The World’s Wife is a collection of poems written by Carol Ann Duffy in 1999. It consists of feminist retelling various stories, fairy tales, and greek mythologies, rewritten with feminist views where the women are the focus of the story. These recreations, all of which are dramatic monologues, are meant to bring forth the importance of the women who, in the original stories, are overshadowed by the men. Queen Herod is derived from the biblical story of King Herod, who ordered a mass killing of all first born boys under the age of two years, in fear that one them was meant to be the saviour of mankind and therefore was going to rob him of his thrown in the future. In Duffy’s version of the story, it was Queen Herod rather than King Herod who ordered the killings. Her justification for her actions was that one of those infant boys was going to break the heart of her newborn daughter. With this plot change, the women in the story were portrayed as authoritative, thus empowering them. As in the rest of the poems in this collection, the main social group represented in Queen Herod is women. In this poem, Duffy characterizes the three queens as “wise” and “fierce”, traits which are generally used to describe men. In contrast, she then uses “drunken” to describe King Herod, which only emphasizes the representation of the queens’ traits. The king and the infant boy act as foil characters to the queen and her daughter. Through alliteration, the infant boy is described as an
Many of the women in these stories are portrayed as strong, independent women who, in many cases, are the hero themselves. Women in Chrétien and La Motte-Fouqué’s stories are given strong roles in order to highlight and emphasize the important virtues of peace, bravery, and power which ultimately transfers the role of the hero from men to women. In order to understand why the women in Yvain and The Magic Ring are considered to be the true heroes, the definition of a true hero must first be fully defined. Many will describe a hero as a character who performs deeds to remove people from danger.
This terrible chain of events may not have come about if there were never any masculine or feminine expectations for these characters to fulfil. Of all the potential causes or suspects of Macbeth’s tragedies, gender stereotypes are internal and inescapable and no matter what the characters do they can't avoid the expectations society sets for them, which is why this particular cause of the tragedies is considered the worst and most to
Perrault, a 17th century French author, wrote about women as damsels in distress in his fairy tales, while Atwood, a 20th and 21st century Canadian author, offers a more realistic and modern approach in her writing. Sharon Wilson, author of the essay “Margaret Atwood and the Fairy Tale: Postmodern Revisioning In Recent Texts”, calls Atwood’s use of fairy tales to talk about current issues in society as “meta-fairy tales”. Atwood’s “meta-fairy tales” offer insight on gender politics in a current patriarchal society. Instead of using generic conventions to tell her story, like Perrault does, Atwood uses them and then dismantles them in order to show the reader the problems within the genre like she does in her poem.
Doll’s House by Henrik Ibsen was highly criticized for undeniably demonstrating woman’s issues in the 19th century. While the play doesn’t change setting much at all, Ibsen clearly focuses in on the characterization of three insightful characters: Mrs. Linde, Nora, and Helmer. Mrs. Linde is a minor character; however, that doesn’t alter her effect on the play. She provides the mold for the perfect, idealized wife. Nora, the main character, develops rapidly in the play, and her character is a stark contrast to Mrs. Linde.
The domination of men over women is often characterized by physical and psychological victimization of women and enhancement of their misery. This male domination is not limited to any particular region or particular period but it is globalised problem of all the times. Many women writers enter the literary scene to motivate women and fight against male domination. Walker is one among these sort of writers. Alice walker in her novels portrays the world view of women and their worthy roles, as mother, sister, daughter, wife and beloved.
Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; both have underlying meanings when it comes to defining what the role men and women in a good community should be. Or in other words, both stories paint a vivid picture of the role of women during the medieval time period, by suggesting that one gender had more power over another. However, these two narratives take alternative paths when expressing their views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when telling the experience of a woman that is highly different from other women in her time. Furthermore, another difference that is appealing to the reader’s eyes, besides the way the two narratives reflect to women’s role in medieval times, is that men become the hero in Beowulf, while “the wife”, so a woman, becomes the authority figure in the story of “The Wife of Bath’s Tale.” I want to first introduce the two main differences between the two narratives and then I will explain how regardless of the differences, both of these narratives’ main goal is to show that women had less power and a good community back that time was male dominated.
This becomes evident in a lack of information about the type of society, and the reader therefore lacks a complete understanding of how the women are oppressed. As a whole, this poem sets forth the idea that female gender is fluid, and asks its readers to questions what it means to be a woman in a male dominant
Women have always been portrayed as the weaker sex compared to men. It has been demonstrated in history itself and throughout literary works. Shakespeare’s Macbeth and Homer’s The Odyssey, however, portray women to be more powerful than men, even when their society thought otherwise and underestimated them because of their gender. Lady Macbeth, The Three Witches, Queen Arête and Penelope demonstrate the astute, charming, and ambitious side of women that was overlooked by men when it came to having power and making decisions.
“To the Ladies”, written by Lady Mary Chudleigh, is a poem that expresses feminism, and gives women a taste of how they would be treated in a marriage. Chudleigh displays this poem as a warning to women who are not married yet, as she regrets getting married. She uses such words that compares to slavery, and negative attitudes toward future wives to warn them. Back in this time period when the poem was published in 1703, women were known as property of men and you won’t have an opinion or a say so. The poem expresses a life of a naïve woman, who is bound to marriage by God, and she cannot break the nuptial contract.
Women are depicted as “trophy” to men and nothing more. Throughout the epic a sense of bravado and machoism is played out, giving off a man’s world feeling which women and little or no real reason to be wanted. To understand the epic and the roles in which women played, one may not have to look further than how the book has been put together. First and foremost, the book is being told through the eyes of a man (good luck ladies).
In the book of Wife of Bath’s Tale, Geoffrey Chaucer shows the role of a woman being weak creatures while men are economically powerful and educated. Women are seen as inheritor of eve and thus causes
Lady Macbeth and Medea are therefore considered tragic heros because they put their loyalty above their own self-worth. Ultimately, this ideal encompasses how femininity is controlled by men, because the actions of the Macbeth and Jason were the cause for Lady Macbeth and Medea’s
Thirdly, the classification of women into different classes prevents them from identifying their upmost enemy: masculine power. The relationship between the different groups of women creates a powerful atmosphere of suppression. In fact, Gilead promotes the act of woman against woman. Wives and Aunts controls and enforces the disciplines of the patriarchal society to other women, so one can clearly see that even women takes advantage of power. For example, Serena Joy, the Commander’s Wife who lives in vain hope for traditional womanhood, is the true traitor against women.
They all fit the archetype of a damsel in distress needing to be saved by others; Caroline by Alphonse, Elizabeth and Justine by the Frankenstein family, and are never given the chance to save themselves. Their lives are dedicated to the caring and nurturing roles of daughter, wife, and mother and they play the “perfect woman”; quiet and beautiful, waiting by the sidelines as the forever faithful companion to the male characters. Everything that happens to them is a result of someone else’s actions and is only significant as it affects the male characters. They have no control over their own fates and are portrayed as too fragile and precious to carry their own storyline and seem to exist only to wait to be sacrificed for the benefit of
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook.