The relationship most obviously based on a fear of intimacy is that of Tom and Daisy. Men and women who fear intimacy find ways to do so by engaging in infidelity as a means of hurting their partner, but less obviously, as a means to hurt themselves. This idea is well elaborated by Kristeva: “People who are threatened by intimacy and sexuality … are unable to consummate an intimate relationship and flee into promiscuity. They, also, retreat into being little boys or little girls in the face of an adult sexual relationship, because they are too guilty to consummate the relationship… Intimacy is avoided by choosing unavailable people or by pushing people away when they become too close” (Kriteva).
When the readers are first introduced to Tom,
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His treatment of Myrtle suggests no deep emotional investment either, as is showcased when he casually breaks her nose with “…a short deft movement” (Fitzgerald 41). He calls for her when it suits him, lies to her, and exerts physical dominance when she becomes inconveniently demanding. He has no desire to be close to his mistress; she is merely the means by which he avoids being close to his wife. Similarly, Daisy’s fear of intimacy, though as intense, is not quite as immediately apparent. Indeed, her marital fidelity, until her affair with Gatsby, and her distress over Tom’s involvement with Myrtle might suggest to some readers that Daisy desires emotional intimacy with her husband. Jordan’s description of Daisy after her honeymoon reinforces this interpretation: “I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily and say ‘Where’s Tom gone?’ and wear the most abstracted expression until she saw him coming in the door” (Fitzgerald …show more content…
Though Daisy certainly would not use this language to describe her feelings, it is very unlikely that she was even aware of her psychological motives. For both Tom and Daisy, fear of intimacy is related to low self-esteem. If Tom were as emotionally secure as his wealth and size make him appear, he would not work as hard as he does to impress others with his money and power, as he does, for example, when he brags about his house and stables to Nick, when he flaunts Myrtle before Nick and others, when he degrades those who don’t belong to the ‘dominant race.’ Daisy’s low self-esteem, like her fear of intimacy, is indicated in large part by her relationship with Tom. Falling so much in love with a man who was openly unfaithful to her suggests an unconscious belief that she does not deserve better. Furthermore, Daisy’s insecurity, like Tom’s, frequently requires the ego reinforcement obtained by impressing others, attempts at which the readers see in her numerous affectations in, for example, her interactions with her cousin Nick. Tom and Daisy’s fear of intimacy is apparent in their relationships with their daughter Pammy as well, as neither spends time with her. Their daughter is being raised by her nurse and
Her existence does not depend on her illusions, so even if she is forced to face reality, she does not have much to lose and can escape without harm. Daisy pretends that she is pure and carefree and convivial, symbolized by her fluttering white dresses, but this is clearly not true. She is cognizant of the world and her place in society, as she puts it, “the best thing a girl can be in this world, a beautiful little fool” (17). Daisy does not challenge this view and even chooses to show others that she embodies this persona, usually acting innocent when confronting hard questions about love and betrayal. Even when the love of Gatsby forces her to question the illusions that are part of her life, such as when she calls Tom “revolting”, she does not face any repercussions because she is protected by her status (131).
Every character sees a different side of Daisy. “‘I love to see you at my table, Nick. You remind me of a–of a rose, an absolute rose’” (Fitzgerald 14). With Nick, Daisy is more innocent.
Whether Daisy didn’t want Gatsby as her “main man” because of his lower social status, or how Tom wanted someone to fool around with, that being Myrtle, no one can quite find the “perfect” person to fit their needs and desires, thus they felt the need to branch out and have other lovers to help satisfy their needs. The whole book can be seen as portraying a simple, yet powerful message: in order to find true love, you have to look past the apparent things on the outside that are appealing, and look down into a person’s heart to see what they’re really
Daisy is a victim of denying what is below the surface. This is seen in many different aspects throughout the novel. By approaching reality in a deeper way, everything will automatically become more complicated in countless ways. Even as readers, we do not know everything there is to know, especially when dealing with Jay Gatsby, but what we do know still manages to be contradicted by the complicated character of Daisy. It is recognizable that Daisy continually denies reality for her own convenience within her individual relationships mainly involving Tom and Gatsby, which deal with Tom’s affair, the situation of Gatsby, the feeling of regret following the realization of her first love, and her past of loving Tom.
