Jayson Watson “The Black Cat” by Edgar Allan Poe and “The Yellow Wallpaper” by Charlotte Perkins Gilman are short stories that are written in the same era and represent a similar gothic tone. They both have characters that have mantal issues. Although their mental illnesses do not start out the same, they have a similar dark and grizzly outcome. These psychological horror stories describe a descent into madness from a sympathetic first-person point of view. The theme and tone of mental illness, addiction, and oppression. while discussing the use of symbols that lead to their insanity. There is a unique motive described by the narrators in both stories. They utilize first-person narration to explore the inner thoughts and experiences of the …show more content…
confinement. In “the yellow wallpaper”," the protagonist is confined to a room by her husband, who believes that rest and isolation are the best treatment for her nervous condition. This room is covered in oppressive yellow wallpaper. Despite her resistance, which represents the societal constraints placed on women during the time. The narrator becomes increasingly fixated on the wallpaper, ultimately seeing a woman trapped behind it. This fixation represents her own confinement and the breakdown of her mental state. Similarly, in "The Black Cat," the narrator becomes increasingly consumed by guilt and addiction, leading to his own confinement in a self-imposed prison of his own guilt and fear. The black cat serves as a physical manifestation of his guilt and addiction, a constant reminder of his inner turmoil and confinement. The cat becomes a symbol of the narrator's self-imposed imprisonment, and as the story progresses, his confinement becomes more and more …show more content…
In “the yellow wallpaper”, the narrator's confinement and lack of mental stimulation led to the deterioration of her mental health. She becomes increasingly delusional, seeing a woman trapped behind the wallpaper, and ultimately loses her grip on reality. The story suggests that extreme circumstances can push individuals to the brink of insanity, especially when they are denied self-independence. In "The Black Cat," the narrator's guilt and addiction cause him to spiral into madness. He becomes increasingly violent and paranoid, ultimately leading to the murder of his wife and the destruction of his own life. The story explores the idea that mental illness can be self-inflicted. Another theme that both stories share is the concept of societal oppression. The stories suggests that societal pressures and expectations can have a profound impact on individuals and can lead to self-destructive behavior and mental illness. In “the yellow wallpaper”," the narrator's confinement to the room is enforced by her husband, who believes that the rest cure is the best treatment for her nervous condition. This reflects the patriarchal attitude of the time, in which women were often denied control of their situation. The story suggests that societal constraints and expectations can lead to mental breakdowns and can be a form of oppression in themselves. In "The Black Cat," the narrator is a victim of his own societal
The protagonist of the story, a woman suffering from postpartum depression, is confined to a room with yellow wallpaper that she finds increasingly oppressive and disturbing. The wallpaper symbolizes the patriarchal society that confines women to prescribed roles and suppresses their creativity and autonomy. The protagonist's obsession with the wallpaper represents her own descent into madness, as she struggles against the constraints of her society and her own mental illness. Both stories show how women are oppressed by patriarchal societies and how that oppression has a profound impact on their mental and emotional well-being. The symbols used in both stories convey the sense of confinement and the destruction of potential that comes with that oppression.
As was common of the treatment of women during the nineteenth century, Charlotte Perkins Gilman's short story, "The Yellow Wallpaper," is one of oppression as John, the protagonist's physician husband, tries to cure her mental illness with a treatment plan of solitude and rest after moving in hopes his wife will regain her health. While critics have debated what causes the character's eventual insanity, María Teresa González Mínguez suggests that lack of a creative outlet lends to the woman's rapid regression. The protagonist's lack of a creative outlet combined with isolation ensures a downward spiral for the woman as symptoms of her mental illness ultimately consume her. While John hopes monitoring his wife's behaviors will cure her, his efforts only worsen her mental state.
Madness can drive any seemingly rational person to perform completely irrational and potentially deadly actions. Charlotte Perkins Gilman and Susan Glaspell both observe the effects of madness in their respective fictional short stories. Gilman’s work, “The Yellow Wallpaper,” is a first person short story in which madness is the central theme throughout. The narrator, who is also the protagonist, is driven into insanity after being prescribed the “rest cure” from her husband; her descent into madness is apparent as the story goes on. Glaspell’s work, “Jury of Her Peers,” is a third person short story in which madness acts as a secluded theme.
