The architectural style of the Thomas Jefferson building of the United States Library of Congress, designed by Paul Pelz and John Smithmeyer, is a spectacular take on the Beaux-Arts style of architecture. Finished in 1897, the Thomas Jefferson building was the first of the three buildings of the Library of Congress to be built and is the most striking of the three. The interior of the building is just as intricately and innovatively designed as the exterior. Initially containing four interior courtyards (two have since been turned into additional bookshelves), the rooms inside are filled with many pieces of American made artwork and sculpture commissioned specifically for the building. Visitors to the United States Library of Congress can turn …show more content…
A classical roman influence and a aristocratic gentleman influence. The Roman influence on the building can be seen in the architectural design of the building. Here we can see the return to ancient Roman culture that was such a strong part of the Neoclassical and Beaux-Arts architectural style. This Roman influence visible in the outward appearance of this building and many others in the capital area point to the classical roman influence that we see in the form our constitutional republic at its founding and …show more content…
Much of the building has gold, silver, and bronze decor creating a lavish environment much like palaces and estates in Europe where English Aristocrats lived. The artwork inside the building was also commissioned from American artists specifically for the spaces that they are in, a luxury which was limited to the aristocratic class in Europe. This influence shows that, just like in the creation of our federal government, while America as an ideal seeks to create a republic of equality there are still aristocratic influences and class-hierarchies present in the society.
Overall when looking at the Thomas Jefferson building of the Library of Congress you can see how classical roman republicanism and the aristocratic lifestyle has influenced its design. The Beaux-Arts style of architecture which we can see throughout the facade and the interior of the building shows a strong connection to ancient roman culture which is also present throughout our constitution and its founding. In addition, the artwork and grandeur of the interior decoration shows a connection to english aristocratic life, representing another important influence on the founding of the United
Jefferson hated English architecture and wanted to create a style unique to North America. What better way, than to start this vision with his own estate? Jefferson was a gentleman architect and is considered one of the greatest of all time, as though he carried himself as a professional. Even had he never entered political life, Jefferson would be remembered today as one of the earliest proponents of neoclassical architecture in the United States. Jefferson believed art was a powerful tool; it could elicit social change, could inspire
Although the buildings do not have structural similarities, they do share architectural aspects that can be seen in other renaissance and beaux-art style architecture. With the amphitheater utilizing a stone brick-like pattern, presenting elevated columns, having crown moldings that wrap around, and doorways under arches, it would be the best historical building to compare the courthouse
Many American architects in the 18th and 19th centuries looked to classical Roman architecture as a source of inspiration for their own designs. The White House and U.S. Capitol share similar architectural styles to that of Roman buildings like the Coliseum which has been standing for nearly 2000 years, and the Pantheon. “More recently, many official buildings built in the US are very strongly influenced by Roman architecture. The most obvious is the White House, which displays Roman influences in the arches and columns on the exterior” The Romans were skilled engineers and builders. They used advanced construction techniques such as arches, domes, and vaults to distribute weight and stress evenly throughout a building, which helped to prevent collapse.
Upon visiting the Huntsville Museum of Art, I was very surprised to find all of the tremendous galleries that were currently up at the museum. In addition, after exploring the entire museum there was one gallery that really intrigued me, and this was the gallery of Antoine Ponchin and his son Jos. Henri Ponchin. What made the Ponchin gallery so interesting to me was both the father and the son were landscape artist. Moreover, both Ponchins travelled to many locations to paint magnificent pictures. Choosing a picture to paint about from this gallery was a challenge for me mainly because both Antoine and Jos.
From all his travels, he has a better appreciation and a better understanding of other styles of art from different cultures. Therefore, his house has become a mixture of cultural and architectural features. He got his inspiration from the ideas of Renaissance architect Palladio. At the beginning of this project, after it has been built, Jefferson often
In US History, many have realized that the architectural styles of important buildings can easily describe the priorities, beliefs, and behavior over the course of time frame. That we are presently concentrating on the type of attitudes as well as priorities that the English occupants brought once they arrived in America. When the English colonists first arrived in America, they had a variety of attitudes and priorities, which could be seen in their own architectural design. The English settlers that settled in England region were mostly Puritans who arrived in America this is because they have objected things with English way of life.
