The Underdogs Luis Azuela Analysis

Ancient literature serves as a revolutionary inspiration for modern civilization. Consider the play “Antigone” by Sophocles, Antigone is a symbol of justice and sacrifice towards the minority, and a symbol of chaos and destruction towards the government. Presently, it is believed that books or plays like these (about revolution) have been banned in fear of people starting their own revolutions. For example, in Thailand people have been arrested for doing the three fingered salute from the book, The Hunger Games. Do not be blind to the effects of what a few pages can actually cause.

In Mariano Azuela’s novel of the Mexican Revolution, The Underdogs, Azuela writes about character that were influenced by the Mexican Revolution. The main character and protagonist is a man by the name of Demetrio Macias. Macias, his wife, and their young son stayed on a farm until the Federale soldiers came. Macias was forced to abandon his family and meets with a group of rebels along the way of his travel to fight President Huerta. Macias and his men are following the legendary Francisco “Pancho” Villa, who is the most important revolutionary leader from northern Mexico (Azuela XI).

Southern soldiers viewed the confederacy as their country and were compelled to fight for the safety of it. Confederate soldiers enlisted to protecting their native lands from what they understood as invaders. The Confederacy sentiments of the Union was they were imposing upon the southern way of life. For instance, a young soldier from Kentucky wrote “sink or swim, survive or perish” (McPherson 11). The average Confederate soldier felt that they the Union was trying to destroy the legacy of the founder fathers by enslaving them and reversing the actions of the American Revolution.

In fact, we saw in this story that the main who is a young soldier kills his father due to the pressure of his duty. Then, the author wants to demonstrate that duty is more significant than family during war time. 8. How did you react when the identity of the horseman was revealed?

Desde our view, none of these interpretations takes encuenta native folk roots, important and propiodel magonismo. What should be clear is that the revolution sought by magonistas was total, radical, so very different to what has been called "Mexican Revolution". Therefore, the magonismo is not its precursor, because they were fighting for the same thing, nor the life of magonismo dropped only until before 1910, to be its antecedent: the magonismo was opponent of Porfirio Diaz but also the maderismo, the carrancismo, the

Salamanca Tree Hiddle is taking a trip with her grandparents from Euclid, Ohio to Lewiston, Idaho, to visit her mother 's final resting place. She and her father left their farm in Bybanks, Kentucky, so she moved to Euclid Ohio. Salamanca and her grandparents arrive at South Dakota, when Salamanca talked about life of Phoebe 's mother. They have reached Coeur D 'Alene in northern Idaho, but Gramps and Sal must rush Gram, because she is in hospital. Later, Sal visit her mother 's grave and back to Coeur D 'Alene.

Summary: This story features two main protagonist characters, Mariam and Laila. Mariam, an illegitimate child raised by her mother, wishes to live with her father and her nine half-siblings in Herat. Finally, Jalil agrees to take her to watch a movie as her 15th birthday’s wish but later he doesn’t show up. Mariam sets in her own journey to Herat, without informing Nana. She doesn’t meet Jalil but the next morning when Jalil 's chauffeur drives Mariam home, she finds that her mother’s dead body.

This was the beginning of achieving liberation in the United States, because this is what influenced the conversation that split up the Union from the

Later when Victor is told by his monster that he would leave to South America if Victor makes a second creation, he agrees until he selfishly destroys the second creation. “You have destroyed the work which you began... Do you dare to break your promise?” (181). Victor knew the consequences.

We could see, from this point, The warrior and Duncan’s “worthiest cousin” (1.4.15) is so terrified by his own action that a sound would scare him. While he is haunted by guilt, Macbeth has to secure his throne by murdering Banquo and Fleance. At the end of the feast which was set up for assassinating Banquo and his son, Macbeth is again terrified by the news that Fleance has fled and Banquo’s ghost will dried blood over his body. He said to the ghost: “Thou canst not say I did it. Never shake/

The authors do an excellent job showing that while the Texans were outnumbered and everything was going against them they still fought because they feared they would be ruled with a dictator and would not have freedom like they already had. They felt like this because the Santa Anna led Mexican army fought by force, the soldiers were forced to fight. That is the definition of tyranny and the Texans wanted no part of that, William Travis even expressed their mindset in a letter saying, “VICTORY or DEATH.’’ (127). What the reader sees later is that the battle of the Alamo was not just a loss to the Mexican Army, it was really a wakeup call for everyone to realize that Santa Anna was ruthless and should be accounted for.

People said, “He is capable of making a decision and sticking to it.” Revolutions are caused by lack of freedom, lack of rights and lack of equality. Sergey Uvarov said, “Without love for the faith of its ancestors, a person, just as an individual, is bound to perish.” The Mexican revolution was fought because the people wanted to have more freedom from the Spanish. The Saint Domingue revolution was fought because the people there wanted freedom from the French.

After years of strife and unfair taxation, many colonists were desperate for independence if it meant that they would be free from a malevolent and unfair ruler. Thomas Jefferson writes, “We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury” (Jefferson 170). Any appeals for compromise were rejected time after time. “We have warned them… We have reminded them of the circumstances… and we have conjured them by the ties of our common kindred” (Jefferson 170).

In the period that followed the revolution, Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco would become famous for presenting the history of Mexico, and of the three Rivera and Orozco would present their interpretation of Zapata, showing the symbolic strength of Zapata and the prevalence of his myth. Artists are as well as a proxy for the popular imagination since many ideas that they would express in their art would be what a section society. This reflects back on the manner in which many Mexicans during 1920 and 1930 being illiterate would come to understand their history and identity through their murals. Out of these artists, the one who would make Zapata into a hero would be Diego Rivera. The mural originally painted in the archway of the Palacio de Cortes in Cuernavaca includes the history of Morelos in which Zapata is present.

In Leo R. Chavez’s ethnography, The Latino Threat: Constructing Immigrants, Citizens, and the Nation, the claimed problem of Latino immigration, specifically Mexicans, is tackled using interviews, statistics, and other works of literature. Chavez’s ethnography not only discusses Latino immigration but Latino invasion, integration, organ transplants and even Latina fertilization. One of Chavez’s big topics is on how the media influences the public to believe that Latinos are planning an invasion or take-over in order to gain the land that was originally Mexico’s. The topic of Latina reproduction and fertilization comes up multiple times through Chavez’s ethnography. Another main topic that plays a part in Chavez’s argument is the Latino role in public marches and the citizenship aspect of their actions.