Sammy feels sexual attraction towards these girls, their physical attributes mesmerize him. At first, Sammy seems to come off as a sexist teen, but later he tries to prove that he is different. Sammy’s boss, Lengel, confronts the girls and calls them out for their attire. Lengel states, “We want you decently dresses when you come in here”. Which the girls respond, “We are decent”.
The Yellow Wallpaper is considered to fall in the genre of realism because it represents the way life was for women during the nineteenth century. Gilman intentionally tried to make Jane a typical woman of the time period. She is economically dependent on her husband, as she does not work out of the house. She is not allowed to make her own decisions, John will not let her out of bed, even though she wishes to do so; and she is often treated like a child, John gives her a dirty look when she expresses that she is still not well when he believes that she is getting
“Madwomen” lacks care and equal treatment so they not only need a concrete room, but also need a spiritual single room. At the beginning, the two female protagonists in The Yellow Wallpaper and A Rose for Emily live under the patriarchy’s places for a long time. In The Yellow Wallpaper, the narrator is nameless. Her husband thinks she suffers from nervous breakdown and wants to takes “good” care of the narrator. Thus, he decides her to accept rest cure and live in an ancient colonial mansion.
Hooper wearing the veil this makes everyone consider him an outcast to society. Before the service and old woman said “I don’t like it” and she hobbled into the meeting-house”(Hawthorne 1). As a result of Hooper wearing the veil he makes this old lady avoid his service because she is scared of him. At the close of the service many people went straight home by themselves and the other huddled in small groups and ignored Mr. Hooper and instead talked about him. Nothing, not the pleas of the elders, nor the nudging of Elizabeth , nor his own loneliness can persuade Hooper to remove the piece of black crape that separates him so dramatically from society (Boone).
In the second paragraph of the story the author states that she is suffering because she doesn't have the things she wants by saying, “She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn chairs, and ugly curtains.” (Guy de Maupassant 2) “She had no clothes, no jewels, nothing. And these were the only things she loved;” (Guy de Maupassant 2) The author included this to let the readers know what kind of “Poverty” Matilde was living in. Mathilde doesn't seem to love her husband as much. He thinks different about her.
From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33). Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions.
This proves that Curley's wife is weak and she is upset that the men won't talk to her. She uses her power against them to hide the fact that she is lonely and insecure. Secondly, Curley's wife sees herself as a tease to the other men although they want nothing to do with her. She uses her pretty face of makeup, nice body, and bouncy hair to show off to them. When she enters the barnhouse, Lennie is fascinated by her.
Thus, the bars in the narrator’s window serve as a gothic symbol for the relationship the narrator has with her husband because of the way in which they both restrict her independence and power. This symbolism reveals Gilman’s critique of patriarchal society, as she draws attention to the confinement of women in society through the physical confinement of the narrator. This suggests that Gilman condemns the way in which patriarchal society limits the independence and authority of woman at this time. Furthermore, the narrator observes that “John is away all day, and even some nights” (Gilman 1686). This displays that John does not understand the challenges the narrator faces because of her confinement and he simply assumes that he knows what is best for her.
Crooks experiences discrimination because he is black, and Lennie is discriminated against because of his mental disability. Curley’s wife, Crooks, and Lennie all have learned to live with discrimination, but they still long to someday be accepted. Curley’s wife experiences a lot of discrimination in the novel Of Mice and Men for being a woman. In the time setting of this novel, women did not have many options or much control over their lives. Either they went into the show business or they got married and stayed at home.
Now widowed, she must raise her children, maintain her household and work to make a living for herself. Because she is black, a woman, and the wife of a man accused of raping a white woman, Helen was not able to find work. The person that hired her and the only person in Maycomb that would do so, was Mr. Link Deas, Tom’s former employer. He did not really need Helen’s services, but felt bad about what happened to Tom and he was one of the few decent people in Maycomb where colored people are concerned. “He doesn’t really need her, but he said he felt right bad about the way things turned out.” (TKAM, pg.