Throughout the story, her own concerns for her mental health are diminished and written off as simply nervousness that will eventually go away. The lack of proper care for her and her involuntary confinement to the room with the yellow wallpaper eventually causes the woman to end up in full psychosis, characterized by hallucinations of a woman trapped within the paper. The woman seen within the paper not only represents the actual woman’s need for a voice to give her freedom but also her inability to escape the constraints of the patriarchal standards being imposed upon her. It is not until she completely loses herself to the delusions and finds herself tearing down the wallpaper that she feels she has escaped her own husband’s constraints. Gilman uses symbolism in the short story, “The Yellow Wallpaper,” to convey that within a world with insane standards and rules, a woman’s only reasonable option is to go insane
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
In The Yellow Wallpaper by Charlotte Perkins Gilman, the reader follows a woman who suffers from depression but can not seek help because her husband does not believe it. As the couple travels to a colonial-styled estate, the narrator discovers the yellow wallpaper, as mentioned in the title, and soon becomes fascinated with it. Gilman wrote this story to shed light upon the psychological disorders that many suffer from but get overlooked. The short story portrays the notion of Id, Ego, and Superego. Id is shown throughout the story as the narrator makes an effort to restrain it but eventually writes down her thoughts on paper.
“The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 is a short story that explores the effects of challenging patriarchal and social oppression on a woman’s mental health. The story’s protagonist is an unnamed woman who is prescribed a rest cure by her physician husband, John, to help her recover from what he describes to be a “nervous depression”. The woman is confined to a room in their summer home decorated with yellow wallpaper. As the days pass, she becomes increasingly fixated on the wallpaper and begins to lose touch with reality. In the final moments of the story, the woman descends into madness, and her husband passes out after discovering the states she is in.
As the story progresses, the narrator's mental state continues to deteriorate. She becomes convinced that there is a woman trapped behind the wallpaper, and she becomes obsessed with freeing her. This obsession is a manifestation of the narrator's own desire to break free from the constraints that society has placed upon her. She feels trapped in her role as a wife and mother, and she longs for the freedom to express herself and to be taken
Mental health has become an increasingly important issue in modern society. Especially hysteria, hysteria is a type of mental disorder with a variety of sensory, motor, or psychological disturbances. In the story, “The Yellow Wallpaper,” the author Charlotte Perkins Gilman implies social interactions and environmental factors are contributing to the deterioration of hysterical symptoms. Specifically, Gilman highlights the emotional negligence of the protagonist's acquaintances, the negative effects of the wallpaper on the protagonist's mental state, and the impact of social isolation on the protagonist.
Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her
(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”
The woman was going crazy in her own world as she saw something coming out the yellow wall. The wallpaper had a bright yellow color that drove the narrator crazy and tried to peel it down. The woman was fighting with her mental illness as she explains her influence of her personal life, a woman’s right, and her mental illness. A woman in the early 20th century wrote a story, her story was heard about her mental illness and she had no type of support. The narrator of the story “Why I Wrote the Yellow Wallpaper” says, “It was not intended to drive people crazy, but to save people from being driven crazy, and it worked” (Gilman
‘The Yellow Wallpaper’ depicts the restrains that were imposed
Throughout the generation, women have always been trapped in some way or another. In the short story, ‘The Yellow Wall-Paper’ and the novel ‘The Awakening’ highlights the struggle of women in the late 1800’s and the early 1900s in society. The Yellow wallpaper is a short story about women giving birth and being imprisoned in a room with a weird view of the yellow wall-paper. This resulted in her hallucination lead to the development of mental illness. By the end of the story, she rips off the yellow wallpaper and kills her husband.
She identified the yellow wallpaper as a metaphor for women’s discourse. The narrator’s underlying feelings of confusion, depression, and frustration was covered by the yellow wallpaper which she rips from the walls at the very end to reveal “what is elsewhere kept hidden and embodies patterns that the patriarchal order ignores, suppresses, fears as grotesque or fails to perceive at all” (35). The yellow wallpaper is interpreted as the conflict of gender inequality and the struggles of women in a patriarchal society. The imagery reflects on how women feel toward sexual inequality and the situation with