Theme Of Context In Gothic Literature

Brabantio, now questioning his daughter’s loyalty, spoke “If she confess that she was half the wooer, destruction on… [Brabantio’s] head if… [his] bad blame light on the man”. Desdemona, the woman herself, was then called forth. With a straight back and set eyes, Desdemona said to her father “... [she is] hitherto your daughter.

Myrtle is accustomed to living an underprivileged life where feminine power engulfs her, but Tom is too egotistical to allow Myrtle to speak with such authority to him. Similarly, Gatsby’s need for assurance from Daisy pressures her into revealing to Tom that she never loved him (Fitzgerald 132). Deep down, Daisy knows that she truly did love Tom once, but Gatsby’s assertiveness and persistence drives her over the edge to telling Tom that what the two of them shared meant nothing to her. Daisy’s attribute of being a pushover is revealed immensely because she refuses to stand up for herself. Daisy is used to enabling Tom to constantly control all aspects of her life, and that leaves her powerless in society.

His movie adaptation differs from other adaptations mainly because it is based on Stoker 's novel only. " All screen versions of novels are transpositions in the senses that they take a text from one genre and deliver it to new audiences by means of the aesthetic conventions of an entirely different generic process [here novel into a film] (Sanders 20). Coppola alters the personalities of Stoker 's characters.

Her internal struggle is revealed in this instant when her hedonistic desires cause her to feel conflicted. Mrs. Buchanan tends to act extremely selfish, especially during the moments when she cannot resist the temptation of hedonism. When Daisy impatiently awaits Gatsby’s return from war, “there [is] a quality of nervous despair in [her] letters” (151). Daisy’s egocentric nature ultimately causes her to believe that the world revolves around herself. Her tragic downfall is made clear when she decides to marry Mr. Buchanan and pursue old wealth.

Since the eighteenth century, Gothic writers have been using strategies in their writings to make supernatural accounts seem imaginable and not entirely false. Some of these strategies include darkness, intricate or secret passages, and abandoned or isolated buildings. The environments in which stories take place are critical to Gothic literature because they distinguish Gothic from any other type of writings. Architectural environments in Gothic writings have allowed for plot development and are the pinnacle of this style of writing. They help further the plot by adding essential features that are needed in order to make the stories more realistic and imaginable.

The speaker 's relationship with her father contradicts the close father-daughter bond common in most family settings. She regards him with hatred and fear as one would a totalitarian dictator, not a loving father whom she adores. There exists, for lack of a better term, immense conflict between this childish, puerile speaker and the father whom governs her every thought. She emphasizes this conflict through the use of numerous allusions, intended to bring about a clear notion of exactly how poorly she was treated by her father. Although there exists varying interpretations of the poems metaphors, the allusions to war torn Germany, vampirism, popular nursery rhymes, as well as Greek architecture are unmistakable and are included by the speaker to parallel her own experiences and conflicts with her father.

Abigail’s jealousy is what ultimately drives her to the edge of reason. Abigail’s intense jealousy is exemplified in Act II lines 162-168 when John and Elizabeth are discussing the situation. “It is her dearest hope, I know it. There be a thousand names; why does she call mine? There be a certain danger in calling such a name—I am no Goody Good that sleeps in ditches, nor Osburn, drunk and half-witted.

Introduction: When people feel that they can freely express their frustrations, and feel that they are unpleased with an opinion from a government or kingdom. These types of people (such as Romeo) will often feel an uncontrolled urge to take matters into their own hands. And this will lead up to finding them in an act of defiance. Additionally, this is what makes our main heroine Romeo defies his family (or house) and marries Juliet without their acknowledgment. Body paragraphs: Romeo has a strong desire to help end the family feud, Romeo’s strong will to go against the house Capulet and marry Juliet.

The Ill-Mannered Shrew In the comedy, The Taming of the Shrew, by William Shakespeare, the protagonist Katherine, a stubborn, ill-mannered women, does not follow the directions of anyone. The word “Shrew” in the title of the play represents Katherine because someone needs to tame her. Katherine does not illustrate saintly behavior in the comedy because she degrades and insults all of the men she encounters, continues to disobey her father, and bickers with her sister to the extent of harm.

When he hears of his mother’s remarrying, Hamlet becomes infuriated by the, “Incest” which has taken over the throne. He explicates this statement by speaking, “She married. O, most wicked speed, to post with such dexterity to incestuous sheets! It is not, nor it cannot, come to good. But break, my heart; for I must hold my tongue.”

The period of missionization was known to the Spaniards as a time to mold the Indigenous people into the spitting image of what they wanted; cultivating the Indigenous people into civilized, Christian practicing beings. However, through the eyes of the Indigenous people this period was considered to be the end of the world – an end to the world they came to know so well. Settler colonialism introduced a cruel and brutal world upon the Indigenous people, especially for Indigenous women who were targeted by the priests to fulfill their needs of lust, during the period of missionization. In the book, Bad Indians, author Deborah Miranda finds a captivating way of presenting the brave story of Vicenta Gutierrez, who fell victim to the priest on the mission and spoke up about her traumatic event, through the literary genre of a letter. Using the letter as her literary device, Miranda vividly illustrates the sexual violence brought upon Indian women and how the priests used rape to establish power on the missions had a dehumanizing effect on these women.

The novel, Turn of the Screw, by Henry James takes place in England and is told from the point of view of the Governess, whose sanity is questionable. The Governess is insane because throughout the novel, she is the only one who sees the ghosts, she is in love with the master, and she allows her desire to protect the children to drive her to insanity. First, the Governess is insane because she is the only character in the novel to ever have seen the ghosts. Early in the novel, the Governess claims she sees the ghost of Peter Quint, and immediately tells Mrs. Grose.

The Turn of the Screw by Henry James follows the story of a governess who takes care of the children Miles and Flora. The issue regarding the reliability of the governess as the narrator has been debated due to her “interactions” with the supernatural world. However, the governess is insane throughout The Turn of the Screw because the ghosts she sees are hallucinations; she shows irrational behavior towards the children; and she is obsessed with getting approval from others such as her employer and the children. The governess claims to see ghosts around Bly when they are just hallucinations. When the governess takes a stroll on the estate, she sees a ghost-like figure in a tower after imagining to meet anyone, possibly her employer.

As a child, I always wanted to scare other people by creating my own haunting fantasies. Now that I’ve matured, I face nastier creations compared to my juvenile stories. Although frightening, I develop a craving when watching horror. I face some of my fears that develop while watching horror, I redevelop my average self, and experience a different kind of fun. All it is is the dark side of our Human Condition.

If one takes the penal code as an instrument for expressing the moral values and norms of society, interests of the criminal justice system have arguably increasingly been focused on the protection of society rather than the rehabilitation of the offender. Societies search for ways to support and empathise with victims, while morally condemning offenders for their acts, and the general feeling of justice tends to be satisfied only when strict sentences are distributed in serious criminal cases such as sex offenses and assaults. The penal code is seen as an instrument for expressing the moral values and norms of society, and protecting survivors through prosecution. Considering the above as important to society and therefore a survivor, the