuades the audience that Chris is not foolish; however, Krakauer’s intimacy with Chris and his adventures inhibits his objectivity.
History is what we learn in school about the past, about people’s culture, their way of life, their beliefs, their fight and their dreams. However, history is not an absolute truth. In fact, every story has more than one version. The History of the native American in the United States still one of the most controversial subjects in history, not only because of all the ambiguity filled in the story, but also and more importantly because the it was written by only one side. Indeed, it was written by the winners, the invaders, and the dominants.
Work: A Long Way Gone Thematic Subject: Survival In A Long Way Gone, Ishmael Beah presents the idea that the way to survival can be a long and rigorous journey of living each day to the next. Ishmael’s only way of getting through the war was to keep that mind set at such a desperate time. This is shown when Ishmael leaves Kaloko along with the others because he became “frustrated with living in fear” (Beah, 46). He leaves them, taking as many oranges as possible; like it’s his last.
The story of Chris McCandless is a tale that captivates its audience for many reasons, however, always leaves the reader feeling as though they have been deprived of something that they are very used to getting; a definitive message. Chris McCandless’s journey into the Alaskan wilderness is not an entirely satisfying tale, and this is due in large part to the lack of a “moral”, or a lesson that readers should take away from the book. By reading only one version of the story, a reader might be placated by an author who wove it to be a lesson against foraging for plants, or in another, a lecture on the folly of running off into the wilderness as a young, inexperienced person with limited supplies. However, after reading multiple sources, it is
Throughout history, there have been many literary studies that focused on the culture and traditions of Native Americans. Native writers have worked painstakingly on tribal histories, and their works have made us realize that we have not learned the full story of the Native American tribes. Deborah Miranda has written a collective tribal memoir, “Bad Indians”, drawing on ancestral memory that revealed aspects of an indigenous worldview and contributed to update our understanding of the mission system, settler colonialism and histories of American Indians about how they underwent cruel violence and exploitation. Her memoir successfully addressed past grievances of colonialism and also recognized and honored indigenous knowledge and identity.
In Western stories, Native people are illustrated as antagonists and are never seen as the main characters. Native people are the other side of the so-called frontier, where wildness, savagery and chaos are met. Western stories do not represent native people fairly. The typical archetype of American Indians in western stories has influenced and created stereotypes about Native people that still remain in nowadays society. In the story of Louis L’Amour, “The Gift of Cochise”, Native people, also called ‘the other’, are represented more fairly compared to typical Westerns which portray them as non-civilized and savage.
Science journalist, Charles C. Mann, had successfully achieved his argumentative purpose about the “Coming of Age in the Dawnland.” Mann’s overall purpose of writing this argumentative was to show readers that there’s more to than just being called or being stereotyped as a savage- a cynical being. These beings are stereotyped into being called Indians, or Native Americans (as they are shorthand names), but they would rather be identified by their own tribe name. Charles Mann had talked about only one person in general but others as well without naming them. Mann had talked about an Indian named Tisquantum, but he, himself, does not want to be recognized as one; to be more recognized as the “first and foremost as a citizen of Patuxet,”(Mann 24).
Annotated Bibliography McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print. The Road is set in a grim atmosphere.
Trickster tales hold great importance in the many Native American tribes and communities who have passed on the myths and legends from generation to generation through oral tradition. Winnebago Trickster Cycle attempts to record some of the stories. This episodic narrative of Trickster, as he is referred to in the stories, and his travels demonstrates many common trickster characteristics defining the narrative as trickster literature. Upon analysis of the episode twenty and twenty-seven of the Winnebago cycle, both comparisons and contrasts to each other can be identified. Many of the tales in this narrative are woven together buy threads of similarities that demonstrate the protagonist as a trickster and these two selected stories are no