The most recognizable names in directing have become well known because of their signature style of directing. The auteur theory, defined by Bringing out the meaning: Deacy, Nolan, Scorsese, and what films 'mean', is giving the director credit as the author of the movie due to the directors creative hand through the filmmaking process (Ellis). Throughout the decades, some names have stood out more than others based on the critical acclaim of their films. Alfred Hitchcock and Stanley Kubrick are two well known directors, both considered to be highly influential people in film; even with their varying directorial styles and techniques. Alfred Hitchcock is known for his mystery/horror films, earning him the title as the "Master of Suspense".
To understand the complexity and influence of Kanye West, one must grasp the context of the music industry at his arrival. Hip hop has become one of the most popular forms of music of the 21st century. Unfortunately, rapping was not always considered this beloved genre of music like it is today. In the 80s and 90s, hip hop had an extremely ardent fan base because many critics considered the genre as “gangsta” or “hood” music. This criticism emerged, “with the mainstream success of gangsta rap, where drugs, violence, and misogyny became more prominent” (Holly).
Altman and Allen were one of the slightly older generation but many movie directors and producers had proved to be the most continuously successful directors of the era. By the year 1975, the movie world had changed forever and became a great blow to new filmmakers that broadcast their movies in theatres. Steven Spielberg, an American director, created the shark movie “Jaws” that caused huge comebacks by the Majors and started the rise of the blockbuster movie. George Lucas started the ancillary market of by betting his toys from his well-known Star Wars Trilogy that fund his movies. The studies had no clue about this gainful and lucrative helper business sector of toys and permitting could be an advantage to producers (Callahan.
Despite of these paradoxes, its surface is as much interesting and entertaining as any movie ever made. The depths in the story go beyond comprehension. The more clearly the physical manifestation of the film presented, the more the audience moved by its mystery. We can say that it is one of the legacies of cinema that in 1941 a first-time director worked with an innovative cinematographer, Gregg Toland in this case, and a group of New York stage and radio actors were given a chance to make a masterpiece—Citizen Kane is beyond greatness of any movie could be; it is a collection of all the element from the rise of sound era, just how “Birth of a Nation” assembled every elements at the peak of the silent era, and pointed the way beyond narrative. These innovations stand above all the
Revenge, Masculinity and Glorification of Violence in the Godfather Abstract: Crime films have been the most enduringly popular genre since the dawn of sound era in Hollywood. Mob and gangster films are a sub-genre of crime films and deals with the mafia and their organized crime focusing on rise and fall of power. These films primarily have stacks of money, guns, flashy cars, illegal goods, cluster of goons, crime families, and a plot with a central theme coupled with violence. Hollywood gangster films in the 1930’s had liberally drawn inspiration from the newspapers and books of the era. Films of gangster genre are strongly driven by themes such as power, loyalty, betrayal, rivalry, morality, revenge, masculinity, materialism etc.
He says that the script builds up the style because what he writes dictates his dictatorial style. It’s a technique to build the story more effectively. Eastwood’s films are great examples that the old school style still brings success to the film industry as he continues to create one great movie after another. He started directing just a few years after making his name as an actor back in the 60s where he scored his first lead role. By the mid 70s he was known as a capable director with a consistent and individual style.
Martin Scorsese is a famous hollywood producer and director that makes real life stories into blockbuster films. His biggest films The Wolf of Wall Street and Goodfellas share the same kind of story even though they are both based on true stories about different people with different backgrounds. Both the stories share how the main character is a success driven individual that strives and achieves a life of excess and the feeling of being invincible. Scorsese uses the same kind of pause stop directing in both stories which makes both films alike but so unique. As both stories prevail we soon learn that both of the main characters cannot escape the law and eventually are outrun by the “feds.” Although we see similarities in both films, The Wolf of Wall Street has an engaging plot, directing, and a taste of the American Dream.
Vertigo proves to have made much of a bigger impact on film itself as an art than Psycho has, though the latter has made much more of an impact on society and movie genres as a whole. I do believe that Vertigo deserves to be ranked higher than Psycho, simply because film as a medium never would have developed quite in the way it has without that particular film. I also believe that Vertigo is a much scarier film than Psycho, and indeed Hitchcock’s scariest film in all. Most other films had never before addressed such topics as stripping away one’s identity for love and giving oneself wholly to another, and what happens to one when that happens, and if a relationship under such a premise could ever be healthy. “Vertigo… is the most confessional
The James Bond franchise is revered as one of the most iconic fictional pieces to date. I believe the franchise has been so successful over the last 60 years because it has the ability to immerse it’s audience with its distinctive brand. When people think of James Bond, they immediately highlight its themes of violence, hegemonic masculinity, and slew of troubled characters who involve themselves in organized crime to satisfy their greed. The novel enlists its characters with distinct personality, eluding to several complex connections to crime and social deviance. The crime and deviance aspects of Goldfinger give a cohesion to the story.
Yet, appear unaware of how powerful he actually is. This would be worth seeing in the new film. The film seems strong and enjoyable, considering what Jack-Jack is capable of. I can think of a half a dozen things that could happen. At one point, it was rumored that the second film would pick up years after the first and that Jack-Jack would be the villain.