Thomas Cole’s series Course of Empire is about the impact that humans have in nature and it’s cycle. It is clear that Cole is trying to show this cycle in his five paintings of nature, human growth, the glory of civilization, its destruction, and then the ruins. In the five paintings the setting remains the same so that the viewer can see how much humans have created and altered the nature.
The first painting in the series is nature at it’s purest form the vegetation is overgrown and wild the sky is full of clouds, the animals are running free, giving the sense of an uncontrollable life force. The most important aspect of the first painting is that the humans are living solely off the land. The man in bottom left is hunting the wild animals
This image is a representation of the individual as it is of two people, however this painting could be a precursor of the enlightenment
Tension began to rise, as George III became the king of Great Britain in 1760. At first, he was an appreciated king, but because of his political views and whom he appointed as his ministers he quickly lost his fame. His first appointed minister George Greenville would impose several taxes on the colonist that would cause them to cry taxation without representation. The king also imposed the Proclamation of 1763, which regulated colonist expansion to the newly won territories in the west. And finally, after the calming before the storm, the tension broke with the Last Imperial Crisis.
In the time during Westward Expansion was the time of new beginnings in America and it was time to move forward in land. America wanted to be superior to the rest of the countries around them. They went through many challegements to buy Louisiana Territory and explore its land around it as well. The country even almost went into bankruptcy and was almost sold to the French, but hopefully that did not happened. They even with success of land came trouble with greedy with expansion.
Thomas Cole was originally born in Lancashire, England in 1801. In 1818 he and his parents moved to America. Cole’s father wanted him to be a lawyer. However, Cole self-thought himself in the art where he found his true passion on painting. Cole always found picturesque landscapes for which showed interest at an early age.
The animals also have long feet which toes are sewed into the ground. The animals stand in a worn out barn, and the tones presented in the painting are shades of greys,
The drawing depicts a setting which takes place at night. The rays of light emitted by the sun barely scrapes the sky. A river flows down, slightly to the right of the painting. A few bushes and shrubs grow around the arid desert, while large strands of grass flow with the wind around the river.
In the background there are clouds in the sky at the right side of the painting, the sky is darker and scary and there was a war where they lived. The signs in the painting indicate the freedoms to be found, particularly from taxes, kings, and compulsory
But, nature does not exclude humans, human excludes themselves from nature. Within the “mists of [the] chopping sea of civilized life, such are the clouds and storms and quicksands and thousand and one items to be allowed for”(277). He uses clouds and storms and quicksands to convey that civilized life includes the same negativity included in the connotation of those conditions, but nonetheless, those too are apart of nature. The purpose of utilizing imagery is so evoke images people already have to connect with them on that level to make them understand that they must find a harmony and balance in the world. So, in order to restore order within one’s individual life, one must defy the social norms that distance themselves from nature to find harmony with it.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face.
In both pictures we are able to identify Humanism, Individualism, and Secularism whether or not if it is a famous painting or
There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the
The painting was created with the purpose of recording history, as it is not done in deep detail or extreme accuracy. The painting depicts the English arriving upon a shoreline spotted with aboriginals. The aboriginals appear to seem outnumber the English and portrayed with a sense of urgency - their positioning erratic. The body language of the aboriginal figures portray a sense of curiosity, they are not formal or entirely defensive but instead reaching out to the British with others clumped together watching cautiously. The British are painted in a more formal manner, wearing blue jackets and hats.
Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about
Expansion has played a large part in American history, coming with a collection of problems and triumphs. Walter LaFeber discusses American Expansionism through U.S. policymaking even discussing how and why he believes it should be more conservative as he claims this to be the backbone of all of his writings.1 Also it’s important to define how he uses the term expansionism as he states “I have used the term expansionism in discussing American attempts to find trade and investment opportunities in areas where the United States did not want to exert formal political control”.2 The New Empire: An Interpretation of American Expansion 1860-1898 by Walter LaFeber, examined the period of 1860-1898 of the “American overseas empire” by addressing the