Giuseppe Villani
Mr. Winn
English 10H
Jan 9, 2023
The use of Schadenfreude in William Shakespeare’s “Twelfth Night” Schadenfreude is a term to define the scientific dark side of human beings. It is defined as “pleasure derived by someone from another person's misfortune” (Oxford). In twelfth night, this psychological circumstance appears in multiple areas where foolery is present, making the whole play an overall better comedic experience. Twelfth Night displays the themes that those who are too serious in every aspect of what they do don’t live a good life, and those who choose to indulge in a nonchalant carefree lifestyle get an enjoyable experience. This includes the prank thrown against Malvolio. Hi Mr. Winn!
Many would argue
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Humans all have a dark side that we lock deep down within ourselves. We get pleasure when this dark side comes out, mainly through making fun of others for their own trials and tribulations. We turn tragedy into comedy. This is used heavily to Twelfth nights benefit through the character of Malvolio. As Charles Lamb puts it, “Malvolio is not essentially ludicrous. He becomes comic but by accident.” (On the character of Malvolio). This is part of the comedy of it. Going back to the train wreck analogy, we know that there is nothing that can prevent what is about to happen. Malvolio is head over heels for Olivia, almost to the point where it’s creepy. While being reprimanded by Olivia for randomly abandoning his regular demeanor he says some weird stuff, like “To bed? Ay, sweetheart, and I’ll come to thee.” (3.iv 31-32). Also, while delivering a monologue to Olivia about his love, he proudly exclaims “nothing that can be can come between me and the full prospect of my hopes.” (3.iv 85-86). Frankly, Malvolio is a creepy guy who has no hope left. This whole thing is a train wreck, it’s a tragedy that you don’t want to see, but you can’t help yourself when you find it
Most people know the fight between Mercutio and Tybalt from the author, William Shakespeare, but they never heard from Benvolio's point of view. As Mercutio and I were walking in the village, I had a sense that something was going to go wrong. I had this feeling because it was hot and Mercutio gets a little angry when he has been in the heat to long. From my point of view i also saw the truth that when Mercutio said he was hurt i felt it wasn't a joke because he was acting to hurt for it not to be true. My last thought was i saw the anger starting to rise in Mercutio
he is already dead; stabbed with a/ white wench's black eye; shot through the ear with a/ love-song; the very pin of his heart cleft with the/ blind bow-boy's butt-shaft: and is he a man to/ encounter Tybalt?”After being told of this letter, Benvolio is worried that with the state Romeo is in, physically and mentally, he would have no chance of winning. Benvolio then decides that it might be better if Mercutio were to fight instead. This demonstrates how Benvolio is acting as the problem
It’s supposed to be funny” (Wizner 67). His humour indicates that he has come to terms with the reality. He is able to overcome his fear of judgement from others when he expresses his emotions and finds his peace. By resolving the conflicts, Shakespeare is
She sacrifices Malvolio’s feelings for her own pleasure and ability to control. In addition, Maria’s manipulation side illustrates that her concern for others is low. Maria enters the room with great news, she says “ I can hardly forbear hurling things at him. I know my lady will strike him”
This quote shows that Benvolio is willing to fight and does when Tybalt is around. Before this happens Benvolio states, “I pray thee good Mercutio, let’s retire. / The day is hot, the Capulets abroad, / And if we meet, we shall not scape a brawl” (Shakespeare 529).
Not only would killing Mercutio solve his problem, but it also helped the story move along and made it much more
When Sir Toby goes to take care of Malvolio after Olivia sends him to her uncle, he tries to convince Malvolio that he is possessed by the devil. This is wrong for any human to do to another person. If anyone deserves to be possessed by the devil, it is Sir Toby. Fabian has had his quarrels with Malvolio as well. Malvolio had ratted out Fabian to Olivia, when he told her that Fabian liked to go bear baiting.
One of Romeo's main characteristics throughout the play is Romeo's love for Juliet. This loves leads to the main conflict of the play. On the other hand, Mercutio is often making fun of Romeo's romantic nature. This points out how extreme Romeo’s love is. Which can recontextualize the plot from traject lovers to obsessive love.
As a result, when Benvolio warns our cheeky Mercutio to take haste in leaving the beach, “I pray thee, good Mercutio, let’s retire. The day is hot; the Capulets, abroad; And if we meet we shall not ’scape a brawl, For now, these hot days, is the mad blood stirring. Thou art like one of those fellows that, when he enters the confines of a tavern, claps me his sword upon the table and says “God send me no need of thee!” and, by the operation of the second cup, draws it on the drawer when indeed there is no need,” (3. 1. 1-9) Mercutio refuses and this ends up in a confrontation between the two households. Even after the families do meet, Benvolio still tries to break up the argument by saying, “We talk here in the public haunt of men.
I would characterize this behavior as childish and immature. He fell in love and he doesn't even know her. All he sees is her beauty and thinks he is in love with her. Anytime Benvolio or Mercutio tries to cheer him up, he just acts depressed and brings down the whole mood of the group. When Benvolio was trying to talk to him, he said, " Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will!...
In Twelfth Night, Malvolio plays the important role of the victim, and it is only through this role that he experiences and understands the subtleties and nuances of sanity. His encounter with Sir Topas presents sanity from a different angle, highlighting the role of perspective in the determination of madness, while also shedding light on the contradictions between rationality and reality. Sir Topas shows Malvolio through their encounter the inherent futility in trying to prove his sanity to others. Although Malvolio seemingly appears to have a tragic ending, we find that he exits the play with a newfound lucidness and control that he previously was missing.
When Olivia is first entertained by the Fool, she recognizes that “[Malvolio] [is] sick of self-love,” revealing Malvolio’s arrogance (Twelfth Night 1.5, 89-92). This arrogance is linked to his Christian self-righteousness when Maria describes him as “a puritan...an affectioned ass…[that] persuaded of himself,...that it is his grounds of faith that all that look on him love him, (TN 2.3, 145-150). Thus, Maria identifies that Malvolio’s self-love is tied up in his piousness, and that he uses his moral superiority as justification for his high opinion of himself. Malvolio takes this pride and sense of superiority further by desiring to be “Count Malvolio,” and imagining Sir Toby “curts[ying]” to him, indicating not only his desire for prestige and power, but his belief that Sir Toby is physically lower than himself because of his “drunkenness,”(TN 2.5, 34, 60-73). Malvolio thus uses his Puritanism as fuel for his actions and desires, imagining himself to be morally superior to Sir Toby and therefore more entitled to a higher social position.
Gabriel Anderson Heredia English November 10th, 2015 Mercutio Character Traits Mercutio was a very interesting character before he died. His mood certainly changes very easily. In act 3 scene 1 when Mercutio and Benvolio are in the street, Mercutio is acting normal. But as soon as Tybalt comes and challenges Romeo to a duel he gets very angry and he takes Romeo’s place in the duel.
Now, Tybalt, take the “Villain” back again That late thou gavest me, for Mercutio’s soul Is but a little way above our
Benvolio: Well Mercutio and I were just having a conversation and then