Obama is our leader of our nation; He gives the orders for killing. And orders are what many powerful people try to give. “That is why Osama Bin Laden is dead.” His orders are what Jove tries to give to Olympus. He has dominance over us causing possible violence, just like gods at Olympus have control over others and cause gruesome violence. Throughout the story of Metamorphosis, there is careless tone used from the story of The Fighting of Perseus, horrific imagery used from the story of Acteon, and irony used from the story of The Four Ages to really explain the dominance of these gods. A Roman mythological writer, Ovid, uses hasty tone, disturbing imagery, and irony to show the audience, readers from a variety of ages, that the recurring …show more content…
In the disgusting story of “Acteon” a man who has no words that can come out of him, also called a swallow, gets caught accidently seeing Diana, a very powerful, incredibly good looking goddess, naked and metamorphosizes into an animal and gets eaten up by his own pets. His pets are dogs that are very vicious and have evil names (i.e. “Mountaineer:, “The Killer:, etc.). Very close to the end, nobody, the dogs, listen to Acteon and while they eat him up, this is what he says, “He groans,/ making a sound not human, but a sound/ no stag could utter either, and the ridges/ are filled with that heart-breaking kind of moaning” (3.238-240). While breezing through the words, you can tell that Ovid is really describing the sounds of Acteon using incredibly hasty imagery. He does this by giving examples of how “no one else could make that sound” and that “the sounds were so hard to hear because they were gross.” With specific words like “gross” and “hard to hear,” Ovid is giving clues to show that the violence is really terrible in this situating. Since the imagery is so violent, you start to realize that Diana was the one who caused this whole incident because she changed him and then suddenly the dogs wouldn’t listen. This shows that with grueling imagery, you think back to what Diana did and then realized that she has power over anyone. …show more content…
Throughout the simple, yet explanatory story of “The Four Ages,” Ovid explains how our world started off just absolutely perfectly and ended so...BAD. In the very last age, “The Iron Age,” Ovid shows much violence with irony in this quote, “Jove struck them down with thunderbolts, and the bulk of those huge bodies lay on the earth, and bled, and Mother Earth, made pregnant by that blood, brought forth new bodies, and gave them, to recall her older offspring, the forms of men” (1.155-160). Now what might be running throught the heads of the readers is this has nothing to do with the power of the gods, but it completely does. This sentence is completely ironic because someone, JOVE, tried to kill a ton of people, but more just came right back up to fight him. While reading this, we feel as though Jove has so much power because we are he is succumbing so many people. Although it is ironic, the author is still trying to tell us that Jove has power because he is able to kill, get the most powerful lady on the Earth pregnant, and kill again. Although the sentence is confusing, if you think about it the irony just proves the gods are the best from the start to the very last word of the sentence. Roman gods are incredibly strong and cause confusing situations, but they usually have the power all
Labyrinth The labyrinth is like the mind: always coming up with new discoveries and surprises. Author uses literary devices called irony to show surprise. In the labyrinth, it showed lots of verbal irony (not saying the truth, not saying the meaning), in which to show surprise. Some examples are: when Jareth says “Love me, fear me, and I will become your slave” to Sarah. Not true!
In the play Antigone, there was a character who was put in a unique situation. Haimen was the son of the newly crowned King Creon and was engaged to his own first cousin, Antigone. When Haimen is introduced into the play Creon thinks that Antigone should be put to death because she tried to bury her brother in order for him to rest in peace, but Haimen thinks otherwise. He uses various rhetorical devices to try and change his father’s ruling and get him on his side. Haimen enters and begins reasoning with his father, but Creon is not having it.
Motivation is a key aspect in Ransom, a novel created by Malouf, a reinterpretation of the Iliad. Characters challenge conventions and expectations in order to transform and Malouf presents heroism beyond the aesthetic of the usual homeric hero. Through foresight, a spiritual connection with the gods, juxtaposed with free will, characters expose and motivate themselves to a new experience. Characters are enabled to find curiously beauty in the ordinary, the most simplistic of acts and through unconventional thinking, they break free of preconceived notions. Malouf incorporates raw emotions, grief and loss characters are united by the aspect of mortality; enabling them to challenge their previous roles and expectations.
In this text there are three Ovid’s myths explicated in the light of Freud’s thesis about sublimation. According to Freud it means that the energy related to sexual desire redirects in the form of another mental process. This Freud’s thesis can be found in all three myths of Ovid. In the further parts of the text there will be short analysis of all three.
