Many movie directors make films to appeal to their audiences. That’s their job in the film industry. However, a director named Tim Burton stands out above all by his unique style of filmmaking. He gives off a bowl of mixed emotions that gets easily manipulated by his cinematic techniques. In any of Tim Burton’s films, he uses three cinematic techniques such as lighting, camera angles, and music and sound to create a darkness and gothic-like style that helps interfere with what the audience feels.
Lighting is very essential for creating the scenery of a movie. It can give off many moods of how the audience should feel at times. Burton uses lighting to his advantage as he twists the emotions of the setting in Edward Scissorhands. During the
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Tim Burton uses music to express the mood of the movie. It helps convey the way you feel in it. Burton uses both diegetic and non-diegetic to set the tone of a scene in a movie. In Edward Scissorhands, non-diegetic sound is used when Peg goes up the stairs of Edward’s castle. The music was dramatic and sinister. However, it is not heard by the characters but heard by the audience instead. This tone of music makes the audience feel worried for Peg as if she was going to be attacked by what she sees upstairs. Sometimes Burton’s sounds can give confused looks to some people. For example, in Alice in Wonderland; Alice is introduced to the Cheshire Cat. In this scene, Burton uses diegetic sounds to have the cat whoosh around Alice. This can be heard by the characters too. The whooshing sound that the Cheshire makes, makes the mood feel mysterious. This can make the audience feel confused since cats aren’t usually portrayed as a something creepy. Cats on screen can often get a fun vibe but instead, Burton uses the cat’s movement and voice to have the audience feel uneasy and uncomfortable. It helps support his way in making the film feel gothic-like. Music and sound are what makes Tim Burton’s movies full of enjoyment as he messes around with the music and how we
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.
Have you ever been dragged into a magical world? The strange and mysterious mind of Tim Burton's allows him to use cinematic techniques to make his films fun yet frightening. Tim Burton uses certain cinematic techniques, such as low key lighting, diegetic sounds, and low camera angles to create a gothic fun style. In his films he also creates a theme about outsiders and how they somehow fit in crazy mixed up ways. Tim Burton’s films “Charlie and the chocolate factory”, “Edward Scissorhands”, and “Bigfish” all show this.
To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.
“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.
Burton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.
Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.
Tim Burton’s lighting techniques is a way of conveying emotions and certain tones to the audience. Tim Burton has a very unique lighting aspect of his films, but he also uses costuming to create a uniqueness to his films as
Specifically, in Edward Scissorhands, the fighting scene where Edward and Jim were in Edward’s attic and in the background, the music was loud and fast to show that it was a fight scene and that someone was going to be hurt or killed. Music changes throughout a movie to capture the mood of a particular scene and to evoke emotion from the audience. In Edward Scissorhands, the suburb is associated with lighthearted music and dark gothic music is associated with Edwards home, the mansion. The lighthearted music gives the audience the illusion that the suburb is happy and safe and the dark and eerie music gives the mansion an illusion of creepiness. Music can also relate to sounds in a movie as sounds can be used to have the audience hear if it will lighten up the mood in a scene or make the scene seem scary and eerie.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.