Stages of a hero myth:
Origin
On page 20 it states, “Inside the clouds… I would break clear into a yellow, warm world. New trees would lean toward me at mountain angles but when I look for the village, it would have vanished under the clouds.”
This is a quote on the first stage of a hero myth, the origin. Kingston fantasies that a day would come to her when she would be able to fulfill her promise for herself, to become a woman warrior which is merely impossible in the world she is living in because of the gender ideology of oppression towards women having to be either a slave or a wive. The birth of a hero is usually surrounded by an unusual circumstances and for Kingston, she is a miraculous birth. She is given an opportunity to fulfill her dream after she follows a bird up a mountain where the bird shows her a hut where a old man and woman lives after following he bird for days thus this means for those days, she left her home to follow the bird as if she knows it was her calling for her to pursue. This shows how chapter 2 “White Tigers” of The Woman Warrior follows the first stage of a hero myth.
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The Journey
On page 22, the old man asked Kingston what she prefers to do: “You can go back right now if you like. You can go pull sweet potatoes or you can stay with us and learn how to fight barbarians and bandits.”
This is a quote showing that the chapter “White Tigers” of The Woman Warrior follows the second stage of a hero myth. In Kingston’s fantasy, she leavs her hom and goes on a journey to become a woman warrior.
3.
Joseph Campbell’s, The Hero’s Journey, appears in the foundation of modern hero tales, such as drama, storytelling, myth, and religious rituals. The first step in The Hero’s Journey is the Departure phase, it’s where the hero has an unusual birth or early childhood and is forced to leave their everyday life to face the challenges that await them. Next, is the initiation phase, it’s where the real challenges and trials occur. The hero has a mentor or guide who gives them a special weapon or advice so that when the hero faces the darkest part, the temptation to give up or quit, they will transform and achieve their goal. Lastly, the return phase is when the hero returns home and is able to recognize the experiences the hero had in the other world.
Amyann Albritton Hero’s journey 1/2period One day during summer break on a very hot and steamy day a girl was running through a field when there lay an arrow in the grass telling her to go towards the forbidden place. She refuses to go and turns in the other direction and goes home, though fear and curiosity were bubbling inside of her. Well for the past two weeks she has been thinking of going and she went to start the journey.
As her family “moved around like nomads” which they did, she tells the story of her stubborn Father and unique Mother, her loyal brother and wise sister all intertwined into her own story as her family struggles
Evelyn McKinney Mr. Baldwin 6th Period 16 May 2023 Rough Draft for final assignment (not edited) Most of us have heard of hero’s journey, but some have not. In this essay, I will analyze the original hero’s journey and an example of how it outlines many stories. One story that uses Hero’s Journy is Harry Potter and the Sorcerer Stone.
To be able to talk about heroes, gender, and Campbell’s The Hero’s Journey, there needs to be a separation between the journey to become a hero and the plot of the story. Although an entire story can be solely based on “The Hero’s Journey,” it’s not limited to the journey. How events play out and character development among other things are apart from what Campbell describes. The journey he describes stays the same regardless of the gender of the protagonist. Gender can only affect the plot itself depending on type of world that is built.
A woman is like a bag of tea– you can't tell how strong she is until you put her in hot water. Women can be just as powerful, if not sometimes even more strong than men, which is exactly how women are portrayed in the Odyssey. Circe, Athena, and Calypso are just some of the many formidable women roles in the Odyssey. An empowered woman will empower a man. And where there is a strong woman, there's a man, who was strengthened from her character.
You know how Zeus had other children that were not with Hera, correct? Well, Hera had 1 other child. Her name is Tili. See know Tili has quite the story.
The Hero’s Journey is an “infinitely flexible structure” used for stories from all over the world and across many different time periods, which intends to glorify the protagonist. In Brooklyn, Eilis, the young protagonist, who moved from her little town in Ireland to the US, seems to gradually transition from a passive girl to this strong young women. However, despite gaining self-confidence, she never gained anything from her experience. Although there are stages where her story fits in the hero’s journey, she isn’t a representation of that template, as she didn’t manage to gain anything meaningful from her experience, and instead ultimately lost her free will. At the start of the book, Eilis always let others control her life, and this
The Woman Warrior by Maxine Hong Kingston is a memoir filled with folklore and imagination, that takes the reader on a journey through growing up as a Chinese-American woman navigating the conflicting worlds. This journey is told through the young daughter's naive understanding of her mother's descriptive talk stories. The first chapter “No-Name Woman” is an excruciating tale of how the father’s sister was exiled from the family, killed her assumed daughter, and committed suicide for adultery. This scary tale was told to women of the family once they started menstruating and felt to me like a tactic to shame rather than educate the young girls This story, like the others, was filled with connotations that teach shame, what’s to be kept unspoken,
“The Warrior is Here, Now.” (Millman) The Journey in Peaceful Warrior is a major focus in Peaceful Warrior. In the movie, Millman struggles in his journey. Dan seems calm and collected.
However, unlike men who readily kill birds for abstract knowledge, Sylvia loves birds as living friends and literally shares her own food and saves the lives of birds. In the typical fairy tale woman growth structure, the princess of the forest, in love, accepts the prince’s views of nature and women without any conflict, leaving nature then goes to the (patriarchal) society as a passive partner. Therefore, after the emergence of a young man who wakes up ‘women’s heart’, it becomes a key issue for Sylvia’s growing attitude towards and how she treats herself as a
This book, along with being a utopian fiction, follows the Hero’s Journey archetype. Even though this book may not have purposely been made as an example of the Hero’s Journey the book and many others follow the paradigm. It may not be a perfect example, however, it definitely has it’s moments. The first three steps of the Hero’s
The protagonist seems to see a little of herself in the horse, Flora, who is free-spirited and excitable, so the day Flora is to be killed, she escapes from the hired hand and starts to run for the open gate. The men start to yell and tell the protagonist to close the gate, but instead, she opens the gate wider and allows the horse to escape. Since the horse escapes the men must chase her, and they allow the protagonist’s brother to go along while the protagonist waits at home with her mother. After this scene, Munro explains the protagonist no longer dreams of stories where she is the hero, but instead, she has accepted her role of a female who the hero saves. At the end of the story, the protagonist demonstrates an acceptance and realization of a complex and difficult world and her place in it, when she describes her father after he discovers that she opened the gate. Munro writes, “he spoke with resignation, even good humor the words which absolved and dismissed me for good.”
Linda Serger explains that in life we have these things called beats. These beats are included in day to day situations, movie, and in books. In the hero myth, the beats includes the following: “who the hero is, what the hero needs, and how the story and character interact in order to create a transformation.” In the Disney movie, Pochahontas, the main protagonist, Pocahontas, is the chief’s daughter who is about to be married to Kocoum and so they can both lead the tribe. Pocahontas goes through a tough decision with her love life and her relationship between her and her father, she goes through confusion.
Throughout her life she never has any other role than one in which she serves another and is thus never allowed to have a story of her own. In her early years she serves her father and cares for him in his illness and though it was courageous of her for taking up the burden of providing for her