Samuel Beckett’s Waiting for Godot, first performed in 1953 in Paris, portrays two middle-aged men who are imprisoned within a life driven by a meaningless or incoherent purpose. The characters Vladimir and Estragon are trapped in unrest until they meet Godot, the unknown person whom the characters must wait for, to no avail. Time is shown to work differently in Waiting for Godot, as it is a “play in which nothing happens, that yet keeps audiences glued to their seats”, stated by Vivian Mercier,
For English Literature class, we read and discussed "The Stranger" by Albert Camus and "Waiting for Godot" by Samuel Beckett. Although both authors present their works of fiction in different ways, "The Stranger" is a novel and "Waiting for Godot" is a minimalist play. Camus and Beckett explored different aspects within the existential theme. Existentialism in general can be referred as the twentieth century philosophy, and specifically in the literature world as the belief of finding one’s meaning
Deconstruction is a literary theory and philosophy of language derived principally from Jacques Derrida 's 1967 work Of Grammatology. The premise of deconstruction is that all of Western literature and philosophy implicitly relies on metaphysics of presence, where intrinsic meaning is accessible by virtue of pure presence. Deconstruction rejects the possibility of a pure presence and thus of essential or intrinsic meaning. Due to the impossibility of pure presence and consequently of intrinsic
their help—instead. Secondly, Jaroslav wants to speak the truth but he fails. The failure of language to convey meaning is an important theme in the literature of Absurdism. Language is either detached from any interpretation that can be agreed to by all characters, or it is reduced to complete gibberish. Like in the play The Bald Soprano and the Waiting for Godot, here language fails to convey its meaning too. The forth joke is related to the traditional festival. The Ride of the Kings, the traditional
Harold Pinter and Samuel Beckett are the two powerful literary figures of postmodern drama. In their work they depicted the pangs of poor, downtrodden, exploited, weaker, and proletarian and the dominated people. We can clearly notice the concept of Gramsci’s hegemony where bourgeois class dominant over the proletarian class of the society. We may feel a predominant power where domination of stronger over weaker can be observed. Proletarian people are the victim of their fate. Since birth they have