The rotunda also serves as a whispering gallery. Legend has it that if you stand directly in the center, under the dome, any wish you make will come true. The Senate Chamber still contains the original Senator desks purchased in 1888. Allegedly, spirits of long-departed Texas lawmakers and others who occupied the Capitol and grounds can sometimes be seen roaming the building 's
In their colonial stay of fewer than 100 years in old Saigon, the French left behind a rich architectural heritage reflecting shifting trends from the Second Empire and Third Republic to, even later, art deco and Le Corbusier. With high ceilings and fans, louvered doors and windows, the colonial buildings were ideally suited to Vietnam’s muggy climate. By the 1930s, the French had developed a unique Indo-Chinese architecture, fusing Western and Asian elements, a style reflected in the Vietnam History Museum and the botanical gardens. They also created broad, tree-lined boulevards and dense, walkable side
Similarities That American Society Shares With Ancient Greece Ancient Greece produced many patterns and fashions that America has imitated. This civilization, more than any other, has molded what Americans observe and use architecturally today. Everywhere people look, they can see designs from Ancient Greece in this country. America has been inspired and influenced by the Greeks; therefore, there are replicated ideas of ancient Greece seen in many of America’s buildings. In the United States’ capital, there are buildings, especially the Capitol, which have borrowed ideas and patterns from some of Greece’s structures.
The Lincoln Memorial has thirty-six columns that represent each state that was reunified to the United States of America. The Parthenon contains forty-six outer columns and twenty-three inner columns. Even though the buildings may be similar in color and texture they are made with a few different materials. The foundations of the Parthenon were made of limestone. The outer part was made of marble.
The Isabella Stewart Gardner Museum showcases Mrs. Gardner 's collection to the public in greater Boston area. Each room functions as a pilgrimage, as one travels through various countries and time periods ending at the chapel and subsequently the Gothic room. In this paper, I will examine the Gothic room 's theme in relation to the placement of its objects. I will also evaluate the room 's strengths and challenges in serving the public, and how the practices employed in this room fit into the context of accessibility for the entire museum.
As a start, the building types are many as the private houses, baths, as well as temples and theatres and these are our points; Firstly in temples, Greeks’ structures were invented to be the home of gods called Parthenon having an obsolete religion. As inside these sanctuaries they didn’t have spots of meeting, but obeying the penances and aimed to custom an individual god in them. These temples anyways were sometimes used to be storage of votive offerings. Subsequently, they are very unique in there style and very essential modeling construction. For examples, the palace of Knossos, and Athens acropolis.
Eventually, he settled on a design that incorporated an inverted ziggurat-type structure that spiraled downward internally. He intended for patrons to take an elevator to the top of the museum and work their way down the spiral rotunda to view the artwork. After considering several locations in the city, including the Bronx riverfront, it was eventually decided that the museum’s location would be along Fifth Avenue in the Upper East Side, creating a sharp contrast between the stately Metropolitan Museum of Art nearby and the neighborhood’s collection of Gilded Age mansions and ornate townhouses. Although Wright originally intended for the museum’s exterior to be red-colored stone, it was eventually built of
The Forum of Trajan is a Roman example of axial planning because as you entered through its triumphal arch towards a statue of Trajan in the center, the surrounding structures were at opposite angles and lines, creating a clear sense of order and focus. [12] The complexity of this planning demonstrates the outlook and organization that went into any of the architecture in Rome and Athens. [13] While many citizens at the time did not appreciate (or may have not noticed) this visual architectural connection between Rome and Athens, the members of the elite who traveled, did especially the Roman Emperor Augustus. The cities of Rome and Athens became increasingly similar during the Augustan period and created a hybrid style that was influenced by Augustus. Though the exchange in architectural culture between these two cities was common there were subtle difference.
The style of the building and the purpose it is built give a brief and thoughtful storybook about the culture of the architect as art, generally, and architecture, particularly, is a language itself. Thus, buildings narrate the stories of the people among the history and tell their traditions and habits to the next generation through its design, inscriptions, and details. In this essay, I will discuss how both the style and function of the Greek Parthenon and the Roman Pantheon served as typical examples of their cultures in Athens and ancient Rome. In addition to the similarities and differences between these two cultures through the two buildings. Both the Greek and the Roman architecture inspired the cultures and architects until these days due to the diverse meaning they carry and symbolize in astonishing ways through the different orders, columns, roofs, friezes, and domes.