She does not care that she kills someone or when someone she admits to loving dies, shows no grief or caring. After Daisy kills Myrtle while driving, she continues to drive and does not seem to regret her decision. Nick describes Daisy and Tom after the accident by saying that “they weren't happy [...] and yet they weren't unhappy” (Fitzgerald 145). Basically, Daisy feels indifferent about the fact she killed her husband’s mistress. Another example of Daisy’s carelessness is when Gatsby, a man she says she loved, dies, and she does not attend his funeral or show any signs of grief.
As we get to know throughout the novel, both of them have an affair, Daisy meets again with her old love, Gatsby, and Myrtle is the mistress of Tom. Daisy comes from a wealthy upper-class family and she has been raised in privilege while Myrtle has to fight for everything she has. Myrtle is attempting to give the impression of a wealthy, high-class woman, but she does not have the figure of a high-class woman. She has a “thick fish figure” (25) which connotes that she is not a skinny type nor beautiful. The appearance of Daisy is the contrast of Myrtle.
Myrtle is accustomed to living an underprivileged life where feminine power engulfs her, but Tom is too egotistical to allow Myrtle to speak with such authority to him. Similarly, Gatsby’s need for assurance from Daisy pressures her into revealing to Tom that she never loved him (Fitzgerald 132). Deep down, Daisy knows that she truly did love Tom once, but Gatsby’s assertiveness and persistence drives her over the edge to telling Tom that what the two of them shared meant nothing to her. Daisy’s attribute of being a pushover is revealed immensely because she refuses to stand up for herself. Daisy is used to enabling Tom to constantly control all aspects of her life, and that leaves her powerless in society.
(Fitzgerald 41). This scene shows Tom’s wealth and power; Tom feel Myrtle had no right saying Daisy’s name so he hit her to make her behave. He thinks of Myrtle of more of a pet he can control
Fitzgerald in the novel, uses careless individuals who would destroy everything and everyone and yet still manage to retreat back to their money. Daisy Buchanan, the ‘golden girl’ is rather dishonest and deceitful throughout the novel. As she starts having her affair with Gatsby, she creates unrealistic expectations in Gatsby head about their future together. As Gatsby is having drinks at the Buchanan’s, Tom leaves the room and Daisy kisses Gatsby and declares, ‘I don’t care!’ At this point, the audience realizes that Daisy is and always was in love with Gatsby and that she was prepared to leave Tom.
At the start of the novel, Nick Carraway, the narrator of the story, visited his second cousin Daisy at her house. As Nick examined, Daisy was dressed in all white and was in a peaceful state of mind laying on her couch when he arrives. When Daisy noticed Nick arrive, she was “p-paralyzed with happiness” when she saw Nick (Fitzgerald 8). Based on her behavior, the reader can infer that she is content with her life and delighted to see her cousin. From Nick’s recollection, Daisy seems like a soft, dainty woman.
She doesn’t try to confront Tom about his mistress, and she feigns sophistication to remain in wealth and out of gossip. She even gives up Gatsby, who she states she loves, and dreads the drama that comes from the confrontation between Tom and Gatsby. She goes so far as to let Gatsby take the fall for Myrtle’s death, which ends in his death. She and Tom leave immediately, leaving no forwarding address; Daisy ends up running from the trouble she helped cause. Daisy is so utterly unattached and desperate for material comfort that she has no morals left to care
Another instance of Tom apparently being excessively concerned about Daisy doing anything without him occurred earlier in the book. After Daisy goes outside their house to
The early 1900s was an era when homosexuality was denounced socially, as it was unlawful for majority of the world including the United States of America. Authors were cautious when discussing themes of homosexuality that did not conform with public opinion. Scott Fitzgerald’s wit and cleverness, were instrumental in showcasing the underlying theme of homosexuality without certifying it. In The Great Gatsby, by F. Scott Fitzgerald, protagonist Nick Carraway consistently possesses characteristics of a homosexual, through his adoration of Jay Gatsby, homosexual encounters and his apathy towards females.
Jay 's Obsession in The Great Gatsby There is a fine line between love and lust. If love is only a will to possess, it is not love. To love someone is to hold them dear to one 's heart. In The Great Gatsby, the characters, Jay Gatsby and Daisy Buchanan are said to be in love, but in reality, this seems to be a misconception.
In the present time, Daisy is moved on and married, with a child in a beautiful grand home. Her relationship with Tom can be speculated to be based on her wanting to gain his finances or that he can support her like no one else can. Daisy portrays an idealistic vision of herself, and , throughout the story, shows a selfish and narcissistic persona at times. Daisy and Gatsby