Denial, Acceptance, and Resilience in Zora Neal Hurston’s Literature Since the 1930s, individuals have lived under a certain power or authority in which some defy or submit to it. Zora Neal Hurston writes two compelling stories, surrounding the protagonists, 2 black women. Janie from “Their Eyes Were Watching God” and Delia from “Sweat”, endure a myriad of adversity. Both are black women who spend their life in abuse and discrimination. While both works treat the subject of the resilience of social class, “Sweat” emphasizes that individuals write their own fate regardless of social standing, whereas “Their Eyes Were Watching God” highlights that manmade hierarchy is inevitable. In both pieces of literature, the notion that individuals persevere …show more content…
During an argument at dinner, Sykes implies that he does not spend her hard-earned money. Delia furiously “seized the iron skillet from the stove and struck a defensive pose…It cowed [Sykes] and he did not strike her as he usually did” (2). Hurston’s juxtaposition of the words “ usually” and “struck” shows the normality of Sykes anger-infused harm towards Delia, and the abnormality of her standing up to Sykes, since she is a woman. This exemplifies Delia’s perseverance in her actions against her husband because she is no longer afraid of his physical abuse and she begins to threaten him. In “Their Eyes Were Watching God,” Janie is forced to marry a man she does not love and later, that forces her to do fieldwork. In her second marriage, she is constantly belittled because her husband does not believe that women are capable of many jobs. When Joe Starks, her second husband, is elected mayor, the town wants Janie to make a speech for Joe. But Joe jealously says, “Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home” (). Joe said this comment to ensure the town …show more content…
Each abuse was soley based on the imbalance of power between the man and woman in the relationship. However, the story, “Sweat” encompasses the theme that individuals can write their own destinies regardless of authority. In the narrative, Delia stands up to Sykes at a meal, causing Sykes to be in awe, “[He] almost let the huge wad of corn bread and collard greens he was chewing fall out of his mouth in amazement. He had a hard time whipping himself up to the proper fury to try to answer Delia” (). Sykes’ reaction exemplifies how Delia decided her own fate, nevertheless how low in social class she was to Sykes. It also highlights Delia’s assertiveness and how uncommon it was for her to make her own decisions and demands, showing character development and a dynamic shift. In the story, Delia’s place in society is automatically under Sykes because she is a woman. However, Sykes’ power soon comes back to bite him, when he was viscously attacked by the snake he bought to scare his wife. Delia considered helping Sykes by going to the doctor, however, “Orlando with its doctors was too far” (7). Therefore, “she waited in the growing heat [knowing] the [Jordan] river was creeping up…to extinguish [Sykes’] eye [of hope]” (7). The Jordan River is a biblical allusion to rebirth, renewal, and freedom after adversity, which reveals that the path of freedom she chose allows her to
(Hurston 72). When Janie had this notion, she was debating her relationship with Joe. Joe tends to make Janie initially blind, but as she begins to realize his true colors, she no longer loves him and yearns for something
After Janie leaves Logan and runs off with Joe, they head to Eatonville and Joe quickly becomes the mayor. The people of Eatonville ask for a word from the mayor's wife where Joe says, “Mah wife don’t know nothin’ bout no speech makin” (Hurston 78). At the very early start of Janie and Joe’s relationship, he continues to strip Janie more and more of her voice. Janie has been stripped so much of her voice that she does not even know who she is as a person anymore. ” The years took all the fight out of Janie’s face.
When regarding power dynamics, both works showcase a struggle between husband and wife, both pertaining to abuse and intentional submission. In “Sweat”, The protagonist Delia endures a fifteen year long marriage filled with abuse and emotional neglect from her husband Sykes. In an aggressive argument between Delia and Sykes, he states “Ah don't keer how bad Ah skeer you” (1). This connects to the common themes of power dynamics, specifically those of gender roles, as their relationship kept Delia powerless under her malicious husband's control. Additionally, in Their Eyes Were
(Hurston 42). Joe's behavior echoes the novel's patriarchal culture, in which women are expected to be submissive and obedient to their husbands. Janie's yearning for self-expression and originality is stifled in her second marriage, leaving her feeling confined once more. Janie feels a sense of liberation and self-discovery following Joe's death.
