Dark, foreboding alleyways, creepy villains, and sinister music are all things one would expect to find in a Tim Burton film. But do you know why? Every aspect of his films are carefully thought out to give off a specific effect. One example of this is how Burton uses camera angles and lightings to create an ominous and lonely mood in his films, because he wants his audience to connect with the strange, or “different” characters. Burton uses a variety of different camera angles in his films to get his point across. In Corpse Bride, he uses low angles in order to give scenes an eerie, ominous mood. For example, when Victor is first going up to the Everglot’s house, the low angle is used to make the house seem very large and foreboding. This causes the audience to automatically register the Everglots with fear and …show more content…
For example, in Charlie and The Chocolate Factory, Burton uses side lighting on the spies meeting about his factory to show them as evil and calculating. He does this in order to have the audience mistrust and dislike the spies as Wonka does, forming a connection between their emotions. Burton also uses low lighting in his films to manipulate the audience’s perspective. In Edward Scissorhands, Edward’s flashbacks all have low key lighting to make them seem melancholy and slightly sinister. Burton uses these flashbacks to have the audience understand why Edward acts certain ways or does certain things, relating his current life to what had happened to him in the past. Burton also uses low lighting in Charlie and the Chocolate Factory, in scenes of Charlie’s house. This is to have the audience feel the gloom and dejection of the impoverished family and feel sorry for them. By using specific lighting techniques, Burton is able to pinpoint exactly how he wants a scene to look and feel to the
For example, when Peg enters Edwards mansion the lighting is very dark, spooky, evil, and low key. Unlike the high key lighting Burton uses in the beginning of the movie when he shows the neighborhood, the low-key lighting used in this scene makes the mansion have a sense
Burton uses this excellently to show an even darker tone to the move if you pay attention. A great use of this is in Edward scissor hands in the attic of the mansion when he first meets Peg, she asks him if he had a mom or dad then proceeded to ask where they were Edward responds with, “they never woke up”. With a similar depth of meaning beetle guise says he survived the black plague which means he was alive before the renaissance. As you can see this is just some of the depth and meaning in Burtons films. Overall Burton’s dark style is obviously seen in his films like Edward Scissor hands And Beetle juice.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Similarly, in Corpse Bride, Burton uses a low angle on the bride when she rises out of the ground. When the audience sees the bride from this angle, one can imagine how Victor sees her, and begins to feel frightened by her, because she appears so much larger than a normal sized person. It is not until later in the movie does one realize that she is actually an average-sized person. This effect is achieved because of the angle on the bride when the audience first sees her. Additionally, Burton uses a long shot in Edward Scissorhands when we see the mob of people enter the forest.
The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.
In Edward Scissorhands, Tim Burton uses low-key lighting to incite fear and suspense in the audience. For example, when Peg enters the attic this type of lighting is used to make Edward appear evil or menacing,
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
On November 26, 2016, I attended the Emerald City Theatre Company production of Charles M. Schulz play Charlie Brown Christmas. The production of the play was great for the children who were in attends of the play. The production took away the 4th wall. Which help the children of the audiences be a part of the play a couple of times. Still, it 's a good and time-efficient choice for family members who are used to the animated Charlie Brown and wanting it to be the same as the TV special.
His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.
“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.
For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.
Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.