Most people never would consider Centre, Alabama, a small sleepy Southern town with a laid back atmosphere that could put an incurable insomniac to sleep, home to a thriving community theatre. Theatre Centre provides entertainment, wonder, dread, and happiness for all who witness it. I have loved and adored the theatre ever since I was a small child, performing in every play I could. Standing on stage fills me with a sense of pride and happiness that can be found nowhere else in the world. I love theatre, and even though the theatre I love more than any other thrives in a small town in Alabama, I still have a wonderful experience every time I go. Before a play begins, I see people sitting in hard metal chairs. Seeing the people fills me with nervousness and excitement. Every person looks different than the last. I see different faces, different clothes, and different expectations on what they are about to see. The sound of quiet talking fills the air, traveling about the room, causing each person to speak just a little louder so he will be heard. Before the audience lay a stage set for the unimaginative person’s benefit. Many hands worked tediously building a fantasy setting. I feel gratitude to those who built it, knowing that I could never accomplish a task of that magnitude. Simple furniture fills the stage, for …show more content…
Fear washes over me, because I know that if I mess up, everyone in the room will know it. The fear leaves as I hear the loud and rowdy laughter of the audience, who are clearly enjoying the performance. I feel pride, because I know that our hard work has been a success, and instead of worrying, I can be proud of what we have done. The lights go off, then come back on, and we bow to the thunderous applause erupting from the audience like a roar from a ferocious lion. I know then that I have been apart of something great: a tiny, low-budget theatre performing a play that achieved
Chloe Gard Acting II: Methods and Theories Tracy Manning May 19th, 2023 “The Good Life” "Theatre as Life" by Paul Marcus is a thought-provoking book that explores the profound connection between theater and the human experience. In Chapter 12, titled "The Good Life," Marcus delves into the concept of the good life and its relationship to theater and performance. This chapter offers a unique perspective on how the pursuit of the good life can be understood through the lens of theatricality and the transformative power of the stage. In this paper, we will reflect upon the key concepts and ideas presented in Chapter 12, examining the author's insights and analyzing their implications.
The enaction of the Federal Theatre Project (FTP) provided many theatre professionals with new, much-needed jobs during the Great Depression, but its impact didn’t stop there.
Organization Description: Steppingstone Theatre Corporation is a 501(c)(3) nonprofit organization located at Saint Paul, Minnesota and has focused on youth development through theatrical production and education. It has successfully serving the children and teenagers whose age are from 3-16, and providing them different kinds of opportunities to experience the theatres and enrich their knowledge while they are involving into the theatrical activities or classes. Since they have been at Saint Paul back into the 80s, the organization has served the people for almost three decades, and Steppingstone Theatre always concentrates on providing stage production with children in order to grow their interests toward theatres . Thus, it plays a vital
Furthermore, the moody sound cues and the hard lighting of the background was a perfect combination to most of its electrifying scenes, such as the cross-examination scene of the main antagonist, in order to reflect a mostly conflict ridden and angry scenes. For me, this is because the entire play is staged as when it is written, where its historical significance is key to the plot. Thus, as a spectator, I was swayed by the timely vibe of Australia in the eighties, complemented by the timeworn
“All this play acting, this theatrical fiction, helps us give shape to our social world.” Theatrical performances go beyond the surfaces of reality, revealing a deeper perspective for the audience. The audience plays an important role in performances because if the audience is not satisfied throughout the play then the performance was not successful. The characters and the meaning behind the performance bring life to theater.
Today I am attending the Dallas Street Choir 's concert at Carnegie Hall. As I go in through the double-sided doors the cold fresh air brushes across my face, I continue to walk through the hallways of the Carnegie Hall until I reached another pair of the double-sided door which led to the place where the concert will take its place. I reach my hand out to the door handle and as I open the door I see a beautiful glistening in the light chandelier and a big stage ready for the Dallas Street Choir to perform. As I sit down I feel the soft velvet fabric sink down, the time goes by and people start making their way towards the sitting places. The audience consisted of people from almost every religion, age, race, background, rich and poor.