The venom of the snake becomes the metaphorical agent of freedom, and its actions brings Delia a moment of transformation. Sweat is also a big symbol in the story representing Delia’s loyalty and hard work. Delia uses the word “sweat” (922) to describe all her dedication by stating, “Looka here, Sykes, you done gone too fur. Ah been married to you for fifteen years, and Ah been takin’ and washin’ fur fifteen years. Sweat, sweat, sweat!
”Sweat” by Zora Neale Hurston tells the story of Sykes Jones, and his wife, Delia, who never strays from her beliefs. Sykes’ character traits lead him directly to his death. His cruel treatment of his wife results in her stand by and do nothing as he walks into death’s arms. His arrogance leads him to believe that he has control over things that he does not. His infidelity is a catalyst for it all, as he wants Delia out of her own house, and he will stop at no measure to get her out.
His actions foreshadow possible consequences for himself later on as Delia’s tolerance for Sykes’ behavior weakens.. Hurston characterizes Sykes as a selfish man who has great pride. In contrast to Sykes, Delia provides for
"Sweat" is a short story by Zora Neale Hurston that explores the relationship between Delia and Sykes, a married couple living in rural Florida in the early 20th century. Before the time of the story, their relationship was characterized by Sykes' abuse and infidelity towards Delia. Sykes spent Delia's hard-earned money on other women and forced her to wash the laundry of white people to support their household. The men on Joe Clark's porch are a reflection of the larger community's attitudes towards Delia and Sykes' relationship. They view Sykes as a lazy and abusive husband and sympathize with Delia's struggles.
The close view of the way Delia and Louise Mallard act differently in their marriages. First, Delia overcomes her unhappy marriage after years of hard work. Delia spent fifteen years cleaning other people’s clothes to make a living for herself and her husband. Her husband was not supportive at all even though she was the one making all of the money.
Second, Janie sacrifices her safe, happy, and comfortable life with her first husband to run off with a younger man, whom she later helps to start a small town, and who also becomes the mayor of aforementioned small town. In doing this,
Sykes’ reaction reveals the rarity of her confidence and independence. Specifically, his “amazement” was so strong that his mouth released his dinner and it portrayed Delia’s assertiveness and how unusual it was for her to make her own decisions and demands. Additionally, Sykes asked a question during another meal that implied he was not a financial burden to her, even though he spends excessive amounts of her earned money. Afterward, Hurston forms a detailed scene of a heated argument between the characters. Furiously, Delia “seized the iron skillet from the stove and struck a defensive pose…
The torment of repetitive abuse and degrading mockery of appearance and behavior continuously adhered on during an entire marriage. Needlessly conceding into a complacent role bearing undeserved hatred. Both protagonists in “Sweat” and Their Eyes Were Watching God undergo this unwarranted treatment. Throughout both they are suppressed and put down, Delia upholding all work inside the household and enduring constant disrespect, and Janie continuously mocked, controlled, and paraded as a trophy-wife. While the works, Their Eyes Were Watching God and “Sweat,”by Zora Neal Hurston, teach the theme that for fulfillment of one’s self peace, realization and confrontation of one’s burdened anguish is required.
Someone who will cherish them for all eternity. In a close examination of the way Louise Mallard, the protagonist of “The Story of an Hour”, and Delia, the protagonist of “Sweat”, react to their encounters with their marriages demonstrates that authors Kate Chopin and Zora Neale Hurston both use short stories to tell similar stories about the difficulties of their emotional states in their marriages. First, it is seen that Louise Mallard is an unchanging character who values her freedom from her marriage. Throughout the story it becomes obvious how self-centered Louise Mallard is.
Delia constantly reminds Sykes that for the past fifteen years, she is the one who has been in charge of food among other basic necessities. Sykes being the disrespectful man that he is, does not respect the fact that his wife works very hard to offer food. He does not appreciate that she does other people laundry so that he can be comfortable. Furthermore, he uses the money the Delia earns to make sure that his mistress Bertha is satisfied.
Sykes is the rude, mean husband of Delia. Sykes makes no money, but tells Delia that he wants her to throw the white people’s clothes out that she washes, which is their only source of income. Sykes is selfish and uncaring about Delia’s feelings.