This, in turn, led to the style shedding light on how life isn’t as happy and excellent as people think. They aimed to display the harsh reality and the real darkness the world has. Due to Tim Burton’s childhood, he felt a connection to the message they were trying to implement, and utilised it as much as he could in his own films. How? I decided that I would use the main elements of German expressionism in mainly
Tim Burton is famous for his unique cinematic style in films such as Edward Scissorhands, and his renditions of Charlie and the Chocolate Factory and Alice in Wonderland. In these three films, I will focus on the extreme contrast between the settings, and what that leads the viewer to assume as they watch the movie. Many elements in his films are deceiving at a first glance, but once you get another perspective, their true natures are revealed. In Alice in Wonderland, Burton introduces Alice in
in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in
Labyrinth (Guillermo del Toro, 2006) The story is set in the times of the context of Spanish civil war. A girl Ofelia accidentally enters the mysterious labyrinth, where she meets magical creatures. The film interchanges between the scenes set in reality and the dark world of the labyrinth and its inhabitants. Pan's Labyrinth is a grim fairy-tail for adults, where things do not go as well as everyone expects. For instance, the most terrifying sequence in the film takes place in the Pale Man's dwelling
in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his or her work like a signature. Auteurism rose to the surface in
in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his or her work like a signature. Auteurism rose to the surface in