In the play, the driving force behind much of the play’s action was the pursuit of marriage. Just like other Victorian novels that came from that time period marriage is the plot that documents the misconception in social etiquette and romantic relationships. As Jack pursues Gwendolen’s hand, while Algernon pursues Cecily’s hand both are subjects that are used to show how marriage can cause misconceptions about a person’s character. Because both Jack and Algernon go to unconventional lengths to satisfy Gwendolen and Cecily’s aspirations for marriage which is the ultimate goal of the main characters.
Both of the couple’s relationships are filled with roadblocks. For one, both Gwendolen and Cecily show hesitance in not marrying a man who is not named "Ernest" when both men suggest that there may not be "Ernest." Lady Bracknell disapproves of Gwendolen and Jack 's engagements because of the lack Jack 's legitimate background. Meanwhile, Jack disapproves of Algernon 's relationship to government Algernon and spite Lady Bracknell for disapproving his marriage to Gwendolen. Also, the elderly Dr. Chausible puts off marriage, due to the “Primitive Church’s” emphasis on celibacy meanwhile Miss. Prism accepts her spinsterhood as a governess. But regardless of the trivial obstacles that stand in each couples way they are finally engaged Jack to Gwendolen, Cecily to Algernon, and Miss. Prism to Dr. Chausible.
At the end of The Importance of Being Earnest, the engagement of both couples
Early on, Elizabeth is confronted with the issue of a struggling marriage. She and her husband John find that their relationship is rather strained because Elizabeth
The Glass Menagerie is a memory play published in 1944 by American playwright, Tennessee Williams. The play carries strong autobiographical elements due to the fact that it is based on Williams himself, his mentally fragile sister rose, and his melodramatic mother. Almost 30 years later, the play went on to premiere in many theaters and on the big screen; The cast included Katherine Hepburn as Amanda Wingfield, Sam Waterston as Jim O 'Connor, Michael Moriarity as Tom Wingfield, and Joanna Miles as Laura Wingfield. Although the transition from script to stage production is a large one, directors were largely successful in developing the major elements and portraying them in a clear and effective manner. In the original script of the The Glass
The theme that is the strongest one in this play is that principle is worth taking lives for. An example from the play is when Elizabeth goes to jail because Abigail has accused her of witchcraft, she is fine with going. Elizabeth knows if she sacrifices her life maybe it will save the rest of the town and friends from being hanged. The other major evidence from the play is when John tries to get Mary to tell the truth that what the girls and everything they had done is being made up. But when that falls though John confesses that he is with the devil just to have all this chaos over with.
The image is depressing: In the middle of the winter under a dove grey sky the colors of Starkfield, each hue darker and more depressing than before. The chilly weather running through the house in and out of the room like a quiet ghost silently coming and silently going. The path is dull and the coldness delineates the marriage of the couple start to descending leading to one of them to have an emotional affair with another woman. Just like the weather in Starkfield, frigid and bleak.
It is assumed that men and women, for the most part, only married within their social upbringing. Wealth was the goal, but old money was the unreachable dream for some. Throughout the novel a major theme that is apparent is that morals
On several occasions, characters in the play express their indifference to matrimony: Lane, Algernon’s servant, mentions in conversation with Algernon that his marriage was “consequence of a misunderstanding between myself and a young person”, undermining the importance of intimacy in marriage. Lady Bracknell backs up this idea in Act III, where she tells Cecily Cardew and Algernon that: “I am not in favor of long engagements. They give people the opportunity of finding out each other’s character before marriage, which I think is never advisable”, displaying the belief that one does not actually need to be acquainted with the person they are to marry. Lady Bracknell also refers to another characteristic of Victorian marriages, which was their establishment as a predestined business transaction. In Victorian society, arranged marriages were more often a rule than an exception, and children had little to no say about these matters.
Marriage in the 1700s and 1800s was judged by those closest to and the society that surrounded the couple which caused great strain within families. Both novels consult the idea of suitable matches and how love was valued above money and status. In an era filled with deep class prejudice, it was easier to marry someone from your own class as a woman since marrying below it was deeply frowned upon while marrying above provided its own issues which are explored in Pamela. If a woman did not have a substantial dowry, such as money or property, potential husbands from good families were unlikely. Pamela, for example, was an educated girl but yet she was still a servant with a family that has little to offer due to her father’s declined fortunes.
In this play, this situation is best represented by three significant relationships. The first exists between a lover and her hater, the next involves a young and rebellious couple, and the last concerns an ill-fated mechanical and the queen of the fairies. Early in
Also this moment is crucial in the story because it alters people’s decisions and changes the whole aspect of the novel where simply the protagonists fall in love and get married after a whole act misconception and misjudgment. This is considered an illuminating incident because of its various impacts. This scene does not only change Elizabeth’s mind but also the readers. It’s an apex in the novel, where everything hits the reader and turns the tables.
In the Victorian Era, there were repressive and suffocating norms. Many people were cultivating a double life to be able to escape from their restrictive obligations in a respectful way. In The Importance of being Earnest, Oscar Wilde creates scenes where the characters, Algernon Moncrieff and Jack Worthing, live secret lives to make a false impression about who they really are. Both characters are unsatisfied with their social lives by participating in boring dinners and living a typical Victorian family life, which leads them to create a double life that helps them escape from their social class. In Act 1, Algernon tells Jack, “You have invented a very useful younger brother called Ernest, in order that you may be able to come up to town
Love is a complicated affair, it involves the two lives of the couples and the lives of everyone around them. There are many factors that could break or make a relationship, for one to be successful they must be able to succeed in all of those factors. Oscar Wilde’s The Importance of Being Earnest delves into these factors regarding love and marriage. Wilde stresses the importance of social status and gender expectations as a key guideline for a successful marriage. For Wilde, social status is defined as birth, wealth, and power.
Many kinds of colour have a various meaning. Varieties of colour produce many differences interpretation of each colour. It happens to the play entitled “Am I Blue?” by Beth Henley. In the title, interpretation of “Blue” is not just ordinary colour. Blue in this play`s context shows a condition of loneliness, depression, sadness, sorrow or fear by showing those condition trough characterization.
The idea that marriage is treated as a business is expressly shown by multiple characters. The most recognizable example is Lady Bracknell after she learns that Jack proposed to her daughter, Gwendolen. “Lady Bracknell: I feel bound to tell you that you are not down on my list of eligible young men,
Buvanasvari A/P Palakrisnan AEK140003 ACEA 1116 Elements of English Literature Dr. Nicholas Pagan Paper #3 From “Marriage” By Marianne Moore This institution, perhaps one should say enterprise out of respect for which one says one need not change one’s mind about a thing one has believed in, requiring public promises of one’s intention to fulfill a private obligation: I wonder what Adam and Eve think of it by this time, this firegilt steel alive with goldenness; how bright it shows— “of circular traditions and impostures, committing many spoils,” requiring all one’s criminal ingenuity to avoid!
Topic: Marriage in “Jane Eyre” In “Jane Eyre” Charlotte Brontë rejects the traditional role of women subdued by social conceptions and masculine authority by generating an identity to her female character. Thesis: Jane´s personality will bring into being a new kind of marriage based on equality, meanwhile her choice for romantic fulfilment will depend solely on her autonomy and self-government. Introduction Charlotte Brontë´s “Jane Eyre” stands as a model of genuine literature due to the fact that it breaks all conventions and stereotypes and goes beyond the boundaries of common romance in order to obtain love, identity and equality. 1.