In act 2, scene one, Portia’s deepest frustration is revealed in her inability to choose her suitor due to her father 's previously established test. This means that she sees that she have the potential to choose her own husband. She wants freedom and control over her own destiny. This tells us how she isn’t a very docile type who easily follows rules and readily accepts control.
In act 2, scene 7, Portia evidently judges the Prince of Morocco by his skin colour, hoping that suitors of the same complexion would choose the wrong casket. This shows her prejudices against skin colour and her racist attitude.
Sexism and Racism are revealed based on what I have leant about Portia.
Women oppression can be seen when her father made it mandatory for her suitors to be chosen via the casket test. She does not have the freedom of choosing who her husband would be even if she has fallen in love with him. Her rights of choosing which men to marry was stripped away from her display the way in which women were treated at that point in time. There is a certain patriarchy within the environment of The Merchant of Venice. Portia’s line “Besides, the lottery of my destiny bars me the right of voluntary choosing. But if my father had not scanted me and hedged me by his wit to yield myself his wife who wins me by that means I told you,” displays how women is treated. She is forced to marry and be the wife of whomever that passed the test. There is the notion of sexism, which is the
Objectification and Patriarchal Control in “Christina of Markyate” written by Anonymous Authors Like any other female during the beginning of the twelfth century, Christina of Markyate, formally known as Theodora, was considered to be inferior to the male sex. Women were expected to respect the wishes of their parents, oblige to marriage and live a life according to stereotypical heterosexual norms. However, given the strict expectations Christina was supposed to submit to, she dismissed traditional gender roles and continued to strive towards the goal of preserving her virginity and living the life of a nun. In the story “Christina of Markyate,” anonymous authors use examples of objectification and patriarchal control to portray Christina’s lack of freedom in a time period consumed with male dominance.
Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.
Throughout his Divine Comedy, Dante Alighieri encounters with two women, which are antithetical to one another in terms of their roles in the context of love. These two women, Francesca di Rimini and Beatrice have similar emotional experiences with their lovers, both having relationships outside marriage; yet they have opposite interpretations of what they experience and where their fates led them. The reader meets Francesca in Inferno, while meets Beatrice in Paradiso. In other words, one of them is being punished, whereas the other women is placed at a divine level. Thus, the female characters within the poem represents two distinct roles of women: either as a pure and holy being, or as a sinful entity.
Throughout history, the equality of women to men has been regarded as a social taboo. It was a universal understanding that women were always subordinate to their dominant males. Pre Modern Greece expressed these views through their social expectations, hierarchical structures and general lack of acceptance. This ubiquitous truth for this society was challenged in Homer’s The Odyssey, with his strongly developed and diverse female cast.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
”I chose the quote because in the text it says “ dear my lord, make me acquainted with your cause of grief.’’ Which means dear husband, tell me what is upsetting you. She is asking what is wrong so you can help whether its about his health or his personal problems. Now that we see how she cared about his health we will see how she is married to a strong man. Portia is married to a very strong man.
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
Chopin makes her strong statement in this quote from the story. Mrs. Mallard has no one to answer to but herself, and she feels liberated that her husband can no longer control her. During the late nineteenth century, women quite frequently had to suppress themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives. Chopin successfully uses vivid imagery, point of view, and irony that gives a different view of marriage that is not typical of today.
Hamlet: The Tragedy of Female Oppression Feminism has erupted over the past century. The theme of patriarchy has ruled over women for centuries. With the uprising of the critique of patriarchy, more feminists have analyzed Shakespeare’s literary works as in favor of the male gender roles. In Act 1 scene 3, the station of Polonius and Laertes reveals their patriarchal position over Ophelia by constructing advices that molds their expectations of her and degrading her in ways that exemplify the oppression of women during the 1600’s.
Chopin uses women such as Calixta and Clarisse as examples of women gaining their freedom back within marriage. Calixta finds her freedom by having an affair with a man who isn’t her husband, while Clarisse takes a long vacation away from her husband to experience her freedom again. This allows for them to be less pressured from marriage. These women are breaking the boundaries of an ideal marriage, which allows them to no longer feel like their imprisoning themselves and to be open to more opportunities. Women of the nineteenth century have many expectations they live by.
In his play “Othello,” Shakespeare is very compassionate towards the women of his era. He treats Desdemona with special sympathy. She is the victim of two crossed male aspirations — the devilry of villain Iago and the jealousy of her husband. The main cause of Desdemona’s tragedy is the total absence of women’s personal liberty. The lack of self-development without restrictions of society and family constricts the mind.
The concept of justice varies depending on the country, their cultures, and on individual people. Justice and mercy are important themes in The Merchant of Venice and are supported by quotes in the play; it is clearly seen that these two virtues cannot be achieved simultaneously. Justice calls for “an eye for an eye” and mercy asks for forgiveness and compassion towards the one who did wrong. Using examples from The Merchant of Venice, it can clearly be seen that these two human virtues can not be pursued at the same time. There are various definitions as to what justice truly is.
Men did not think that women could ever be as smart as they were, and did not listen or take advice from women that is why Portia had to dress up as a man just to get the men to listen to her and Antonio was saved just because of her intelligence. Here is revealed the idea of love that women can do everything to see their husbands
In the story, “The Merchant of Venice,” there is a character named Shylock. Shylock is a Jewish citizen who lives in Venice, a place where Jewish people are one of the lowest class of citizens. This piece by Shakespeare creates this controversial character that can be viewed as a villain or victim. In this play, through the archetypal lense, we can see that Shylock is a villain because of his hatred and his desire for revenge. Some people may see Shylock as a victim because during the time period in which the story is wrote, jewish people were treated like animals and given nearly no rights or role in society.
Society during that time, believed that women weren’t intelligent enough to take on such roles. Women in the Merchant of Venice go against their gender roles. Men did not think that women could ever be as smart as they were, and did not listen or take advice from women that is why Portia had to dress up as a man just to get the men to listen to her and Antonio was saved just because of her intelligence. Here is revealed the idea of love that women can do everything to see their husbands happy. Jessica also goes against the gender role of women, because she is making her own decision about her life.