Being of high stature, Brabantio would never consent to the union of the two, knowing this; Desdemona quietly crept from her home and married Othello. Desdemona was a beautiful woman; courted by many would be suitors. One in particular, Roderigo, had a deep affection for her and sought to have the marriage annulled. Roderigo conspired with Iago, a trusted soldier and advisor to Othello. Iago secretly despised Othello and sought to take his place.
He took advantage of his father’s absence to pursue his relationship with Casandra and abused the Duke’s trust. The character who I have the most sympathy for in this play is Casandra. The Duke has scorned and ignored her, treating her, according to Casandra, as if she were a piece of furniture brought in to improve the look of the house. Casandra realizes that a relationship with Frederico would be an impossible love but she imagines this love as part of her thirst for vengeance on her husband who, by ignoring her, has denied her the status and dignity of a human being. The thought of revenge on a "birbaro marido" (1564) who has committed adultery after his marriage to her, entices her into believing that "los imposibles parecen / ficiles" (1566-67) (Everett W. Hesse 1997) .
One of the first events that are seen in the tale, which seems to coincide with the Wife of Bath’s opinions, is the Knight raping the maiden. The Wife of Bath could have used this event to support her belief that even the noblest man can be corrupted, and there are no truly good men in the world. “This knight now ponders and sighs sorely, too, But finally, he said in this way here: “My lady and my love and wife so dear, I put myself in your wise governing; Choose yourself which one may be most pleasing And most honor to both you and me too. I do not care now which one of the two; What pleases you suffices now for me.”” (1234-1241). This quote near the end of the tale is used by the Wife of Bath to show how the Knight makes the correct move by giving his wife the power of choice; and because of this the hag becomes beautiful and faithful.
As the two sisters fight over who loves their father more, they demonstrate to the audience that they are selfish and manipulative. They take advantage of their father’s old age and use their words to get gain for themselves. They do the exact opposite of what daughters are supposed to do during those times. “The representation of patriarchal misogyny is most obvious in the treatment of Goneril and Regan...Goneril’s and Regan’s treatment of their father...is seen...as a fundamental violation of human nature” (Bruce). God was most powerful, followed by men, who were followed by women.
This allows Iago to take advantage of Barbantio’s surprise and to come in between the newly weds with his disapproval. Iago is trying to ruin Othello 's marriage by sending Barbantio to Othello and expressing his dislike for his secret marriage, “Damned as thou art, thou hast enchanted her” (I. II. 82). Brabantio is in such shock that he believes Othello used magic to get Desdemona to marry him. Iago’s manipulation of Barbantio has ruined the relationship between a father and a daughter and any relationship that could happen between Othello and Barbantio.
In similar ways, both Norma and Lear construct a false reality that is salubrious to their madness. Norma shuts the doors of her gargantuan mansion to the outside world and lives in the glory of her past. King Lear decides to let his daughters bide for his love in order to encourage his ego. Of course, every action has an equal and opposite reaction. These decisions led to seclusion from society and the ones they loved.
Jason’s new marriage with Glauce plummeted Medea into revengeful and passionate fury. She had given up everything to live with Jason after which he had cheated and tricked her. This makes the readers sympathize with Medea. Jason had spurned the privacy, purity, sanctity of their marriage sphere. In the process of wanting to gain honor, he had backstabbed Medea by demoting her from the status of a legal wife to that of a concubine.
She ultimately gets what she wants when her husband goes through with killing Duncan, but even then she can’t be satisfied. Lady Macbeth is a very savvy character who really propels this story into motion. In contrast with this, Lady Macduff is a very innocent character who just gets caught up in the mess Lady Macbeth and her husband created. She is presumed to be a good woman and mother and did nothing to deserve her cold-blooded murder. Macbeth is a play with a vast amount of dynamic and contrasting characters but of all of these, Lady Macbeth and Lady Macduff are the most prominent.
While Heaney provides few details of her appearance, Zemeckis shows a concrete visualization of her character. Each version produces a completely different narrative of the same story simply by varying the nature of this single character. Heaney describes Grendel’s mother as a vicious beast while Zemeckis alters her to be a sexualized character. These differences snowball into two completely different stories. The audience's choice of medium and author can result in completely different understandings of the poem Beowulf.
This does not include the fact that she lead Gatsby on throughout the whole entire book. Gatsby gained feelings for this women that only wanted to get revenge on her husband. This action by Daisy is disgusting in the way that Gatsby loved this women so much that he was willing to die for her but all Daisy wanted was revenge on Tom for what he had did to her. Leading someone on, especially to the extent that Daisy does is utterly disrespectful. Daisy knows how in love Gatsby was for her and yet claims that she is in love with Gatsby also but is using him to get back at Tom.