One way of how Creon represents the problematic nature of man-made laws is through his character. One characteristic of Creon that leads to his problematic man-made laws is that he is ruthless. Although Polyneices is said to have brought war on the State, he is still considered family. Even then he still shows no pity toward Polyneices. Creon leaves the boys body out for shame and to be eaten by wild animals. His man-made laws are heartless and inhuman. Another characteristic that leads to the folly of his laws is his stubbornness. Choragous, Haimon, and Antigone all try to convince Creon to view his laws as morally incorrect. No matter how many people try to convince him, he still chooses his laws. Even as Antigone’s uncle, his adamant values
Creon was not only looking to be a good ruler, he was looking to prove that he was strong or may be better than Oedipus. He did not accept offenses, but it was worse in the case of Antigone because she was a woman. For example, when Creon realized that Antigone had taken her brother’s body and she accepted her guilt without feeling scared from his rules, he said “She is the man, not I, if all unscathed, Such deeds of might are hers” (532-33). In that statement, he was making a difference between what a woman can do or not.
Creon is the brother of Antigone's mother, Jocasta. Essentially, he comes to power because there aren't any other males in the family to rule. Creon appears to be prideful, stubborn, and egotistical. He is concerned of how the people will view him or what they will think. He is determined to uphold human law at all costs.
Creon shows an extraordinary amount of stubbornness throughout the story. An example is seen when Antigone wishes to give her brother, Polyneices a proper burial so he can have a pleasant afterlife with the Gods. Creon, as king wishes to have him rot in the fields because he turned his back on the state in which the events occurred.
Creon disagrees with her and is the creator of the law. This create a huge conflict between characters and great tragedy is is created towards the end of this story. Creon’s decree was that Polyneices couldn’t have a traditional burial because he betrayed his city. Antigone, the sister of Polyneices, disagrees with Creon and says “I did not think any thing which you proclaimed strong enough to let a mortal override the gods.
(32). Creon here acts as the government, telling Antigone, a symbol of the rebellion, that the law was made in order to keep her subdued. To conclude, Creon’s lack of authority when he is defying the law and his efforts to compromise between Antigone and the law distinguish him as a representation of the Vichy government.
Tragedy of Comparison The claim is made that to know oneself you have to try and understand others. Moreover, many individuals in today's society compare themselves to everyone around them, striving to be like another person. As can be expected, this is common with those who are knowledgeable on literature. When reading and analyzing texts it is and can be a difficult task comparing the morality of a character's opinions and actions.
Antigone and the city’s rights are not made fairly and obeyed equally by all people. Creon uses his power to make choices that put him above everyone. Antigone’s rights and fate depends on Creon’s actions and proclamation. In Sophocles Antigone, Antigone faces harsh consequences for her actions throughout the story.. Why is Antigone going to lose her life?
Creon believes that the laws should be “man-made”. Antigone states that, “Such, I hear, is the martial law our good Creon lays down for you and me – yes, me, I tell you – and he’s coming her to alert the uniformed in no uncertain terms, and he won’t treat the matter lightly. Whoever disobeys in the least will die, his doom is sealed: stoning to death inside the city walls!” (Antigone, Sophocles 60). In this quote Antigone is discussing with Ismene that Creon has made a law that whoever buries Polynices will be stoned inside the city walls.
“Not so self-centered that you never listen to other people” (Hugh Hefner). In the story of Antigone, Creon shows the characteristics of a tragic hero, as he is the king he shows his self-confident and he does not recognize his flaws until the end of the story. All of this leads into his downfall in the tragedy and causes him to realized what he had done. Creon is a tragic hero because of his self-righteousness, his excessive pride, and he does not listen to the opinion of others.
Creon, the king of Thebes, fails to be compassionate throughout the play. The mandate he implements regarding his nephews portrays a lack of compassion, especially towards his family. His decree is cruel and wicked because he is depriving the family from a proper burial, and acceptance of their loss. Creon is obsessed with social and political order, and therefore, is committed to the law of the land.
In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.
How would you feel if you were locked away to rot by one of your own family members because you did something they didn’t approve of? In Sophocles play, Antigone, this is just the case for the niece of Creon, King of Thebes. After getting word that her “own two brothers [...] slaughtered one another and brought about their common doom” (Sophocles 318), Antigone is distraught. What makes her infuriated is when she learns that her uncle, Creon, has decided that one of her brothers, Eteocles, will receive a proper burial and be honored while the other brother, Polyneices, will receive no burial and be remembered as a traitor. Soon after, Antigone takes action and performs a secret burial and ritual on her dead brothers corpse, but she is also
Creon is the protagonist in Antigone, because his motivation throughout Antigone is the stability and wellbeing of Thebes. Moreover, Antigone is the antagonist in Antigone, because her motivation is selfish and deceiving. In Antigone the setting is Thebes post the death of both airs to the throne. Eteocles dies defending his country from his brother Polynieces which died attempting to reclaim his right to the throne. The conflict throughout Antigone is Antigone’s responsibility to bury her brother Polynices and the law created by Creon, the new king of Thebes, which states that “No one shall bury him, no one mourn for him.”
After reading the tragedy of Antigone by Sophocles, one is left to wonder who the protagonist of this play is. Is it Creon or is it Antigone? To answer this question, one must define what a protagonist is. By definition, a protagonist is a leading actor or a character. Creon fits this description because not only do his actions lead into the whole tragedy, but his character shows a great development and the values he teaches to the readers.
Who starts out at the top, but ends up at the bottom? Who has everything, but ends up with nothing? Who suffers a fate worse that death? That’s right, the tragic hero. Antigone, a play written by Sophoclese has a classically flawed tragic hero.