Tartuffe: A Tale of Bitter Deception Charles Baudelaire once said, “The devil's finest trick is to persuade you that he does not exist” (Baudelaire). Within the vast world of the theatre, one will irrefutably find that deception lies at the heart of evil. Despite whether or not one believes in the devil, he or she can pinpoint deception at the root of all evil. Molière’s well-known drama Tartuffe, which was first premiered in 1664, provides a captivating glimpse into the world of evil and deception. In pursuit of material wealth, Tartuffe successfully deceives Orgon and almost deceives the Kingdom, but in the end justice runs its course and he is thrown in jail. While residing the house of Orgon, Tartuffe is quoted saying, “There’ll be no sins for which we must atone, cause evil exists only when it is known” (Molière). Throughout the play, Tartuffe attests to the validity of these words as he successfully deceives Orgon within the confines of his own home. The initial sight of Tartuffe’s fraudulence took place in the church, when Orgon found him impoverished, praying for money. From this moment on, Tartuffe was able to hack into the mind of Orgon and manipulate him for his own benefit. Left feeling sorry for the measly …show more content…
However, in Tartuffe’s case, his manipulation was unjustified and indefensible. Entering a religious institution and claiming false piety in the pursuit of material wealth is an evil that has no place in the world (except for a jail cell). This reprehensible act of duplicity highlights the fear and concern that God displays in Everyman. At the beginning of the play, God goes on a long rant about how people are serving themselves, rather than him, and are living purely for their own pleasure (“Everyman”). Tartuffe’s illusive behavior throughout his time at Orgon’s house undeniably reflects this selfish pursuit of pleasure that is portrayed in
Madame Pernelle and Orgon trust in Tartuffe because he looks like the ideal priest. The appearance of institutional religion and its works revolved around Moliere
Moliere states to the King: “ it is a piece of great temerity on my part to come and importune a great monarch in the midst of his glorious conquest” (Moliere, Second Petition). Moliere is captivated by the King and believes that he is not worthy of his time, but seeks assistance regardless. Orgon, in contrast, believes that
While reading Tartuffe, I was constantly dumbfounded by the prevalence in the world today of Moliere’s, comedically portrayed, accusations regarding ignorance in arranged marriage, social class dynamics and religious hypocrisy. Moliere created the characters to the complete contrast to what society saw them as, which was intriguing and comedic. He also displayed the average practices, such as planned marriage, to be disgraceful and shameful. Lastly, but most prevalently, Moliere saturated the hypocrisy of religion by later in the story revealing the religious character’s deceitful and malign nature. In this essay, I will be using historic and literary theory to examine Moliere’s interesting views of such practices and the satire involved.
The first dishonest character mentioned in the play is Reverend Parris, a man who has worked to be a reputable, trustworthy church leader. After he saw his niece, Abigail, and daughter, Betty, dance in the woods, he suspects that they were involved in witchcraft. Angry with
The king’s intervention went completely against the way of Enlightenment thinking. This is because during the Enlightenment period, people were encouraged to think for themselves, and to solve their own issues, without looking to a “leader”. The king coming to solve Orgon and his family's problem, did not sit too well with Enlightenment thinkers. Through the entire play, Tartuffe lied and deceived Orgon. Orgon was blind to Tartuffes way, but the king was not.
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
Deception is an essential element in any tragedy. Its' affects on the lives of the characters could be destructive or benign. In William Shakespeare's The Tragedy of Hamlet, Prince of Denmark deceit proves to be the very foundation of the play. Shakespeare builds on this idea of deceit between the characters, from the very beginning. The deceit that is practiced is imposed on others as well as self inflicted ultimately leading to a tragic ending.
William Shakespeare’s “Othello” was a great example to showcase sacrifices made by characters to accomplish revenge or obtain power. Shakespeare told the story of Othello, a tragic hero, who was manipulated by Iago, which motivated him to kill his own wife. From this story, Shakespeare’s main goal was to portray characters making sacrifices for their ambitions. From this play, Shakespeare puts forth the idea of sacrifice through pointing out the importance of reputation and how sacrifices must be made to silence the truth.
Throughout Molière’s ‘Tartuffe” the true intentions of multiple characters are consistently questioned. Different characters involve themselves in self-made delusions for specific reasons, causing the label of ‘hypocrite’ to become a significantly used word. This use of the word ‘hypocrite’ throws everything off balance, forcing the audience to question every statement/event deciding whether or not they are truly sincere. Moliere’s use of hypocrisy when describing Tartuffe brings immediate awareness to the text involving central theme of reason verses emotion, deciding whether or not a characters actions were based on their pure heart or their greed.
In his play, Twelfth Night, William Shakespeare has his characters participate in the practice of deception and dishonesty of others - after all, the foundation of Shakespeare’s play resides within a lie. One of the major deceptions in the play is executed by the Illyrian countess, Olivia, as she repeatedly claims to need solitude to mourn her brother’s death in order to avoid Duke Orsino and his obsession towards her. This deception contributes to the meaning of the work as a whole by adding the thematic message, deception and dishonesty is sometimes the better option when it comes to love. From the beginning of the play, Olivia is introduced as the grieving countess that has recently lost a brother.
She uses Tartuffe’s lust for her as an advantage. Orgon refuses to believe anyone unless he has physical proof. Elmire uses deception to bring Tartuffe’s downfall and succeeds. Orgon refuses to listen to any of the men, but this time it is woman who uncovers the truth. During this century woman were still considered inferior than men, however Elmire contradicts that.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
This can lead to extremism, which some might label as false piety or religious fanaticism. Looking at how these ideas might come into play can help us to better understand where Tartuffe and Orgon stood throughout the story, and to decipher what Molière was truly trying to project in this story of hypocrisy. Piety is defined as “devotion to God; fidelity to natural obligations; dutifulness
Elizabethan era England was strife with religious conflict. Both of Queen Elizabeth’s predecessors put the country in religious turmoil. Henry VIII had split England from the Catholic church in order to divorce his first wife in favor of Anne Boleyn. However, Mary I feverently persecuted Protestants in pursuit of restoring Catholicism, earning her the nickname “Bloody Mary”. As a result, Queen Elizabeth was tasked with the responsibility of reconciling the opposing religions during her reign.
In the play Hamlet, by William Shakespeare, the title character Hamlet’s mind is violently pulled in divergent directions about the morals of murder. He feels an obligation to avenge his father’s death and thinks that it may be excused, since it is a case of “an eye of an eye.” But he is conflicted because the Bible has also taught him that murder is a sin and revenge should be left to God. Hamlet’s struggle to interpret this moral dilemma and his indecision, together are the ultimate cause of all the tragedy in the play; this internal conflict illuminates the meaning of the work as a whole: that murder, greed, and revenge are sins, no matter the reason, and procrastination is very detrimental.