One of the most greatest writer in english language, Shakespeare has written several plays including ‘The Merchant of Venice’ which will be discussed in this essay. The Merchant of Venice is about Shylock, who is a Jews seeking revenge to Antonio, who is a Christian, by wanting a pound of flesh. It contains the themes of marriage, friendship, justice, love and extra. However, one of the most important theme is the prejudice. In this essay, the ways that prejudice displayed in the play will be explored.
One of the most important aspects that create prejudice in the play is the setting which produces the conflicts. The prejudice of religion/ racism between Christian and Jews plays the big role in the play. Due to the setting in Venice where one can see all kinds of nationalities and religious backgrounds did business, there were full of religious strife, especially between Christians and Jews. This is sustained by characters Antonio and Shylock and they show that prejudice is not all one-way. Antonio criticize Jews by saying, “which is the way to master jews”(I, II, 598-599) and Solanio says “the dog jew” (II, VIII, 14). This is just as prejudiced view as Antonio’s hatred of Jews. In addition, Shylock says, “I hate him for he is a Christian”(I, III, 34) which now shows Shylock’s hatred of Christians. In these quotes, reader can notice that Jews and Christian hate each other and have prejudice towards each other. Moreover, the sexism takes part in the play. Portia was not
While the events taking place throughout the play are outlandish, but the actions aroused by the conflicting loyalties are comprehendible. The audience can still analyze the character’s actions and thoughts and recognize that they are genuine and understandable human encounters. From this, a sense of humanity—that we all have certain concerns and duties and we must respond to them
Regardless of their invalidity, however, simply the belief that these divisions are warranted is enough to render them truth, having a lasting impact of the health of a society and the individuals within it. In his work Othello, Shakespeare explores this concept—focusing on the city of Venice and the prejudices against the Moor. By the end of the
Christie Yeo Qing Wen Professor Kevin Riordan HL1002: Survey of English Literature I 6 November 2015 The Deception of Gender In The Merchant of Venice, deceptive façades are reinforced by Portia’s seeming subjugation to male rule, but in truth, her status as an empowered female who maintains her autonomy and ultimately outwits and subverts the authority of the patriarchal Elizabethan society.
With the laws of Venice miles behind them, the characters of Othello seem to have entered a Hobbesian state of nature where anything is permissible so long as it furthers the individual interest. Indeed, upon arriving in Cyprus, the majority of the characters have lives that are “poor, nasty, brutish, and short” (Hobbes 76). Othello is the perfect illustration of the dangers of rhetoric. Iago exemplified the type of rhetoric that made the Greek demagogues threatening.
John Webster, the great Elizabethan dramatist was little admired during his life time. The Elizabethans failed to appraise his genius as a dramatist and after his death he fell for nearly two hundred years into the lap of oblivion to be brought back into the limelight by the criticism of such distinguished critics as Lamb, Swinburne, Rupert Brooke, who popularised his works and establised his claim to be recognised as a great dramatist of Elizabethan age. But now the tide has turned in Webster 's favour and he is recognised today not as a dramatist who carried forward the revenge theme in drama but as a great poet, and above all, a great moralist, who held aloft the moral vision of life at a time when the dramatists of the age were piling horror and glorifying murder into a fine art. This tragedy THE DUCHESS OF MALFI, the revenge is further degraded and the moral motive of the dramatist come to the forefront. There are some influences of other Elizabethan authors.
This extent of hostility and aggression coming from several other sources in the play was enough to ruin Othello. Thus, Othello’s downfall was more of a result of his race being that the main underlying motive behind the characters’ efforts to destroy him was racism. It is inadequate to bypass the sociology behind racism, the concept of race, prior to defining what racism actually is. The common understanding of race suggests the division of groups based upon the color of one’s skin, hair, eyes, etc. “Although biologically meaningless when applied to humans – physical differences such as skin color have no natural association with group differences in ability or behavior – race nevertheless has tremendous significance in structuring social reality” (Clair).
The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
“A Tempest” is as a derivative of Shakespeare ’s play “The Tempest” by Aime Cesaire. Cesaire makes a number of alterations in his adaptation of Shakespeare’s “The Tempest”. These alterations have been made in order to outline the change in time eras between the two playwrights’ time of existence and to illustrate the great social change that occurred in these periods, mainly colonialism by the West, the subsequent theme of the quest for freedom as well as the theme of power that resonates throughout the play. This essay aims at exploring the similarities and to draw attention to the alterations made by Cesaire in “A Tempest” and the subsequent effects of these alterations on the audience.
‘The Merchant of Venice’ written by William Shakespeare (1564-1616) and ‘The Jew of Malta’ written by Christopher Marlowe (1564-1593) were both written during a period when anti-semitism was prevalent in England. Anti Semitism is the intense dislike for and prejudice against Jewish people. The Jews were considered a despised race and were deeply resented by the Christians. They bore the plaque of disgrace and hostility. As a Jew, Shylock too faced such discrimination.
The concept of justice varies depending on the country, their cultures, and on individual people. Justice and mercy are important themes in The Merchant of Venice and are supported by quotes in the play; it is clearly seen that these two virtues cannot be achieved simultaneously. Justice calls for “an eye for an eye” and mercy asks for forgiveness and compassion towards the one who did wrong. Using examples from The Merchant of Venice, it can clearly be seen that these two human virtues can not be pursued at the same time. There are various definitions as to what justice truly is.
In the story, “The Merchant of Venice,” there is a character named Shylock. Shylock is a Jewish citizen who lives in Venice, a place where Jewish people are one of the lowest class of citizens. This piece by Shakespeare creates this controversial character that can be viewed as a villain or victim. In this play, through the archetypal lense, we can see that Shylock is a villain because of his hatred and his desire for revenge. Some people may see Shylock as a victim because during the time period in which the story is wrote, jewish people were treated like animals and given nearly no rights or role in society.
Role of women in The Merchant of Venice Women during 16th century had no individual freedom. Despite the fact that a single woman ruled England at the time of Shakespeare, the Elizabethan society was patriarchal. Women were considered the weaker gender and always in need of being protected. Wealthy woman were highly educated but they had no right to have professions while poor women sometimes would turn to prostitution or become servants to survive. The book The Merchant of Venice was settled in Venice because Shakespeare wanted to show that even in the foundation place of Renaissance were prejudicial ideas and woman was considered as a weak character.
In this essay the following characters and features will be compared and contrasted: Mercutio and Benvolio, their differences and similarities, how they effected the play, how they participate in the feud. I choose these features because even though they are not “main characters” they still greatly influence the play. I will explain how they effected the play, how their personalities make them foils and how this in turn effects them as characters and everyone around them.
I plan to dive deeper into the making of the Jew in this paper. The Merchant of Venice is a play spurred into action by love and to a far extent by hate. Hate has been associated usually with Shylock ,it was hate which made him exact revenge through his profession, however, evidence points it to all of the characters of the play. It was hate which made him exact revenge through his profession.