The Yellow Wallpaper 'And The Evolution Of The Rest Treatment'

Using Feminist Theory, the reader can understand the message in “The Yellow Wallpaper.” In the story, John’s wife is slowly going mentally insane. John limits her abilities in society, because John does not allow her to work, the ability to write, and forces her to stay in the isolated nursery. For example, John’s wife describes her desire to work to do her good mentally. “Personally, I believe that congenial work, with excitement and change, would do me good.” Through the Feminist Theory, John does not believe her ideas and forces her to do something against her will. John believes that his idea and opinions are superior. Secondly, John does not allow her to express her feeling through writing. “ I did write for a while in spite of them;

In the short story “The Yellow Wallpaper”, author Charlotte Perkins Gilman uses many literary techniques to allow the reader to understand the universal truth that a woman’s class is seen as lower than that of a man’s, due to their sex. We see this truth throughout the literary work, when the main character who is a woman, is put in confinement and later becomesdistraught and mentally unstablebecause her husband and brother who are both Physicians diagnoses her as “nervously depressed”. Two techniques author Gilman uses is tone and diction to illustrate how the narrator, among most women in that time period is treated as below men in class, with little say in their own mental or physical issues.

Paula A. Treichler from the University of Illinois analyzes “The Yellow Wallpaper” and its effects of the diagnosis given to the main character effectively in her article “Escaping the Sentence: Diagnosis and Discourse in ‘The Yellow Wallpaper’”. In her article, Treichler emphasizes the reasons why the main character was lead to believe her diagnosis from her husband and the other contributing factors that played a role in her hysteria, such as lack of social interaction and confinement.

Postpartum depression takes a toll on many new mothers and suffer from this illness at many different degrees. In Charlotte Gilman’s short story “The Yellow Wallpaper,” the speaker in the poem suffers from the depression but her husband does not think much of it so her condition proceeds to get worse. In the “Yellow Wallpaper,” the speaker portrays that postpartum depression, is not taken seriously back in the late nineteenth century and not understood in full capacity, until recently.

Due to the impaired judgment, intense emotion and overt psychosis, there is an increased risk of violence in mentally ill patients during a relapse. Therefore, verbal de-escalation was crucial in eliminating the possible aggression during the first few home visits. Madam MA appeared frustrated the moment she saw the community team going to her house. She could not see the reason for the home visits. After the verbal de-escalation, she appeared calmer and was able to talk with the community team. Indeed, this was important in establishing the rapport and the therapeutic alliance.

“The Yellow Wallpaper” is a short story that was written in first person during 1892. This story depicts society’s attitude towards women with a mental illness at that time. Ultimately, the story shows how women were treated in the 19th century. “And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder— I begin to think—I wish John would take me away from here!” (231). Shortly after the narrator who remains unnamed and her husband John rented an old mansion, the narrator encountered a state of delusion in the wallpaper that surrounded her. In the story “The Yellow Wallpaper,” by Charlotte Perkins Gilman, the narrator develops a peculiar relationship with the wallpaper; the author’s use of allusion, symbolism, and personification identifies the existence of the woman’s illness.

In the story of "The Yellow Wallpaper", the main character is trapped by her sickness, constantly feeling as though she has no power to change the course of her life. Even her husband, John, feels as though the best prescription is staying clear of unneeded social intercourse, with someone watching over her during the day. "He asks me so many questions, too, and pretended to be loving and

“I wish I had the luxury of being sick instead of having to go to work every day.” (Copen[CNN]). But for so many people being sick is their full time job. Imagine waking up every morning and being just as tired as the night before, imagine taking a shower and being down for the count— when you live with a chronic illness this is a day to day normality. Living with a chronic illness is exhausting. But, people still wake up each day and go on, some as if nothing is wrong. Many chronic illnesses are also invisible to untrained individuals. When most people think of a disability, they think of someone in a wheelchair, someone who walks with

People of the world have a situation on their hands. The situation is considered armed and dangerous. It has multiple confirmed kills. The situation, better known as Isolation, attacks the mind and body of its victims. In the short story “The Yellow Wallpaper,” Charlotte Stetson writes a story about a woman name Jane treated for postpartum depression. On the contrary, in the article “How Extreme Isolation Warps The Mind” Michael Bond describes many different circumstances in which isolation engulfs the body and mind of people in close quartered areas. Isolation slowly creeps in and attacks the health of one’s body and mind in a confined area.

The protagonist, who remains unnamed, is suffering from post-partum depression after the birth of her child and is on ‘rest’ cure by her physician husband. In this paper, I will try to prove that ‘The Yellow Wallpaper’ acts as a subversive text by portraying the protagonist’s “descent into madness” as a result of the suppression that women faced in Victorian period.

On April 3, 2015, Tammy Cleveland sued Gregory C. Perry, a doctor at Buffalo General and Kaleida Health the company that owns both hospitals involved in the death of her husband, Michael Cleveland. Tammy is accusing them of “negligent” care resulting in her husband’s death. The law suit claims that the “defendants’ alleged actions and/or inactions were morally culpable, actuated by evil and reprehensible motives, malicious, reckless, gross, wanton and/or in reckless disregard for her husband’s rights and her family’s rights.” (Dudzik, 2015) The defendants are contesting the case.

In the short story, The Yellow Wallpaper, Charlotte Perkins Gilman represents how wretchedness is overlooked and changed into blended sentiments that eventually result in a significantly more profound enduring incongruity. The Yellow Wallpaper utilizes striking mental and psychoanalytical symbolism and an effective women's activist message to present a topic of women' have to escape from detainment by their male centric culture.

Sometimes authority blinds a person into believing. For instance, doctors are seen as trustworthy people because of their title. In The Yellow Wallpaper, written by Charlotte Perkins Gilman, the narrator has a mental condition and is taken care of by her husband who is also a physician. At first, she complies with his wishes of moving to a new house and not writing in her journal, but soon she struggles with her insanity. John, her husband, tells her “I beg you, for my sake and for our child’s sake as well as for your own . . . can you trust me as a physician when I tell you so” (322)? He doesn’t see how isolated she is and seems to worsen her case. John believes that it is wrong to disobey authority. He wants her to listen to him because he

In the late nineteenth and early twentieth-century, women were not treated equivalent to men. There was an evident divide between the gender roles of that time. Women’s health in a psychological, social and physical way was not essentially important. Men felt as if women were just emotional and that their issues were of no importance. Women had very little authority over their lives and it was as if their husband owned them. Charlotte Perkins Gilman’s short story, “The Yellow wallpaper” and Susan Glaspell’s play “Trifles” are alike in some respect; they both assess the situation of marriage and the divided genders with society’s criticism and impartiality toward women.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a first-person written feminist short story that critiques and condemns the nineteenth-century American male attitude towards women and their physical as well as mental health issues. In the short story, Perkins Gilman juxtaposes universal gender perspectives of women with hysterical tendencies using the effects of gradually accumulating levels of solitary confinement; a haunted house, nursery, and the yellow wallpaper to highlight the American culture of inherited oblivious misogyny and promote the equality of sexes.