Both the poem “Warren Pryor” by Alden Nowlan and the short story “Harrison Bergeron” by Kurt Vonnegut, Jr express a depressing tone. “Warren Pryor” is about a son who chooses a career that he dislikes in order to please his parents. “Harrison Bergeron” is about a dystopian society where excellence in any way is considered a disadvantage and inequality for others. In both texts, the protagonists all face the barrier of having their nature being stifled; however, the speaker in the poem chooses not to fight back for himself, while the majority in the short story is not even able to realize the barrier that they face. In the poem, the speaker Warren Pryor is under the pressure and high expectation of his parents that he has to choose to work
Summary of the Opening Scene A Streetcar Named Desire by Tennessee Williams is in New Orleans just after the second world war and focuses on three central characters: Blanche Dubois, her sister Stella & Stanley Kowalski. These three characters are very different. Stella is Blanche’s sister & Stanley’s wife & so she serves to link them. TW creates a very distinctive setting for the play in the opening scene. He is mainly focused in the relationship between Stellas sister, Blanche and the environment of the raffish charm city, New Orleans.
This excerpt can be interpreted to mean that the young soldiers are too young to have a real place like home, causing them to feel insignificant, but the older soldiers have a reason to live, for their “wives, children, occupations and interests.” The author uses the phrase, “taken no root,” to convey how the young soldiers have never been anywhere long enough to grow their “roots”, suggesting that they have no safe place, a place like home. This quote implies that the extreme confinement from loved ones have caused the soldiers to become secluded from their family, obliging them to think that they don’t have a purpose, and feeling like a “waste land.” The speaker refers to himself and the young soldiers as a “waste land” to symbolize that the men consider themselves insignificant, they perceive themselves as pawns in a chess game, causing repercussions to their familial relationship. The author compares the soldiers because he wants the readers
But if you as a parent put your child down and make them feel bad for doing something wrong is where you mess up. No human is perfect so you shouldn’t expect a child to ace everything they do. That’s where Willie’s dad went wrong, he expected too much from him and when he got injured it’s like Willie’s dad’s dreams were ruined. That’s how the family slowly started falling apart, the father and son relationship wasn’t all that good to begin with and now that he’s injured really messed it for the both of
The Ideal Friendship The friendship between Adele Ratigonlle and Edna Pontellier is perhaps one of the purest relationships in The Awakening. Kate Chopin places their relationship as an important factor to the story and to Enda’s character. The relationship between the two survives into the end of the book despite Enda and Adele being displayed as near opposites by that point. Adele is a happy, organized, house wife who enjoys her children and finds purpose in this lifestyle. Edna is juxtaposed as depressed, impulsive, and longs for independence as well as freedom from the responsibilities of her normal life.
Throughout Tennessee William’s ‘A Streetcar Named Desire’ and Sylvia Plath’s ‘The Bell Jar’ feminine ideals of appearance are associates with ablutions and bathing. This is due to the view of water having renewing properties, the mental health associations of bathing within both texts, and the patriarchal view of feminine appearances. In William’s and Plath’s literary works, water is depicted as having renewal properties in the central feminine characters of both plots. In the character of Blanche DuBois this is most notable when she exclaims, “Oh, I feel so goof after my long, hot bath, I feel so good and cool and – rested!”. Blanche’s frequent baths, along with the excessive amount of time spent in the bathroom within the play, exemplify her attempts at purifying herself from the events of past and present.
For example, throughout the book Janie ends up being in two relationship throughout the novel, them being with Jody and Tea Cake. In both relationship she desired to be loved and admired but however she stumbles upon abandoning her pride and freedom to achieve her desires. Throughout the novel Jody makes her wear a head-rag that covers her personality. And Tea Cake keeps her on a theoretical leash to keep her chained down. She soon comes to realization and grasps what she whats the most after the passing of both her spouses and that's her
A young college graduate, Skeeter, returns home to be with her ailing mother, and in her ambition to succeed as a writer, turns to the black maids she knows. Skeeter is determined to collect their oral histories and write about a culture that values social facade and ignores the human dignity of many members of the community.Two maids, Aibileen and Minny, agree to share their stories, stories of struggle and daily humiliation, of hard work and low pay, of fear for themselves.It is a time of change, when
A Streetcar Named Desire is a story about a women with mental health issues, named Blanche Dubois. In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella. Stella lives with her husband Stanley. From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves.
Lastly, Shakespeare uses Romeo and Juliet to show true love. Nurse shows parental love to Juliet throughout the play. Despite being a servant to the Capulet household, she has a role equivalent to that of Juliet’s mothers and regards Juliet as her own. Even with the fact that Nurse is not the birth mother of Juliet, she still treats Juliet like a daughter. Nurse cares about Juliet and wants her to be happy and find success.” Go, girl, seek happy nights to happy days” (1.3.106).