In life, we are often faced with difficult choices. We are forced to make these choices, but they affect not only our moral ideals, but also our surroundings. The metaphor in Through the Darkness reveals the importance of acting rather than observing, which is important in unexpected situations. Otherwise, ignorance and failure to make immediate decisions can have serious consequences, so it is everyone's responsibility to act correctly and follow morals and ethics.
The poem sets a dark scene at the beginning. It is a dark night and the speakers find a dead deer while driving on a narrow road. Instead of driving past it, they decide to roll it into the canyon to avoid more deaths. The desire "to swerve might make more dead" (4) suggests that the speakers feel responsible for the safety of others, and here the authors imply that they have encountered this
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"her side was warm; her fawn lay there waiting, alive, still, never to be born". (10-11). The author realizes that the fawn may still be alive. The emphasis is on the possibility of the word "still". But the speaker insists that the fawn will die. However, when the fate of the fawn was in the driver's mind alone, he hesitated, and his concern made him stop.
In the fourth stanza, indecision accompanies him. The red color suggests the blood of the dead deer, and the car symbolizes this technology. All this happens in the darkness, and although it is a small event, the impact is enormous. It is a moral dilemma to save the fawn, risking the other cars. Or pushing the doe into the abyss. Around him, "I could hear the wilderness listen."(16). Anthropomorphism is used here. It shows that like the "wilderness" can listen like a human being. As the poet tries to decide what to do with the dead deer and fawn, he anthropomorphizes the natural wilderness that surrounds the speaker. This brief description is
Madison Ohringer Professor Jean Graham EGL 204 2/28/23 Paradise Lost: Ethereal What does being in Paradise mean? What does it look like from one person to the next? This visual of Paradise for most consists of what you believe in, whether it be a tall man with flowing long hair and long beard that comes to greet you in the afterlife and filled with your late relatives all waiting at the heavenly gates for you. Of course the flipside would be you believe in nothing after death, and when you take your last breath life as you know it ends and is surrounded by nothingness.
The literal description of where the motorcycle was found creates a realistic and neutral tone to the beginning of the poem, and aids in
He implements that his curse fades away unnoticed, and that his word has no significance. His thoughts switch to his struggle. The use of the diesel truck shows that this truck is big. The size of the truck is big enough to give the speaker of the poem a sense of nervousness as he passes it. The curse (poem words) passes around on the road is representative of his state of thoughts, in which something can seem so significant but fade away into the unseen distance before it gains any more significance.
When humans are surrounded in an endless chasm of darkness, they find it necessary to grasp onto whatever dim hope may be near them. They find it necessary to set their minds onto a mission or action, however feasible or relevant, and turn all thoughts away from death or despair. Light and dark are words commonly thrown about, usually to describe gradients of color. But humans need light in the sense of comfort, a way out, or the promise of salvation. They have to find this light in life, to turn away from the darkness.
It involves how life can be hard sometimes and how you deal with certain situations. In the short story The LIfe You Save May Be Your Own, by Flannery O’Connor, utilizes symbolism in the forms of Mr. Shiftlet's one arm, the broken down car, and the rain to convey the hardships and spiritual meaning of
Since the narrator was constantly around the darkness he used that as his motivation to stay away and to make a difference as much as he can. There is a difference between light and dark but one does not
Tim O’Brien is a writer that, while impressive, can be described as indulgent with his words; going on for pages at a time on one topic and not sparing a single detail. This of course is part of his charm. If you look to the first four pages of “The Man I Killed” in his The Things I Carried, in order to show the obsession, feelings, and shock that can come from killing someone, O’Brien makes use of repetition, tone, and appeal to logos. Firstly, throughout the chapter, the reader is to repeatedly come across descriptions or inferences of the man Tim O’Brien killed.
The book Night by Elie Wiesel is a memoir written to make the argument that his story matters and should not be repeated again. Through his book, it demonstrates the hardships he faced during his time in the camp and what he did in order to survive. Therefore the book provided a first hand experience and revelation of the events that occur. The Holocaust is a tragedy that was caused by the Nazi regime which believed that Germans were racially superior to the Jewish population. Nazi labeled the Jewish Community as a threat to German society, hence this event resulted in the death of over six million jewish people.
The damage on the car after a drunk-driving accident is also used to reflect the damage on the characters involved: “The sharp jut of the wall accounted for the detachment of the wheel, which was now getting considerable attention from half a dozen curious chauffeurs” (Fitzgerald 53). The wheel can physically represent the destruction of drunk-driving, but it can also represent the destruction of one's moral compass. Through the use of vehicles and drunk-driving, selfish actions begin to show the destruction of upcoming relationships during the
Similes in the poem such as ‘till he was like to drop’ are used to create a more descriptive image in the reader’s mind. Metaphors when saying ‘He lifted up his hairy paw’ and in many other sections of the poem to exaggerate areas to give the reader a more interesting view. So the poet can express what he is trying to prove through and entertaining way. The imagery device enhances the poem to make it stand out more so it grabs the reader attention. The poem was a very entertaining and humorous.
Throughout this poem, Robert Frost uses extended metaphors to convey that every human has a path that causes them to constantly make choices that will continue to shape their lives. In the first lines of the poem, Frost states, “Two roads diverged in a yellow wood/ And sorry I could not travel both” (Lines 1-2). Immediately, the idea is established that the speaker has to make a decision.
Frost utilizes analogous imagery throughout his poems; specifically in this poem, he uses natural imagery like the woods and roads to signify these themes. The woods represent indecision and instinct. Everywhere in literature, the plots of novels and poems alike contain characters lost in the woods. Similarly, in “The Road Not Taken”, the woods represent indecision while an adrift traveler wanders lost in the woods (Rukhaya). Frost repeatedly uses this symbol, and “the image...has represented indecision in Frost’s other poems…
“a machinery for eating and grunting” The quote is significant because it is talking about a machine, most likely cars, that are loud and use natural resources. The author likes to use repetition in this poem to make parts of the story stick in your memory by constantly repeating the same words over and over again. This is practiced in real life even, whether it could be in the form of a school subject or even certain rules. The phrase “there is…in me” being repeated so many times can make some of the sentences stick in your memory. Imagery in “Wilderness” is used to help you envision many parts of the poem for a better understanding.
Both universes have assert on the artist. He stops by the wood on this "The darkest evening of the year"(8) to watch them "To watch his woods fill up with snow"(4), and stays there so long that his “little horse" shakes his "harness belts" to inquire as to whether there is "some mistake" (1 to 10). That little horse's activity helps him to remember the "guarantees" he needs to keep and the miles despite everything he needs to travel. (13-16). The poet grapples with his decision in the third stanza where he considers whether he ought to stay in the forested areas or not.
At its heart, William Stafford's "Traveling through the Dark" is about that moment when nobody is looking. It is about that moment when we could turn our backs and walk away from our responsibilities without any immediate, personal repercussions (except maybe that pesky Ojigwe |