Bartleby, in his story "The Scrivener" and Stephen Crane, in his book "The Bride Comes to Yellow Sky Summary" aim at ensuring that they capture the attention of their audience based on their literary works. The two authors have structured their stories in such a way that their beginnings are flat but with time get entertaining. On the flip side, contrast exists on some of the themes that are applied to both stories. In this paper, an assessment of the similarities and contrasts that exists between the two stories will be highlighted. Theme: one of the primary goals of literary works is to ensure that the audience 's attention is captured and that it is able to derive suitable information by reading the stories.
In Mia Couto 's novel, The Last Flight of the Flamingo, epigraphs are used as an introduction to each of the 21 chapters. Additionally, there is one before the prologue. Epigraphs are one of the key tools a writer could use to communicate directly to the reader, apart from the main content. As a method of foreshadowing, they enhance what is important, so that the reader knows what to pay attention to in the following chapter. Usually they require some sort of contextual understanding, such as through maintained literary analysis.
John Bunyan book report John Bunyan uses many different literary styles and techniques in his works. He tends to use Allegory, Simplicity and Symbolism in his writing. Allegory is one of the literary techniques that Bunyan uses while he is writing to help portray his believes to the audience. The definition of Allegory is, “:a representation of an abstract or spiritual meaning through concrete or material forms; figurative treatment of one subject under the guise of another.” An example of John Bunyan’s use of allegory in The pilgrims progress is when he gives characters in the book names like Mr. money-love. Mr. money love is a real person in the book but it also represents a real struggle that we deal with while on this earth.
It can stand, and it can go” (Emerson 1). By this quote, it can be easily interpreted that Emerson has a passion for writing and books as he speaks his beliefs. In fact, Emerson incorporates many of his beliefs throughout his speech, from unity in writing and society to the practice of new philosophies being formed in every generation. Emerson utilizes the rhetorical appeal of diction and the rhetorical fallacy of loaded words throughout his speech in order to depict his beliefs on
His theories about syntagmatic and paradigmatic relations are significant in studying a metaphor. Mikhail Bakhtin is a critic who is influential in aesthetics, semio-tics, and intertextuality. He elaborates the dialogic aspect of texts. Words or utterances associate with other words and utterances, and they enter into a "dialogic interaction" (Bakhtin, 1984: 90). Therefore, Bakhtin's (1984: 21) "polyphony" shows the plurality of meaning of signs in William Shakespeare's sonnets.
Firstly, we will explore the use of vernacular language. Then we will show the importance of rhetorical figure of speech used by the author. We will then define the different types of narration. Finally, those analyses will help us to to analyze the courtroom scene, source of much debate about the novel. From the very beginning of the book, the language takes an essential responsibility in Hurston’s novel.
R.K.Narayan belongs to the first generation of Indian novelists writing in English. The uniqueness of Narayan is realized through his multi-faceted image that has created an aura of his imagination. His novels are novels of character and the novelist has always tried to explore human existence with its elemental issues through the central consciousness of his novels. When we analyze the novels of R.K.Narayan, we find that there are different types of characters. The types seem to have a distinct identity telling us about the mark of Narayan’s conception of character.
1996 176-9) Johnson has already addressed the close relationship between history and fiction, a topic that has been discussed by several scholars. They predominantly come from literary studies and share a critical perspective on the historians’ claim for factuality and verisimilitude. Historians often tend to see themselves as scientists, as Beverley Southgate points out, while dramatists, novelists, etc. sometimes see themselves as historians; for Southgate history appears to be a literary genre (Cf. Southgate 44) Already in 1975 Peter Gay observed the similarity between literature and history.
Properly, Adesuyi (1991) clarifies that both language and literature always belong to each other inseparably, they are considered two sides one. Both are serving individuals ' correspondences and exercises. Besides, language is the arrangement of correspondence that is used to express extraordinary contemplations. Correctly, extraordinary sorts of literature may influence language procurement which is suitable with culture, society, and area. Reading and concentrate a novel, a play, or a poem in the objective language may help in acquainting students with the way of life through which that language passed.
This paper will explore parsi ethos, milieu, idiosyncracies in the writings of Bapsi Sidhwa. Sidhwa interprets challenges and modifies the Parsi worldview and the unique philosophy embedded in it for contributing to the development of Parsi writings. Keywords: Parsi, Credo, Ethos, Milieu, Idiosyncracies. Of all literary forms, the short story and the novel seem most suited to the Parsi temperament, for they gave unlimited scope for Parsi turns of phrase. Parsi novel in English came into its own in the Eighties with the appearance of Bapsi Sidhwa on the literary scene.