Valverde 1
Joseph Valverde
Mr. John Salmon
Ap Literature
October 2014
Volume 2
- Chapter 1: Victor Frankenstein is going through great sorrow and grief as his conscience cannot handle the guilt caused by the death of the innocent Justine. He “wandered like an evil spirit” (Shelley 103) as he was unable to conceive peace. This state of mind preyed upon [his] health” (Shelley 103) as he was unable to cope with the present events and his guilt, this marks the mood at his part of the novel as that of despair and of regret. . Victor is then taken to Belrive in order to find peace, there he pondered about the outcome caused by his actions. However rather than finding the peace his father wanted him to find his mind fills with the desire of revenge against his own creation. Unable to handle the emotional pressure he pursues a lonely trip to the valley of Chamounix. Here the mood then begins fluctuating as he purses internal peace but his guilt keeps tormenting his mind. He first “ceased to fear, or to bend before any being less almighty” (Shelly 107) and “a tingling long-lost sense of pleasure often came across [him] (Shelley 107), however then he found himself “fettered again to grief and indulging in the misery of reflection” showing the nature of his internal conflict.
- Chapter 2: The beautiful scenery that surrounded Victor managed to divert his attention from the recent events, however the next day there was a sudden change in the mood as “all of soul-inspiring fled with
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Show More66: Nature around Chamounix help subdue Victor’s grief. 66: The awe-inspiring Montanvert usually helps Victor forget his worries. 71: Light form the sky makes the Creation happy. 81: Tranquil nature raises
Theme: The Misery Caused by Loss During the novel several characters die, of different causes. Misery is also a main motif, while several personas gradually become more and more miserable. The loss of characters caused dreadful misery.
He despised the monster he believed he is; he stated that “when [he] heard the details of vice and bloodshed, [his] wonder ceased, and [he] turned away with disgust and loathing” (104). Therefore, he realized his flaws, which Victor failed to
Sleep fled from my eyes; I wandered like an evil spirit…” Shelley’s use of imagery in this situation gives over the feelings of Victor’s intense guilt at having been the cause of the death of an innocent girl. This also implies that in a sense Victor questions his own existence because of the weight of his actions “Press[ing] on [his]
Frankenstein, Dialectical Journal- Chapter 4- The End A theme that was very prevalent in these final chapters was, Creator and Creation, furthermore how the monster and Frankenstein are more alike than they like to think. Both characters had been wronged by the other and made it their missions to destroy each other, losing parts of themselves along the way. “You, who call Frankenstein your friend, seem to have a knowledge of my crimes and his misfortunes.
Selfish Desires Selfishness has caused the downfall of countless characters throughout a multitude of literary works. This selfishness is also what usually precedes a character’s isolation due to the consequences of their actions. One example of this can be found in Mary Shelley’s Frankenstein when Victor Frankenstein defies the natural order to accomplish his personal goals. Likewise, in “The Rime of the Ancient Mariner”, by Samuel Taylor Coleridge, the Mariner makes a fatal mistake of performing a selfish action without thinking of the consequences. These works use the character’s actions and the main characters to explore how selfish decisions leads to one’s own isolation and the destruction of those around them.
The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.
In volume 1 of Frankenstein, Victor's selfishness unleashes the “monster” in Victor and leads to Victor losing connections. Through the portrayal of the monster inside Victor, Shelley argues the universal theme of obligation. Shelley argues the universe of obligation, through showing us the ways of Victor only thinking of himself. In the circle of individuals and groups toward whom obligations are owed, one's self is always in the center. After oneself in the middle, family and friends come very close behind in the second circle.
In Philip Pullman’s adaptation of Mary Shelley’s ‘Frankenstein’ , it clearly shows that he encourages the audience to feel more sympathy for the Monster and not Frankenstein. This is because of the way people describe the Monster and say extremely violent things to him, such as death threats. The Monster states things in the story so the other people understand the hardships he has had but not everyone believes that it is worth feeling sorry for because of the way he is different to man. So it makes the audience have sympathy for him because they know what the Monster has been through and they know he has had gone through more exclusion from the public than what Frankenstein has.
Responsibility is the state or fact of having a duty to deal with something or of having control over someone. In the novel Frankenstein by Mary Shelley, the reader finds many examples of the importance, need, and especially lack of responsibility with characters like Victor and the monster. A reader of Frankenstein sees multifarious examples of Shelley’s theme of the dangers in not taking responsibility even today in the real world. In the novel Frankenstein by Mary Shelley, Shelley’s portrayal of Victor as selfish suggests that not taking responsibility can lead to pain, death, and the suffering of others as we see in the novel which relates to today's society of powerful countries not taking responsibility for the weapons that they create, and the damage that is revealed as a result. Characters in Frankenstein not taking responsibility show the reader the potential dangers of pain and death in numerous situations in the novel.
Throughout the book Frankenstein, Mary Shelly uses nature imagery to show the character’s emotions and mood. Mary Shelley often uses nature and the character’s surroundings to reflect the character’s mood. In chapter 11, the monster is alone during the winter, having to survive in this unfamiliar world he is cold and frightened especially during the cold winter nights. “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (Shelly, 105)
Student: Omnia Saad Kamel (Code: 351) Emotions as a Feature of Romanticism in Marry Shelly's Frankenstein The overflow of emotions in Marry Shelly's Frankenstein defines it as a Romantic work. Emotions unify the characters at various points in the story, portray their individual personalities, and contrast them against each other. The influence of nature on the thread of emotions and how the inner feelings of main characters are interpreted by others emphasizes the importance of emotions to the Romantics.
Light and Dark in Frankenstein Throughout Frankenstein by Mary Shelley, the reader is torn between the forces of good and evil, as well as which characters represent which force. Perhaps the most masterful element of this novel is conveying how an individual can not be judged as wholly good or evil, and how having elements of both traits greatly forms the human experience. By using the motifs of light and dark to represent the positives and negatives of humanity, Mary Shelley is able to effectively convey character traits, depict transitions of good and evil within characters, and employ haunting symbolism and imagery into the novel and transform it into a literary masterpiece. The use of light and dark as imagery in the novel could not be
Frankenstein Theme: Childbirth Mary Shelley, the author of the infamous classic tale; Frankenstein. Mary Shelley wrote the story of Frankenstein the majority of the time she was pregnant; she had already experienced and grieved the death of an infant before she had finished her horror tale Frankenstein. Now many events in Mary Shelley's life transpired before and during her writing of Frankenstein that could bring relation to the theme being childbirth.
Frankenstein is a book written by Mary Shelley about a man named Victor Frankenstein and his life and how it came to be. He had created a monster and brought it to life by studying and learning natural philosophy. Mary Shelley brought the emotions forward from the main characters by the amount of detail she put into the book. Most of the detail was brought in by the suffering that happens throughout the book caused by Frankenstein’s monster. The monster in this story is a tragic figure that is the main cause of suffering that occurs to everyone.