The Use of Allusions to Characterize Claire and Critique Human Nature in The Visit Friedrich Dürrenmatt’s The Visit is an absurd, yet profound play, critiquing flaws of human nature and society, most notably the ruthless thirst for justice and revenge that people often succumb to. These vices are illustrated through the prototypical town of Güllen, which falls prey to the billionairess Claire Zachanassian’s vengeful schemes. Claire’s goal is to get revenge on the man who betrayed her in their youth, going to great lengths and hurting relatively innocent people to secure “justice”. Claire’s characterization as a ruthless woman scorned is integral to the play’s plot and it is facilitated by allusions to Greek mythological characters, such as Medea, the Fates, and the Furies, who all represent some aspect of Claire’s character and ambitions. Dürrenmatt uses allusions to Greek mythology to characterize Claire Zachanassian and critique the abuse of power to ruthlessly obtain justice and seek vengeance. Dürrenmatt most directly compares Claire’s character and motivations to the Greek sorceress Medea throughout the play to illustrate the greatness of her power and its role in obtaining justice. Similarly to Claire, Medea spends the majority of her story manipulating the ex-husband who betrays her, while vengefully plotting to kill him using her powers. The most direct reference to Medea comes when the Teacher says “You are an injured, loving woman. You demand absolute justice. You
Unspectacularly, the Jeffers adaptation of Medea is quite a disappointment painting Medea as an animal with no “reason” or human-like thought in regards to her decisions. “QUOTE”. Consistently compared to animals, Medea rarely gains the respect as the incredibly intelligent human-being that Medea should have. On countless occasions, Medea remains seen as an animal, including, “I shall not die perhaps as a pigeon does. Nor like an innocent lamb, that feels a hand on its head and looks up from the knife to the man’s face and dies – No, like some yellow-eyed beast that has killed its hunters let me lie down” (Jeffers, 28.)
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Medea, a play by Euripides, centres around a woman named Medea who is wronged by her husband, Jason, when he marries another woman and leaves Medea. The popular opinion involving this play is that Jason is a horrible person, and he was in the wrong for causing Medea all of her pain. It is important to look at this play from both sides, however, and Jason’s argument is compelling enough to show that he was not as horrible of a person for what he had done and that the choices he had made were for the benefit of his family, despite breaking his vows. Medea is the real villain of this play, and Jason is one of her many victims. He consistently speaks about his desire to protect his family and talks of reasoning with the royal family so Medea is
In Greek mythology Medea ( sources ) is play about a young women who gotten her heart broken by her husban. Jason had betrayed Medea by marrying another woman to improve his social status, he underestimates how jealous Medea is and he lets her stay one day to pack up her stuff. Little does he know that Medea is planning to kill her own children and Jason's new wife. And that is when the problem start to happen, Medea had just gotten the news about her children have delivered the dress and we're just hours away from dying. Instead of Medea being proud of what she had accomplished, she felt confused and was wondering if what she had done was really the right thing to do.
Thus Ward is able to address the double edge sword that presents females in stories as “weak” or built upon the “wrath of a woman.” The inclusion of the universality that is associated with Greek mythology allows Ward to shed off the label of blackness from her work. With China, Esch and Katrina all carrying some traits of Medea, it allows the reader to see all aspects of being female from being vulnerable, brave, nurturing and protective. Moreover, Ward insinuates that women should be presented as empowering to one another and through Medea paralleling story Ward articulates her
I want Medea to be justified in her actions, but I want this to be something that could happen to anyone. I don’t want her actions to be considered ‘what women do.’ There is also this theme of feminism and standing up for women in general. She criticizes men while using her wit to maneuver the situation properly. Medea is a cunning woman confined to this world dominated by men.
As the play begins, Medea has stopped eating and spends her days locked within her own house. She can be heard moaning and rambling from within her home. She even wishes she would die, saying things like, “I am miserable, unhappy in my labors! Oh me, I wish I were dead.” As we as, “I wish I could cast off this hateful life and take my rest in death!”
Medea and the women of Corinth both share, to a different extent, the experience of being unfairly categorized as the caretaker of the family, which aids Medea in persuasion because she can be trusted as a woman to speak on the patriarchal society. She continues as ‘’of all creatures that have life and reason we women are the sorriest lot’’ (229-230) of all the living things Medea describes women as the ‘’sorriest’’ which suggests that women are pitied and helps Medea to allure the Chorus to be on her side. Medea suggests to the Chorus that Females ‘’must at a great expenditure of money buy a husband and even take on a master over our body: this evil is more galling than the first. ’’(231-233) Medea is arguing that women must sacrifice a ‘’great’’ amount of money to ‘’buy’’ their partners. This conveys the patriarchal community in Corinth.
This is Medea wielding the knife. This is Medea cutting” (Ward 203-204). Furious and depressed, like her Greek idol, Esch’s heartbreak culminates in bloodshed. She is able to understand and relate to Medea’s often overshadowed tenderness in the wake of despair, betrayal, and
This is why Medea, according to the Greek gods, was in her right to take such severe consequences upon Jason and in this essay we will analyze Medea’s position and decide upon a conclusion whether her actions are justifiable or
Named Desire, one may see how her character reveals symbolism and imagery to help convey the idea that Blanche is deceptive, egotistical and seductive. One can make an obvious discovery of how deceptive Blanche is by the symbolism that Williams reveals throughout the
Medea’s statement not only shows the obvious oppression of women, but Greece’s workings because of them. Greece would not be able to operate if it was not for the inequity to women. Medea exposes multiple injustices that women face as well. She protests of being treated as property to man and having zero control
Friedrich Dürrenmatt’s The Visit, is a play set in the small, run-down town of Güllen. When Claire Zachanassian, a rich, former resident of Güllen comes to visit, she offers its citizens some much needed funds in exchange for the head of one of their most loved neighbours, Ill. She calls it justice for the perjury Ill committed so many decades ago, however, thanks to the desperation of the town, it leads to the corruption required for such an act to be carried out. This, in the end, was the moral of the story that Dürrenmatt was expressing. He employs several techniques of German Expressionism in his play in order to emphasize the corruptibility of both humanity and justice.
In The Visit, Friedrich Dürrenmatt uses his character Claire Zachanassian as the driving force of the play. Claire 's revenge might seem unconventional, however, her principles are horrendously fair: she sentences punishments just for the crime. Dürrenmatt 's tragicomedy uses aspects of Greek tragedy such as the use Deus ex-machina in Claire 's character and uses this to show the complexity of a single character portraying both savior and punisher. Claire is introduced in Act I with an abrupt entrance by pulling the energy brake on her arriving train. This action rattles the townspeople and catches them off guard, foreshadowing the unsettling impact of her visit.
Medea, the protagonist, is a woman driven by extreme emotions and extreme behaviors. Because of the passionate love she had for Jason, she sacrificed everything .. However, now his betrayal of her transformed the beautiful loving passion to uncontrollable anger, hatred and a desperate desire for revenge. Her violent and temperamental heart, previously devoted to Jason, now moving towards its doom.