Burton uses a variety of different camera angles in his films to get his point across. In Corpse Bride, he uses low angles in order to give scenes an eerie, ominous mood. For example, when Victor is first going up to the Everglot’s house, the low angle is used to make the house seem very large and foreboding. This causes the audience to automatically register the Everglots with fear and
Many of the shots of the character Edward begin with his hands and then move up his body. These closeups of Edward’s omenes ependiges make the entire seen to come slightly frightening. In the film the music is a chorus of voices that seemed to be imitating angels. Tim Burton did this to show that despite his appearance Edward is a good natured soul that only wants to be apart of the town. In his film Tim Burton uses darkness to show the unknown and that which the audience cannot understand.
This example creates a suspenseful and eerie tone because we don’t know what Edward looks like and how creepy and mysterious he might be based on what experiences he might have been through. This provides some suspense for the viewer. An example of low key lighting in Big Fish is when Edward is observing the dark and quiet forest that lays in front of him. This example creates a mysterious and creepy mood because the darkness of the forest establishes a mysterious feel of what might be in the forest beyond what the eye can see. This creates a scary and chilling feel in the viewer.
One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors. Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will
The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in
Like in his film Charlie and the Chocolate Factory when the trucks were being loaded with boxes and everything was grey except the trucks. Also, when the winners were about to enter the Factory and the factory was grey on the outside but when you walked in it was colorful. Another one of his films that used low lighting was Edward Scissorhands when the castle was grey and dark, but the other houses were colorful and bright. In Alice and Wonderland, the Queen of Hearts castle was grey and scary on the outside, but her soldiers were bright red and the good queen’s castle was white. There were not only lighting techniques though, there were a lot of flashbacks.
I’ve touched on it several times so far, but the use of shadows in Out of the Past stands out as a defining cinematic device employed by Tourneur. Obviously, shadows are ingrained in the fiber of any film noir. Deep focus, low key lighting, and expressionistic compositions are standard. But Tourneur goes above and beyond with his shadows. He creates beautiful compositions, but more importantly, he uses shadows to define and redefine the mood, and to tell the story.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
Tim Burton’s use of non-diegetic sound in movies greatly contributes to his overall tone and mood. An example is the starting credits of Alice in Wonderland, where the music is mysterious and suspenseful. It is meant to make you feel like something big and magical is coming, but you don 't know what. The music foreshadows the entire movie in these couple starting seconds and helps with the mystery of sort of, but not really, knowing what will happen. Music during the movie also helps set the tone and mood of the individual scene.
Beatlejuice along with other films are mainly gloomy storylines with low key lighting and dark colors but he turns them into enjoyable movies for kids and adults to watch. Tim Burton uses lighting and colors to convey dark, mysterious style like in his films Edward Scissorhands, Corpse Bride, and Beatlejuice. Tim Burton uses colors to show how different people are and how different the situation is in a scene. This occurs in Edward Scissorhands with the people’s outfits and Edwards. Example Edward wears an all-black suit that looks similar to a strait jacket.