Drama Assessment Task S1 Task 2 Non Realist Devised Group Performance Isolation is being separated from other people or environments. In my group’s performance, Hazy Memories, we used several theories and techniques of the two dramatic forms studied to communicate the theme of isolation. Through different Epic Theatre and Absurdist techniques we communicated the theme of isolation, by the use of a circular plot line, an episodic structure, music, gestures, and characters all in black. We used the technique of a circular plot line and placards to show the isolation of a man who develops dementia over time.
The Ocean County College Repertory Theater Company performed the play, Smokey Joe’s Cafe at the Jay and Linda Grunin Center for the Arts, located on the Ocean County College campus. Smokey Joe’s Cafe was a very engaging play from the talent of the actors, musical ability of the musicians, and the overall joyful atmosphere. The environment of this play was quite perfect; there were comfortable seats and I have a great view of the stage. It was a pleasant, inside venue at room temperature, not too hot or not too cold.
Circuses are more than just an extravagant evening rendezvous. The exhilaration gained from entire families’ valiant works a hair’s breadth away from injury, with not a net or harness to cradle their shortcomings, is hardly matched. One could not imagine a greater feat of merriment if left to their own devices and for good reason. That is to say the waves of eyes darting towards the centerpiece incite no lesser feeling of chagrin. The tides of townspeople, dressed to the nines with only a scaffold to support their boisterous japery bind the crowd, their purposes ultimately served in total.
Today is the day. The day we’ve spent the past eight weeks preparing for. Our task: to work with our team to write, produce, and perform a ten-minute play within 24 hours. We will also be required to incorporate a prop, and the first and last line of the play would be given to us. My team, a private theater group called Courtyard Theater, consists of nine young thespians, seven tech crew, and our beloved director and writer.
It can be a creative outlet, a social circle, or even a home away from home. Most importantly, though, it is a chance for me to create something bigger than myself for my community and a learning experience that I will not soon forget. Throughout the multiple shows I have helped put on, I have learned mundane things such as the proper way to clean a paint brush or how to paint wood to look like “better wood” but I have also acquired skills that I will carry with me for the rest of my life: teamwork, leadership, responsibility, problem solving, initiative, and commitment. I learned that it is possible to have each of these traits while still being creative, social, and while I’m having fun with people who have become my second family. I realized, here, that I can be whoever I want, and I will be accepted, I realized that not everything will go as planned the very first time and that error should be accounted for, and I realized that theater is much more than just acting, singing, and
He shows that the genre can offer more than acting, singing, and dancing. In fact, musical theatre reflects reality and goes deeper than surface level. Although he pushes some audiences away, he still intends that they understand the depth of his shows. Therefore, he uses meticulous precision in the words sung by the actors and actresses on stage. Sondheim’s scrupulousness has paved the way for bright-eyed innovators who want to add their own spin on the genre, and because of Sondheim, the field of musical theatre accepts change.
The set varied, therefore it needed to be simple and easy to perform. We used small black stage blocks in the entire performance that symbolised chairs. To communicate with the audience that we are in another scene, the stage blocks would be moved around by actors to represent a change in location, for example, when the exam scene finished, we had to quickly put the stage blocks in two to signify that we were in a dating scene; the popcorn buckets was another element that suggested that we were participating in a movie theatre. Each performance we would have different sounds that would contribute to a particular scene. For example, the first scene had a school bell sound, that suggested that students are coming to class.
There were numerous battles fought in the Eastern Theatre. These battles were named as campaigns such as Manassas Campaign, Jackson Valley Campaign, Peninsula Campaign, Northern Virginia Campaign, Maryland Campaign, Battle of Chancellorsville, Gettysburg Campaign, Bristoe Campaign, Bermuda Hundred Campaign, Overland Campaign, Richmond–Petersburg Campaign, Valley Campaigns of 1864 and Appomattox Campaign. The armies of the Confederates and the Union fought all these battles in the Eastern Theatre. The historians contemplated that the Eastern Theatre was more impactful than the Western Theatre. The Army of the Confederates was led by Robert E. Lee who surrendered in 1865 at the Appomattox Courthouse.
To add on, some people might say “theater is not a necessity in life”. So what? Theater just gets taken away, which is too heartbreaking to understand when it’s not within people’s grasps. Theater might not be an essential for survival, but the importance of this argument is that it can improve in the educational system. And isn’t that what it is all about?