People most often allow their fantasies to overpower and control their realities. In the play “A Streetcar Named Desire,” author Tennessee Williams describes the themes of living in a dream along with the harsh reality of the world. Arthur Miller, writer of “Death of a Salesman,” emphasizes that dreams must always come to an end and when they do, you must let go before it takes a toll on one 's mental health. Although dissimilar in plot, both plays display how the main characters allow their fantasies to cloud their judgement on their reality. Throughout each of the plays, we identify how each of the individuals had a fear of their own reality and never wanted to live in it. As the reality of their lives continues to find its way in, they allow their American dreams to influence their judgement. Even though the American dream doesn’t exist, people fixate on living the perfect life. Some may argue that their fantasies are actually their reality; however there are several indications that allow us to see that this is untrue. Blanche DuBois, a character in “ A Streetcar Named Desire,” is one who seems to demonstrate this. In the play, Miller describes Blanche as an older woman roughly in her thirties who believes she is still young. She fantasizes about all the things she wished she had accomplished in her youth and lies about doing so. In the play, Blanche has many moments in which she acknowledges that she is lying, but will continue to force herself to believe that her
In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,
Blanche represented hamartia in many ways which can include of her compulsive lying, creating a fantasy for herself and others, drinking antisocially, and her inability to be independent. Blanche 's dependence on men throughout the play was a main theme that Williams
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
Although the protagonists of “Fahrenheit 451” and “A Streetcar Named Desire” live in two drastically different societies, both are not satisfied with their current way of living and desire a change and improvement in their life. In “A Streetcar Named Desire”, the title of the play itself signifies Blanche’s desire to escape from the reality of her life, as she is haunted by her past and is currently living a life of insecurity, due to the loss of Belle Reve. Ironically, the streetcar named Desire did not bring her to what she truly wanted, an end of all her problems, and she in fact lost her sanity. The reason for Blanche’s tragic ending is due to the avoidance of her problems, shown metaphorically in the form of a flimsy paper lantern on top of a lamp.
It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
“A Daily Joy to Be Alive” discusses the importance to persevere in life .Blanche, Stella and the Speaker in “A Daily Joy to Be Alive” identities have been shaped through their past experiences and effect who they are today. Individuals are free to shape their own identities through familiarity, environments, and relationships as shown in A Streetcar Named Desire and “A Daily Joy to Be Alive”. In the play a common sense of familiarity helps to shape the identities of Stella and the speaker of the poem. It can be inferred that Stella replaced her sister Blanche’s bossy and authoritative behavior with Stanley’s.
Blanche flees a failed company and a failed marriage in attempt to find refuge in her sister’s home. Through her whirlwind of emotions, the reader can see Blanche desires youth and beauty above all else, or so the readers think. In reality, she uses darkness to hide the true story of her past. In A Streetcar Named Desire by Tennessee Williams, Williams uses the motif of light to reveal Blanche’s habit of living in a fantasy world until the light illuminates her reality. Blanche uses darkness to block her past from onlookers as to shape her image.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
This is presented by Blanches descent into madness due to her inability to act properly on her sexual urges. Lastly, Williams demonstrates how Blanche is not at fault for not knowing how to act on her desires. She was brought up in a world that told her that expressing her sexuality or even having sexual desires was wrong, she never learned how to deal with desire. This is why A Streetcar Named Desire should not be dismissed as a cautionary tale that warns individuals not to embrace desires. On the contrary, this is a story that blames society for not allowing people to openly express their sexuality and act of their most primal of