Religion has always been a significant part of the human race in almost every culture, whether you have faith in one of many belief systems or not, it’s very essential to the boundaries set on what we are told to believe is good and bad, moral and immoral, and it continues to push that ideal to this day in many different forms; in writing, there of course are the religious texts used for each belief to set their own boundaries, but these beliefs can be useful in any form of writing beside from the most obvious, the novel Dracula, written by Bram Stoker, is no exception. The use of religious items in the novel is used to further enforce the constant idea of good overpowering evil. Throughout the book, the characters use religious items present …show more content…
One of the many examples of this usage is when the protagonists of the story were up against the vampiric form of Lucy, where they then had to repel her from attacking any of the crew; “She was leaping for them, when Van Helsing sprang forward and held between them his little golden crucifix. She recoiled from it, and, with a suddenly distorted face, full of rage, dashed past him as if to enter the tomb (Stoker 342-3).” This shows the extent of power the crucifix has against vampires, for it’s too dangerous for them to near, they must avoid this vessel of faith. The use of crucifixes in the novel has a direct connection to the Catholic religion, where in Catholicism, the crucifix is a symbol of the sacrifice that Jesus Christ made for humanity’s sins, with the cross representing his death, while the figure of Christ on the cross represents said sacrifice (Britannica); and with the use of the crucifix in the novel, it symbolizes the power of Christ's sacrifice and the strength that faith can attain in repelling …show more content…
In Dracula, the communion wafer has the ability to seal off tombs of the dead, negating entrance for any undead to reside in as long as the wafer is lined along the crevices of the tomb, it’s showcased by Dr. Van Helsing when he sealed up the tomb of Lucy, who was infected by the vampirism set upon her by Dracula; “He crumbled the wafer up fine and worked it into the mass between his hands. This he then took, and rolling it into thin strips, began to lay them into the crevices between the door and its setting in the tomb (Stoker
In Bram Stoker's Dracula, he writes about such transgressions of sexuality and pushes the viewers by displaying
The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.
The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.
The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).
Religion is used as moral justification through ceremonies, rituals, and analogy. In Dracula, the appeal to faith is apparent. Stoker, using a fundamental distortion of Christian principles makes Count Dracula into the anti-Christ. Dracula, as the anti-Christ, promises eternal life through the drinking of human blood. This act is a clear perversion of the holiest sacraments in Christian faith, communion.
All throughout the story there is conflicts between the good and the evil. In Stokers novel it’s a battle between the good and the evil. The good defeat Dracula by using Christian references. All throughout the book is a holy war.
This quote shows how Dracula is not in favor of God. He also cannot come close to the rosary without it affecting him. Another example of how Dracula could be considered the antichrist is how characters in the novel protect themselves by using holy objects such as communion wafers and crucifixes. Within these examples, readers are able to see how Dracula depicts Anti-Christian values. Stoker uses the biblical viewpoints to enhance his writing with deeper
1. Introduction Madness as a theme plays an important role in Bram Stoker 's “Dracula”, almost every character at some point exhibits some kind of behaviour which could be connected with mental instability. “The working notes for the novel show that the idea of madness was present from an early stage; a cast list dating from the spring of 1890 includes a mad doctor and a mad patient who has ‘a theory of perpetual life’.” (Pedlar136). Even though, male and female characters are equally susceptible to madness, their actions and states which are similar in their nature are seen and dealt with in different ways.
In Bram Stoker’s Dracula, Christianity is portrayed in a positive light throughout the novel. The protagonists pray, quote Scripture, seek God’s guidance, and eventually prevail. If Count Dracula is meant to symbolize the devil, then it seems Stoker’s intent might be to show that the evil one is resisted through the power of God. “Take heart afresh, dear husband of Madam Mina. This battle is but begun and in the end we shall win.
His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,
Word Count: 1188 5. Describe the appearances Dracula makes throughout the novel. What does Stoker achieve by keeping his title character in the shadows for so much of the novel? In Bram Stoker’s 1897
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
In order to defeat Dracula, the protagonists use both religion and rationalism; as a result, arguments in favour of both sides of the debate are presented, which makes it impossible to reduce Dracula to one side or the other. The vampire hunters rely heavily on faith and religious objects, such as crucifixes and the eucharist, which presents an argument in favour of looking beyond rationalism and science to faith. As noted above, Dracula, by his fantastic nature, is something that defies reason, and thus religion is necessary to explain what rationalism cannot. Van Helsing makes a case for this when he urges “I want you to believe… in things you cannot.…I heard once of an American who so defined faith: ‘that which enables us to believe things
A myth is a false belief or idea. It is usually held within an old traditional story or it is a way to explain a natural or social phenomenon, typically involving supernatural creatures or events. Myths are stories of transformation. Many people are surprised to learn that ancient myth was often at least as violent, if not more so, than the mayhem of our modern fantasies. For example, The Godfather, and its companion, Godfather II, have been justly praised for excellence in such technical matters as acting and direction; their popularity is enhanced by less pleasant preoccupations: a lust for violence accentuated in recent years; an obsession with the details of organized crime; a cynical belief that only small distinctions separate lawless behavior from ordinary business practice.