“Ars Poetica” directly contradicts this Imagist principle, yet manages to teach it at the same time. McLeish opens his poem with the phrase “a poem should be”, and continues to repeat the phrase in lines 7, 9, 15, and 17. The repetition of the word “be” evokes the image of life, emphasizing the idea that a poem is indeed a being; however, repetition, according to McLeish’s principle and the meaning of “Ars Poetica” is a conflicting literacy device within a poem. The most obvious contradiction appears in line 5, “A poem should be wordless”. If a poem “should be wordless” why repeat the phrase “a poem should be” in that very line, or at all?
When reading poetry, I use his three main rules to understand the work; without these rules comparing a pilgrim to a poetry reader understand poems would still be difficult. The comparison gives readers a mind set to shift to, one of a pilgrim in a new land. This opens the readers mind just as the pilgrims opened their minds to new ways of life. Most poems are based on emotions, these feelings can be different from reader to writer. by following Hirsch’s
Introduction This paper aims to investigate the language variation and changes and the rhetorical analysis of the poem ‘Sonnet 144’ by William Shakespeare. By using language variation it will help me understanding the language used in the poem, and how language has changed through the years. To get at good insight of the meaning of the words there are used I will do a rhetorical analysis to look at metaphors in the poem. The Poem ‘Sonnet 144’ by William Shakespeare was first published in 1599 together with sonnet 138. The whole collection of 154 sonnets was later published in 1609 called Shake-spears sonnets.
This is another distinction from the other two poems, as they write about what exactly they write their poems for, whilst in Thomas’s poem it gets to the conclusion only at the end. His tone seems to be a touch pompous as he claims that he is not doing his work for his own gain at all. He sketches images of grandeur, such as images of grand entertainment in the first stanza, or writing for active politicians like
Emily Dickinson and Walt Whitman have that such gift, and are nothing short of illustrious. Dickinson and Whitman have revolutionized poetry eternally. Emily Dickinson’s writing shows her introverted side, she found comfort in being reclusive. Her writing clearly depicts that certain works of her will not be meant for everyone, rather
Rina Morooka Mr Valera Language Arts Compare and Contrast essay on “The poet’s obligation”, “When I have fears that I may cease to be”, and “In my craft of sullen art” The three poems, “The poet’s obligation” by Neruda, “when I have fears that I may cease to be” by Keats, and “In my craft of sullen art” by Thomas, all share the similarity that they describe poets’ relationships with their poems. However, the three speakers in the three poems shared different views on their poetry; the speaker in Neruda’s poem believes that his poems which were born out of him stored creativity to people who lead busy and tiring life, and are in need of creativity, while the speaker in Keats’ poem believes that his poems are like tools to write down what
The first step to understanding a poem is knowing what poetry truly is. Poetry is a form of art in which the human language is used for its aesthetic qualities instead of notional and semantic content. It comprises largely of oral or literary works in which language is used in a way which is felt by the user and audience to diverge from ordinary prose. Poems frequently rely for their effect on imagery, word association, and musical qualities. Poetry is often created from the need to escape the logical, as well as expressing feelings and other expressions in a tight, condensed manner.
Metaphysical poets don’t “follow the code”; they bend the “traditional” rules by taking unrelated ideas and gluing them together. These poets desire to shake up the foundation of what’s known and show one a world that would otherwise be hidden from social thinking. There are several characteristics that aid to the categorizing of a poet’s work: the lack of end-stopping a line, use of everyday language, analysis of an emotion over the expression of it, and a conceit that combines two seemingly unrelated ideas into one. John Donne falls into this classification of writers due to his technique and wit. According to The Poetry Foundation, Donne’s poetry was considered crude during its publication after his death and was historically unpopular.
But on the other side there still remains the basic fact that without quantitative confirmation, statements on style lack the support of concrete evidence. Statistical analysis, therefore, becomes an essential and important tool in stylistic description. Style therefore consists of the choices that the writer makes from the repertoire of language; it basically falls in the domain of language use; for instance what choices are made by a particular writer in a particular text. In literature it is possible to distinguish between what the writer chooses to talk about and how he chooses to talk about it. The literary communication in literature is done through carefully selected diction.
These strains have been labeled as ‘Dramatic’. He set a vague for metaphysical conceit and influenced a large number of contemporary poets. The concept of metaphysical conceit is another but most enticing aspect of Donne’s poetry. According to Dr Johnson, “conceits are the most heterogeneous ideas yoked by violence together”. Metaphysical poets are unable to achieve their poetic goals because they do not represent basic human nature and human feelings in their poetry.