Hamlet Essay Feminist theory by definition is the extension of feminism into theoretical or philosophical discourse, aiming to understand the nature of gender inequality. It examines women 's social roles, experiences, interests, and feminist politics in a variety of fields. Shakespeare criticizes misogyny within the play Hamlet by using the monarchy to emotionally strip the female characters of their power; this lack of voice ties directly to sanity and stability, or lack thereof. Laertes is instructing his sister, Ophelia, to be wary of Hamlet because he may not have the best intentions when it comes to her well being. Instead of Laertes treating his sister with the familial geniality that can often be found between siblings, he views
Aleyn reduces her value, making her an undesirable woman for marriage since chastity is desired more than an experienced woman. Afterwards, Symkyn is punished by the wife and two scholars because he fails to control his women and is inevitably isolated with manhood. Unluckily, Symkyn cannot withhold social statuses or break down social barriers since he cannot maintain authority. John and Aleyn are worshipped in the tale, because they were able to hold their power, despite their lesser
This idea of female freedom, however, is not embraced by the male characters, who feel it threatens their masculinity: “It was they who were embarrassing us” (4). When Lengel, the “kingpin” of the A&P takes notice of the girls’ actions, he quickly steps up to protect his masculinity. In removing the girls from the A&P, he is attempting to put them back in their established place. As one critic noted, the male characters feel that “Either women were to stay in one place and allow themselves to be walked on as ‘houseslaves’ or mothers or they were to provide their sexual services when men so desired” (Douglass). The male characters expect
After Othello telling Brabantio to keep an eye out for his daughter othello answered to Brabantio's statement by saying he puts “His life upon her faith!” (I.iii.287-290). Othello chose to de-escalate the situation and calm Brabantio by asking him to name the place where he wants Othello to answer to his “crimes”; this logical demonstration of self-control by Othello shows his rational character. Brabantio present Othello the Duke with claims of Othello bewitching his daughter, but Othello calmly explained to the Duke his and Desdemona’s love story. The Duke was very understanding and even said it is no surprise that Desdemona fell for Othello; he claimed that even his own daughter would fall for Othello. Having no other option, Brabantio reluctantly gave his blessing to Othello and Desdemona’s union, but, before he left, Brabantio warns Othello that “[Desdemona] has deceived her father, and may [him]”.
When given the choice between spending the rest of her life as a nun and being forced into a loveless marriage, she decides that staying perpetually celibate would be the superior choice: “‘So will I grow, so live, so die my lord, ere I will yield my virgin patent up unto his lordship, whose unwishèd yoke my soul consents not to give sovereignty’” (1.1.79-82). Hermia’s belief in true love keeps her from making the logical decision to marry Demetrius, and instead, she decides she would alternatively wither away as a nun. Although some might argue that Hermia is being irrational, she trusts the concept of everlasting love, and thus refuses to marry for anything besides
Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).
While in The Spanish Tragedy, Bel-Imperia’s autonomy stems from her willingness to exert her sexuality, Isabella’s independence in Measure for Measure arises from her strict celibacy. Just as Juliet’s growing womb identifies her as a “fornicatress,” Isabella’s outward appearance validates her virginity (2.2). Lucio addresses her as such: “Hail, virgin, if you be— as those cheek-roses / Proclaim you are no less” (1.4.16-17). Whereas the deceptiveness of appearances triggers much anxiety within the play, Isabella’s untarnished facade convinces the shrewd Lucio that she is indeed a virgin. This commitment to preserving her virginity threatens the honor of Angelo as it prevents him from claiming her as his own.
Othello has a close relationship with Iago, as well. He trusts him and believes the lies that he tells about Desdemona. In one scene, Iago tries to protect Othello from Brabantio, even though he is the one who told him that Desdemona and Othello married in the first place. He exclaims: He prated, And spoke such scurvy and provoking terms Against your honour That, with the little godliness I have, I did full hard forbear him. But, I pray you, sir, Are you fast married?
So Othello explores the element of male bravado in the vicinity of other men. Meanwhile, Measure for Measure comments on the dangers of objectifying women. Now, this play is another exception to the rule that female characters can 't be prominent. For it involves a soon-to-be nun convent, Isabella, and if she should forgo her virginity. This central conflict starts when the Duke of Vienna steps down.
The purpose of this quotation is consistent with the aforementioned one. Society’s superficial viewing of women is also reflected in the poem’s wring, as it may seem that this poem is strictly concerned with a prostitute, but in fact it describes all females. The male representative in the poem, Georges, then asserts his superiority, despite their similar conditions of being poor. Although he is sexually attracted to her as he “stiffens for [her] warmth”, suggesting an erection, he is unwilling to accept her as a human being as he deems her question “Why do you do this?”
With this in mind, if a man couldn’t do something a woman can, he was a disgrace; Lady Macbeth is taunting Macbeth with the gender gap, which makes him want to prove he’s more masculine and can keep it together. Even though, Lady Macbeth is viewed as a manipulative character, towards the end, she changes and shows signs of remorse/regret, which is not like her character. Lady Macbeth begins to feel remorseful because she has made an outright killing machine out of Macbeth. Lady Macbeth starts to ask herself “The thane of Fife had a wife. Where is she now?