The Theme Of Toxic Masculinity In Nick Enright's Black Rock
Jacinda Ardern's recent resignation has highlighted the ongoing issue of toxic masculinity and its harmful effects on individuals and society as a whole. Toxic masculinity's harmful effects are not a new topic, has been discussed and explored in various forms of media and art, including literature and theatre such as Nick Enright's Black Rock. It focused attention on gender and the importance of creating safe and fair spaces for all people regardless of gender.
An Australian play by Nick Enright, Blackrock explores the aftermath of toxic masculinity, peer pressure and brutal attacks on small communities. Exploring multiple perspectives, the story raises important awareness about the responsibility of bystanders to intervene and the need for justice in the face of shocking acts. Enright, explores the themes of teenage masculinity, power dynamics, and the consequences of toxic behaviour through his portrayal of the development of Jared, who wrestles with his masculine identity through the course of the play. Enright's examination of the cultural norms and expectations
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Evidence of this can be seen in their interactions, where Jared is frequently pressured by Ricko to participate in behaviours that make him uncomfortable, such as objectifying women or engaging in violent activities. For example, when Ricko pressures Jared to have sex with Tracy, Jared says, "I don't wanna do it, Ricko. It's wrong," but Ricko continues to push him, saying "Come on, man, she wants it." Jared gives in to Ricko's pressure, but later expresses regret and shame for his actions. Jared and Ricko's relationship in Blackrock shows how peer pressure and intimidation perpetuate toxic masculinity. Jared's insecurities over Ricko's actions conflict with his desire to conform, leading to choices that go against his own moral standards, fuelling feelings of guilt and
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