This point in the play can be analyzed as Shakespearean comedy because it was incorporated to solve the play’s main conflict. It resolves the main conflict by allowing Puck to give Lysander the antidote, but not Demetrius who still loves Helena. It restores balance to the aspect of love in the play because the four lovers are split into two couples. Love is in balance after Lysander is given the antidote. Lysander loves Hermia and Demetrius is left under the effects of the love juice and loves Helena.
During the play A Midsummer Night’s Dream, Hermia and Lysander were in love with each other when a major event happened and changes how they felt about each other. Also, a fairy queen fell in love with an ordinary Athenian named Bottom when he had an ass head. Isn’t that ironic? A Midsummer Night’s Dream has three different events that happened that were ironic. All of the events were either examples of dramatic irony.
In Act 3.2, Oberon tells Puck, “I want you to interrupt their search by makinging it foggy. Do not allow them to find each other… Once they are asleep, place this potion in Lysander's eyes to remove the pollen you mistakenly placed.”(16) With that power of control by being the Fairy King, he is controlling his servant to have him things right between the couples. Oberon controls Puck by telling him what to do to the couple so they won't be able to find each other and fight. In Act 4, Oberon demands Puck, “Puck, you must end your prank, as well. Take the donkey spell off this man, and just like you did with the couples, have him remember this night as only a dream.”(16) Oberon also controls Puck by making him take the donkey spell off of Bottom.
His mischievous spirit overruns the atmosphere, and his activities are in charge of a significant number of the complexities that build up the fundamental plots riotously. More essential, Puck's eccentric spirit, magical favor, carefree humor, and beautiful, suggestive dialect pervade the atmosphere of the play. Wild contrasts, for example, the certain examination between the harsh, earthy craftsmen and the sensitive, smooth fairies, rule the play. Puck appears to
Browning: There Shakespeare, on whose forehead climb The crowns o’ the world; oh, eyes sublime With tears and laughter for all time! In the theatre part demonstrated by the Mechanicals in the play, the features of the dramatic burlesque can easily be seen. R.J.E. Tiddy exemplifies this point like; “whenever Shakespeare mentions or reproduces a popular dramatic performance, he does so for purposes of humour and burlesque.” (The Mummer’s Play, 1923, p. 126). The part which tells the story of the four lovers shows the samples of bovarysme but the last part of the play, as mentioned above, there is a stage play about two lovers named as Pyramus and Thisbe rather shows the features of the burlesque.
Prior to this scene, we witness the conversation between Puck and the fairies, the latter being warned regarding the possible conflict between Oberon and Titania. The scene ends with Puck commencing his journey to find the flower. In this scene, the playwright portrays the ideas about lovers and their obsessions through language and action. Shakespeare shows in this extract that men are obsessed with their power and high status and believes that women should abide by their orders without question. This is a very patriarchal way of thinking which mirrors the era of the Elizabethan time.
The comedic play written by William Shakespeare, A Midsummer Night’s Dream, follows a set of characters afflicted by magic as they intertwine paths while tryingand try to navigate through the night before Theseus and Hippolyta’s wedding. Helena, Hermia, Lysander, and Demetrius are four young lovers caught in a love predicament. Similarly, the fairy king Oberon and fairy queen Titania bicker over custody of an Indian boy. During their feuds, Athenian craftsmen attempt to practice the play Pyramus and Thisbe in celebration for Theseus’s wedding, but some events turn astray. Magic dictates the actions of the characters as it influences their emotions, is used underhandedly used to achieve selfish desires, and convolutes the plot through the addition of odd events and misunderstandings to ultimately act as a method offor resolution.
We can see that Shakespeare relates the young love to impulsiveness and rush and represents how this is lamented. Finally, the last external aspect that influences their love, but not the least important, is the fate. It seems that from the beginning their fate is marked by external aspects, so they are not the responsible of their tragedy. The play starts with the introduction of the term ‘star-crossed lovers’ (Prologue). The idea of being “dolls” manipulated by the stars and destine is transmitted along the whole play, even through the words of Romeo and Juliet who have several intuitions.
To begin with, the title of Shakespeare’s comedy “A Midsummer Night’s Dream “, immediately catches the attention of the reader, creating a absentminded, magical and fantastical atmosphere. Seeking to implement a mystical, dreamy ambiance in the play, the writer illustrates the fairies in the forest as time looses track, and nothing is unfeasible. Furthermore, as a master of characters, Shakespeare portrays the complicated relationships between the young Athenians, and depicts a love dilemma filled with desire, envy, passion and vengeance. The prominent dramaturgic explores the complex matter of romance and love, and implies that love can act as an obstruction, that can drive one crazy. Moreover, the play favors the freedom of preference, implying
In A Midsummer’s Night’s Dream two couples face difficulties in love. These pairs are Hermia and Lysander, two Athenian youth, and Titania and Oberon, the king and queen of the fairies. The main focus of the play is the problems that these four face along with the struggles of Demetrius and Helena, but this essay will focus on the first two couples. Hermia and Lysander’s struggles with love are very similar to Titania and Oberon’s except that Hermia and Lysander, being mortals, were negatively affected by the love-in-idleness flower while Titania and Oberon, being magical being themselves, were positively affected by it. The play begins with both couples facing some sort of discord.