I chose to critique an oil on canvas painting titled, “The Third-Class Carriage”, by, Honoré Daumier. I visited The Met Museum online, and saw this particular painting. It stood out to me, and I was drawn to the real life imagery it shows. The breastfeeding mother in the front of the painting captured my eye. As a former nursing mother myself, this drew me into the painting, connecting it with my real life. The use of dark colors mixed with lighter areas, allowed me to see the painting as a whole. The painting was relatable to me, and I am sure it is to many others as well. Showing real life situations, and how one copes with it all. I was intrigued by the painting and am happy to share my thoughts, and criticism on the work of art. The …show more content…
These relationships allow the painting to show a clear subject matter, the mother and baby, the old man, and young boy, all centered in the painting. The mans eyes are focused on the painter, thus creating an “all-at-onceness” experience. Having one focus on his eyes gazing back at you. The use of colors and oil paint, allow the painting to thrive and stand out to ones sensa. Thus, allowing the representation of light, which can be seen through the rail-car windows, and beaming off the passengers faces. The use of lighter and darker shading within the painting, allow your eyes to move gracefully throughout, while also allowing you to focus on the main points of the painting with ease, capturing the painting as a whole let 's one enjoy it 's true meaning. The use of many strong relationships throughout, great subject matter, and use of oil paint, help to make this painting a great work of art overall. I am unsure of what something like this may sell for, but evaluating this work of art myself, I may not rate it a masterpiece by any means. Be that as it may, it is still a wonderful work of art, with no confusing aspects to what the artist was trying to capture. The painting clearly allows one to have a participative experience, which allows one to see all its beauty and
It is clear how saturated and coloured washed the painting is. The mixture of red and orange colour seems dripping down which makes it authentic and produce a richer color and vibe. Also, it is interesting how Milne makes his paintings look fascinating with the use of watercolour. Obviously, Milne and with his creative using of watercolour has a great impact in the growth of modern art in
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
The sun beams from the sky are lighting up a small area of the painting and the rest is dark and gloomy. The gloominess of the painting represents dark and depressing times while the brightness of the sky creeps through thick dark clouds. This represents heaven because heaven is so large and bright and amazing that even though life is hard and seems like the world is ending, there is always something greater out there. Personally, I love this painting. I really like how Dore paints that trees and valley dark because it really highlights the beams from the sun.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of
The painting that I chose to analyze was William Maw Egley’s Omnibus Life in London (1859). Painted on an oil medium, it depicts a scene of an omnibus, a horse-drawn carriage that acted as public transportation, pulled over at a certain stop along a particular route (Tate). In the painting, it features a crowded bus as more people attempt to board it. There are various people from every type of social class, which will be examined during the contextual analysis section to interpret the meaning historically. Also, this paper will analyze the formal structure of the painting through color, lines, space and mass, and composition.
Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.
The building of roads, canals and railroads played a large role in the United States during the 1800s. They served the purpose of connecting towns and settlements so that goods could be transported quickly and more efficiently. These goods could be transported fast, cheap and in safe way through the Erie Canal that was built to connect the Great Lakes to New York. Railroads were important during Civil War as well, because it helped in the transportation of goods, supplies and weapons when necessary. These new forms of transportation shaped the United States into the place that it is today.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
La Grenouillère has people that appear to be talking and laughing and swimming which all implies movement, and because there are people scattered throughout the middle ground, the audience directs their eyesight from one end of the painting to the other. There is also proportion in the painting because the people are all the same size and aren’t bigger than the trees or very small. The objects all together in the painting elicit a relaxed, happy mood. Towards the foreground, the colors used are much darker and seem like they’re under a shade while the background seems like the sun is shining on it, which is a direct contrast of light and
The colors show his depression and agony and reveal how truly broken down the subject
Augustus Egg’s “The Travelling Companion” portrays two young women sitting in opposite direction inside a moving train carriage. The painting is almost symmetrical as there are many similarities between the two ladies. However, there are also subtle differences between them which enforces the main themes of this painting through symbolism adding layers of meaning in its reading. This painting was created in 1862 during the Victorian era, a time when industrialization took place, and hence having trains as a background in the painting.
The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.