In the novel, Alice learns that life with Alzheimer's has meaning and she is not worthless. Readers will see the struggle Alice goes through to make this realization, but that is the great premise of the novel. The novel does not alleviate the effects of the disease and shows how hard it is to live with the disease. The theme is best expressed through one of Alice’s last speeches, “And I have no control over which yesterdays I keep and which ones get deleted.... My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for?
The narrator seems to be sane at the beginning of the story, but her husband’s attempts to cure her actually made the condition far worse. He confined her to a room and took away the one thing she loved to do; using her imagination as a writer. He stated that she should not be socially active, as it will worsen her condition, but being in isolation actually made things worse. She disagreed with his actions, but was unwilling to go against him. One example is when Charlotte said, “I sometimes fancy that in my condition if I had less opposition and more society and stimulus -- but John says the very worst thing that I can do is think about my condition
This forlorn desperate monologue given by Aunt Harriett is what truly cements the treatment of women when they do not meet the societal standard. This idea that a woman who cannot produce healthy children is less of a woman is not a belief shared exclusively by men. Mrs. Wender is appalled by the fact her husband has not thrown her out for
Nanny would always tell Janie that love comes later in a relationship and that love is not as important in a relationship as security. Nanny shrunk the horizon, which for Janie represented her hope for a loving relationship, and made Janie believe that it was going to be something accessible. Some people 's dreams come true easily while “for others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eye away in resignation, his dreams mocked to death by time” (1). This quote explains that although some people may
Although some may argue that the short story, “Where Are You Going, Where Have You Been” by Joyce Carol Oates, reveals that Connie’s materialistic ideals drove her actions which caused her ultimate demise, this position limits the importance of Connie’s repressed thoughts. Her repressed thoughts, identified through daydreams and inner dialogue, reveal her psychological efforts to protect herself from the imminent danger ahead. These thoughts form as she strives to achieve a differentiation of self from her older sister, yet her newfound identity becomes superficially based off how she believes she should behave around her peers. When Arnold Friend appears at her doorstep, even though Connie deploys her defense mechanisms of repression and denial, she remains vulnerable to Arnold because she does not acknowledge her repressed thoughts and only considers his superficial appearance. Once Connie’s repressed thoughts surface, her reality anxiety allows her to uncover Arnold Friend’s true intentions with her and shed light on Connie’s fatal flaw: her differentiation of self.
The woman’s husband wanted to make sure that his wife only rested and did nothing else because he thought would involve brainpower. It might not seem like it at first, but the diary is much more than just a collection of thoughts. Because the woman kept the journal, it symbolizes how she will not let the wallpaper and her husband control her life. It was a symbol of rebellion.
Firstly, the story is a journal that the narrator is writing while being treated with the rest cure, which she keeps a secret from her husband, sister and others who come to visit her. As the journal progresses, the narrator’s writing demonstrates her fall to insanity. In the beginning, the narrator sees her journal is an adequate method of escape from her illness and her situation. As the narrator’s mind grows more and more crazed, she develops an urge to physically escape from the room that she is isolated in, which occurs at the end of the story. The narrator’s journaling was simply a small step that contributed to her ultimate freedom.
Later, when Phaedra’s nurse got her to admit the cause of her sickness, Phaedra explains, “At first when love had struck me, I reflected how best to bear it. Silence was my first plan: to conceal that illness”(Hippolytus 393-395) to prove that she decided it best to keep her feelings a secret. She further explains, “Next, I believed that I can conquer love, conquer it with discretion and good sense. And when that too failed me, I resolved to die”(Hippolytus, 398-400), Phaedra explained her whole plan on how she was going to go about her feelings for Hippolytus and none of it ever mentions trying to fulfill them. Phaedra also states, “I cannot bear that I should be discovered a traitor to my husband and my children”(Hippolytus, 420-421) to make clear where her loyalties lie and to prove that she would never do anything that went against her family.
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, the emotional state of the narrator and feelings toward her husband are reflected in her description of the setting through the use of first person narration, imagery to portray feelings of oppression and figurative language to create a consistent tone of isolation and cynical irony. The narrator uses symbolism to portray her connection with her observations and the yellow wallpaper. From the moment they moved into their house, the narrator felt like her husband treated her like a child which was shown when he forces her stay in a nursery. John forces the narrator to repress her imagination. While her "habit of story-making" might have found a healthy outlet in writing,
The story “The Yellow Wallpaper” by Charlotte Perkins Gilman deals with the narrator’s insanity as she identifies herself completely with the woman in the wallpaper. This made her believe that both she and the women have liberated themselves from masculine oppression by tearing out the domesticated prisoner in the wallpaper. Also, with the narrator being diagnosed with postpartum depression after her pregnancy, she finds herself isolated from society under the treatment of her husband who is a doctor and prescribes her not to do any form of duty/work. However, she is not the main reason to blame for her insanity because she had no chance of expressing herself but rather doing what her doctor “husband” says which lead to her inner destruction.