Themes In The Birthmark

His selfishness however, isn 't fueled by self-love but rather his ability to passionately hate those who cross him and his strong desire for revenge. Heathcliff has the capacity to love, in fact he loves Catherine more than anything else, but her betrayal and his rough childhood destroyed what little hope he had of becoming a good, honest human. After Catherine and Edgar 's marriage, Heathcliff is hurt and bitter. In order to get back at them, Heathcliff decides to pursue Edgar 's little sister Isabella. He is able to easily convince Isabella to marry him, but he really sees her as nothing more than a tool he can use to upset Catherine and Edgar.

He took advantage of his father’s absence to pursue his relationship with Casandra and abused the Duke’s trust. The character who I have the most sympathy for in this play is Casandra. The Duke has scorned and ignored her, treating her, according to Casandra, as if she were a piece of furniture brought in to improve the look of the house. Casandra realizes that a relationship with Frederico would be an impossible love but she imagines this love as part of her thirst for vengeance on her husband who, by ignoring her, has denied her the status and dignity of a human being. The thought of revenge on a "birbaro marido" (1564) who has committed adultery after his marriage to her, entices her into believing that "los imposibles parecen / ficiles" (1566-67) (Everett W. Hesse 1997) .

To borrow the words of Tucker, “… Baudelaire 's intention was not to rhapsodize his mistresses as his forebears had done” (888). “Une Charogne” is an intricate anti-Petrarchan piece; Baudelaire not only mocks Petrarchan ideals of beauty, but he attacks the blason by making it his own and using the uncanny to highlight its flaws in dehumanizing women and reducing them to body parts and flesh. Baudelaire reminds readers that the reason his poem is unsettling is not only because it is about an aestheticized carcass, but because the conventions he borrows to describe the carcass, the very same ones used to describe women, are questionable and troubling. He uses Petrarchan conventions to implode its own system. By taking the blason to the extreme, he highlights its problems and showcases its true

Equally Aylmer and Dr. Rappiccini, both characters in Hawthorne’s works causes destruction of human life with selfish aims to perfect the woman of their choice. In the case of Aylmer’s love interest in science, just as with the case of Beatrice’s father, blinds him to the true beauty and humanity of the woman before him. Aylmer views Georgiana’s birthmark as a symbol of imperfection and tries to remove it. At the end of the story, Georgiana say, "My poor Aylmer," she repeated, with a more than human tenderness, "you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer.

Medea, a play by Euripides, centres around a woman named Medea who is wronged by her husband, Jason, when he marries another woman and leaves Medea. The popular opinion involving this play is that Jason is a horrible person, and he was in the wrong for causing Medea all of her pain. It is important to look at this play from both sides, however, and Jason’s argument is compelling enough to show that he was not as horrible of a person for what he had done and that the choices he had made were for the benefit of his family, despite breaking his vows. Medea is the real villain of this play, and Jason is one of her many victims. He consistently speaks about his desire to protect his family and talks of reasoning with the royal family so Medea is

Shakespeare further portrays men to be the instigators of betrayal, as Hamlet forgets that he ever loved Ophelia. Through, being overcome with intense hatred and anger at his mother, Hamlet denies ever having loved Ophelia, and orders her “to a nunnery”. It is Hamlet who instigates such betrayal, as he previously says “My fair Ophelia- Nymph” through “Nymph” Hamlet is describing Ophelia as a beautiful maid, thus highlighting his love for her. Yet, his attitude thereafter is considerably callous, as he continually questions Ophelia on her “honesty”. The continual questioning reflects that of a grueling and in part contributes to Ophelia’s later madness.

Do you share my madness?” (Shelley 28). After everything he went through, Victor still thought that the quest for knowledge was worth the death of his entire family because male identity is tied to his romanticized quest, “Do not return to your families with the stigma of disgrace marked on your brows.” (215). We must ask, what shifts Victor’s purpose from a warning to a doubling down on his male hubris? In part, it is a refutation on his own feminine nature. His inability to except feminine qualities within himself causes him to fail at caring for his creation, to separate himself from the domestic life, and to view femininity as a

Hamlet has come to see his mother, Queen Gertrude, and ends up stabbing Lord Polonius, which ultimately leads to his death. Lord Polonius’ final words include “O, I am slain!” Even though this provides a slight amount of comic relief to the reader, it has a reverse effect on Ophelia’s mental state. Her father’s death seems to be the potent punch in this fight because she officially goes mad after this final event. This is apparent in Scene IV Act I, when Laertes has come back to visit his sister and check on her well being. He is disappointed to see that Ophelia is displaying irrational behavior when she begins to sing “They bore him barefac’d on the bier; Hey non nonny, nonny, hey nonny; And on his grave rains many a tear.” She is so mentally ill that she must be locked in a padded room during the day.

In this event, it also shows how Blanche desires to be with Mitch. This is shown by the quote “I want his respect… I want to deceive enough to make him-want me”. This even shows the illusion of how Blanche tries to repay that moment where she believes she is the person who caused her husband’s death. To correct the wrongs she has done. This behavior of her desires also shows how she is living in an illusion trying to recreate her relationship with her husband.

If Juliet had never met Romeo, him killing Tybalt would just be another reason for her to hate the Montagues, but now she belongs to both the Capulet and Montague families. Because of this situation she does not know how she should react to Tybalt's death; should she be grateful that it was Tybalt and not her husband or should she hate Romeo and stand by her blood family? She knows that either way she will lose someone that she loves. So the question is: what is worse, the loss of one to whom you are blood related or the loss of one your heart choose? In conclusion, the contrast between love and hate is mostly seen in Romeo and Juliet because of their forbidden love.