The Window In Esperanza's The House On Mango Street

As a child, Esperanza wants only escape from mango Street. Her dream of independents and "self-definition" also means leaving her family behind without any responsibilities to her family. Throughout the book, her has also faced some situation where is feels ashamed to be part of the Mango Street community and in some instances refuses to admit she has anything to do with mango street. At the beginning of the book near the earlier chapters, Esperanza feels very insecure about herself in general along with the house that she lives in. As mentioned before, she doesn’t want to discuss her name nor where she lives.

“In the meantime they’ll just have to move a little farther north from Mango Street, a little farther away every time people like us keep moving in (Cisneros 13).” This quote is a significant part of the story because it shows how Esperanza truly feels about herself and her family. She thinks that because she is poor and lives and a bad neighborhood people move away from her family. Esperanza doesn’t think very much of her or her family at all. She thinks that it is because of their race that people do not want to be near them.

She dreams “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever” (707). Esperanza believes that she can change the way she is living and live a better life. She is trying to get a good education to become a more improved and intelligent person so one day she does not have to be poor.

Further into the novel, Esperanza travels to America. This is new for Esperanza and she is confused on the new lifestyle that she is merging into. She

Esperanza is often humiliated not only by where she lives, but also by her physical appearance, hence causing a restriction in her climb to a higher social class. Esperanza is frequently ashamed of her family’s broken-down house in an urban, poor

Throughout The House on Mango Street, characters struggle to actualize their dreams of a meaningful life. Author Sandra Cisneros illustrates this theme through her inclusion of windows as a symbol for a longing of another life. In the novel The House on Mango Street, windows represent the book and it’s theme of struggling for satisfaction in life by acting both as a border to another life and a translucent gateway to the character’s hopes. Windows act as a border to the life the characters long for but are incapable of achieving. Esperanza tells her great-grandmother’s story in which she is whisked away from her previously eventful life only to “[look] out the window her whole life, the way so many women sit their sadness on an elbow” because “she couldn’t be all the things she wanted to be” (Cisneros 11).

Esperanza’s interest is writing poem, appears in many of the chapters where it explains a way of bonding with her community by sharing poems with one another. Because Esperanza has become a writer her observations strengthen throughout the novel. One example of how she matures through writing is in the beginning of the book she told stories that were obviously meant for a younger audiences but through the middle of the book she started to use more observation based upon what she saw which helped develop the story more for the reader. This change shows that she is becoming an artist, and also that she is starting to distance herself from her community, since she focuses more on capturing experiences than living through them, she starts to further her self from interaction and focuses more on observation of the people around her. By the end of The House on Mango Street, she knows that she underwent a huge transformation and her relationship with mango st is starting to weaken.

Esperanza tries to fight this ‘childish’ fear of boys, and she doesn’t cross the street like the other girls. Esperanza attempts to get over her fear, and looks back at him, straight into his eyes. “I had to look back hard, just once, like he was glass. And I did. I did once” (72).

It can also be inferred that she is physically weak and malnourished. Finally, Esperanza will do anything to get what she wants. This means that she is extremely determined. Esperanza is a very timid little girl. After pestering her mother to give her a note to eat in the canteen, she is seemingly unable to answer the nun who asks what she is doing there, instead meekly holding up the note and scurrying upstairs to Sister Superior.

The male-dominated society that Esperanza grows up in forces the idea that women are weak and should stay locked in their houses while men go off to work. The men are immoral and seedy, as expressed in the chapter in which a homeless man leers and asks for a kiss from the little girls. Esperanza experiences the evil of her community when she is sexually assaulted, causing her to lose her previous desire to explore her sexuality. Before being assaulted, she wanted to be “beautiful and cruel” like her friend Sally, because Sally was what she understood to be a perfect woman. However, after her rape she decides that she needs to discover her own identity for herself.

Not once, or twice, or ever again.” (Cisneros 105). One of the reasons for this is her meeting the three old ladies who came for Rachel’s sister’s funeral. There prophesy that Esperanza will leave Mango Street boosts her self-confidence. The narrator also says, “Before Keeler it was Paulina, but what I remember most is Mango Street, sad red house, the house I belong but do not belong to.”

Esperanza finds out that she needs to become promiscuous in order to be popular like Sally and she’s not comfortable with that idea. Later on Sally and Esperanza go to the carnival, Sally leaves her alone to go with a boy. Esperanza is now by herself vulnerable and ends up getting raped. She realizes that boys are not what she thought they were, so she decides to focus on herself. Esperanza changes what she thought she wanted for the future.

Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,”[5] Esperanza claims, for this is nothing like the house she longs for.

The House on Mango Street by Sandra Cisneros is a story of a young Mexican girl growing up in the United States. Her name is Esperanza, and the novel takes the reader into her mind and heart as she reminisces about her childhood and what she hoped for in her future. Throughout the novel, Cisneros uses various symbols to highlight the inner conflicts within Esperanza. One of those symbols is shoes. Cisneros uses shoes symbolically throughout the novel to represent parts of Esperanza’s thoughts, emotions, and dreams as she undergoes a transformation from childhood innocence to the realities of adulthood.

The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.