Homer’s poem The Odyssey is about a warrior who has not been home from the Trojan War in twenty years. He is held from home by Poseidon by several monsters and other challenges. When he returns home, he finds that his house has been overtaken by suitors trying to marry his wife. The Odyssey has many examples of figurative language in the text.
In Maria Viramontes’ Under the Feet of Jesus Estrella is a confused, angry girl who is attempting to figure everything out. Estrella is unable to figure anything out without the help of Perfecto Flores, but with his help she is able to create some understanding about the importance of education and becomes less angry. Viramontes uses tone and figurative language to help show Estrella’s growth and development. The beginning of the passage has an angry tone.
In the epic poem, The Odyssey, Homer displays vulnerability and human mortality during Odysseus’ journey back home to Ithica. Figurative language is used to do so in the story, among other reasons such as using visualization and helping the audience understand the key points of the story. In The Odyssey, Homer used figurative language to show the audience that humans are vulnerable and completely mortal. In the scene of Polythemus and his cave, figurative language is used to help the audience understand that Odysseus and his men are mortal and vulnerable to the immense cyclopes.
The irony the author A.C.H Smith values as a literary device in Labyrinth is using it to create suspense. To start, there are examples of verbal irony. Verbal irony is a figure of speech in which the speaker says the exact opposite of what she or he means. Here are some examples of verbal irony. To begin with, Hoggle says to Jareth “I am taking her to the beginning of the Labyrinth.”
In a family there are many different roles; there's the role of the mother, the father, the child, the grandparents, then there’s the brothers and sisters. Every single one of those roles has different responsibilities. The father, according to most of society, is supposed to be the breadwinner for the family. However, nowadays the mother is actually quite capable of being the breadwinner just as much of as the father. As they work to show their children what it is to be an adult they are teaching them as well on how to be an active member of society.
“Wolves and lambs don’t share a common heart—they always sense a mutual hatred for each other” (Homer, Iliad 22. 327-329), this epic simile shows, Achilles’ actions brought on by justice for Patroclus’ death scream for blood. Achilles’ actions after killing Hector hurt Priam and his family, leaving them emotionally distraught and furious furthering the raging battle into Troy for fair Helen. Mortals have been shown to fight a war of vengeance and justice but the Gods also had a part in this
The painting tells a story that came from Ovid’s Metamorphoses. It is part of a mythological series called “poesie” (poems). It was intended for King Philip II of Spain, it was designed to be viewed along Danaë, a painting from the same series with a related composition. The paining is showing the goddess Venus trying to restrain her lover Adonis from going off to hunting. Venus foresees his death.
Published in 1915, Kafka’s The Metamorphosis is a tale of a salesman named Gregor Samsa who one day wakes up to discover that he has quite literally transformed into an insect. Unable to support his family as an insect, he is only able to stay in his room and eat the rotting scraps of food that his sister brings him. Over time, Gregor’s transformation into a large bug begins to affect the lifestyle of his family, and they slowly become resentful of him. His family secretly wishes Gregor would leave, and knowing this, Gregor willfully dies in his room.
Critic Northrop Frye claims that tragic heroes “seem the inevitable conductors of the power about them… Conductors may of course be instruments as well as victims of the divisive lightning.” A perfect example of this assertion would be King Oedipus in the classical tragic play “Oedipus Rex,” written by Sophocles, where Oedipus, himself, becomes the victim of his doomed fate. As someone who was born and raised of royal blood, he becomes too proud and ignorant, believing that he was too powerful for his fate. Using the metaphor “great trees [are] more likely to be struck by lightning than a clump of grass,” Frye compares the heroic but unfortunate Oedipus to the great trees as they both are apt to experience victimization of tragic situations
Stories can be told in many forms and are often told in different variations. Even though, some story are better than other, a person still has to keep in account to why a story is told the way is being told. In Ovid’s story Midas and the golden touch, the story is told in a simple way and more understandable. On the other hand, In Aristotle’s Politics when he talks about money, it is a more in depth story. Even when he bring the story of Midas, he tells it in his own way.
In the first chapter of Erich Auerbach’s novel Mimesis titled Odysseus’ Scar, the stylistic properties of the Old Testament and Homer’s The Odyssey are contrasted to show the two foundational styles for ancient epic literature. Auerbach starts the chapter with an analysis of Homer’s use of digression with in book 19 of The Odyssey, when Odysseus’s true identity is discovered by Euryclea, to alleviate suspense within the book. He goes on to discuss how the comparison of the Homeric style with the “equally ancient and equally epic style” (7) of the tale of the sacrifice of Isaac in the old testament demonstrates “the genius of the Homeric style” (7). Auerbach then goes on to discuss how the Bible and Homeric representation of Gods differ in that