Toru Dutt was an Indian poet who wrote in English and French, and made a mark in literature in spite of her premature death.
Early Life
She remained in Calcutta till November 1869, after which she and her sister Aru traveled to France, Italy and then England. She went to a school in France for the first time of her life and had an intimacy with French during that period.
That trees have a special attraction for poets, not with standing differences in caste , creed, colour, culture, time is known to most lovers/readers of poetry. Birches , Beeches, Cedars , Fig Trees, the Neem , the Yew , whether in gardens or in grave yards , whether on road –sides or by windows , they continue to inspire poets of the West who , in response , write lines either on their hugeness or on the thickness of the foliage
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In the third stanza, she links up the tree with the memories of her deceased brother, Abju and her deceased sister, Aru. She feels great pain when she remembers the happy time that she had with them. The Casuarina tree connects her past with her present. Thus, the poet heard ‘that wail far, far away in distant lands.’
In the last stanza, the poet immortalizes the tree. She would like to dedicate a lay in the honor of the tree because it is ‘beloved of those who now in blessed sleep for aye repose’. Though her verse may be weak, her love will confer immortality on the Casuarina tree.
The poet has made abundant use of similes, metaphors, personification and allusion. In the first stanza, she compares the creeper winding round the trunk of the Casuarina tree to a huge python. She also, metaphorically, refers to the creeper as a scarf and also calls the tree a giant. She goes on to compare the water-lilies in the tank to snow. She personifies fear, time, death, and hope to intensify her feeling of loss. She also makes an allusion to the yew trees of Borrowdale made famous by William Wordsworth. She wants her Casuarina tree too, to be
Silvia Plath’s Mushrooms and Oodgeroo Noonuccal’s Municipal Gum both use extended metaphors to symbolise the poets experience with oppression. Plath’s mushrooms become symbolic of the rise of housewives whereas Noonuccal compares the oppression of Indigenous Australian’s to a native gum tree imprisoned by a city. Through their inclusive language, both poets biographically reflect their encounters with oppression. Both poems are free verse, as Plath carefully configured 11 stanza 3 lined poem, to ensure there are 5 syllables in each line whereas Noonuccal’s 16 lined poem contains a peculiar end rhyming scheme.
The poem begins with the narrator describing being alone in the woods. She is being dragged through the water, by a mysterious man which develops the sense of imprisonment. She describes the man’s language as not human and she turned to prayer to find strength.
“Mom and Dad smiled at each other and laughed. It was a sound that Tree hadn’t heard from them in the longest time” (132). This shows how Tree wasn’t sure his parents were ever going to get along again, but they end up having a good time. This is an example of how family matters most and hope is always around. This situation gave Tree strength to preserve.
This kind of description shows the reader how impressive and majestic this tree is, as it puts a vivid picture in the reader’s mind as something that is not only unrivaled in terms of altitude, but it can also be seen from the sea, which highlights its stature as a wholly independent object. Old as it is, this pine is strong, and does not need any assistance from the ecosystem surrounding it. The importance of this giant tree, along with other details that make the story more interesting, is what dramatizes this young heroine’s adventure.
Both the story and poem agree that the princess is a kind and caring child. In the story, “[the princess] with a sweet and powerful impulse to comfort [the king], she started from her chair and… threw her arms affectionately about his knees.” She was turned to gold because she wanted to comfort him, showing her affection and kindness. This same kindness is shown in the poem when she sings, “A falling leaf in fall’s a thing to mourn.” The princess from the poem is the type of person who is sad over the death of any living thing, including something as seemingly insignificant as a leaf.
In the first section the mother and daughter are the only two people present in this section and they are trying to plan whether they should sell the tree. There are also some images that are used in the beginning of this poem that create a negative image in the reader’s mind. The negative tone provided with the uses of “dark”, “smashing”, and difficult” show the reader the hard time the character are going though. In the second section, the characters are reminded of the significant of the black walnut. The author show this by shifting the tone of the poem to positive.
Her uses of metaphor, diction, tone, onomatopoeia, and alliteration shows how passionate and personal her and her mother’s connection is with this tree and how it holds them together. There is a difficult decision ahead the mother and daughter both analyze the advantages and disadvantages to cutting down this tree. They have a dispute (line1) and “talk slowly, trying in a difficult time to be wise” (line 10). Using
These images show Wordsworth’s relationship with nature because he personifies this flower allowing him to relate it and become one with nature.
This emphasises the enormity of the task Ofelia is about to embark upon and also her vulnerability as the tree’s dominating presence fills the frame. The fig tree itself is symbolic in its representation. Firstly, the entrance of the tree resembles that of a female’s ovaries, with its curved branches replicating the fallopian tubes. Moreover, the tree’s sickened state mirrors Ofelia’s pregnant mother’s own fragile condition.
“Then leaf subsides to leaf” and “So Eden sank to grief” are some examples of imagery in this poem. “Then leaf subsides to leaf” in my opinion, means that the leaves have calmed down. I imagine leaves falling slowly and gracefully onto the ground. “So Eden sank to grief” means that Eden or someone else has become sad or depressed. I image a person falling down into a dark abyss.
“The bark is rough… the crown reaches for the sun, tall and healthy. The new growth is the best part” (196). The tree represents her finally coming to terms with her emotions, and how she realized that she is strong and has scars that can be outgrown as
Leilah Smith Dr. Cothren English II G March 1, 2018 Behind the Scenes: The Blissfulness of Nature Nature is a pure and natural source of renewal, according to Romantics who frequently emphasized the glory and beauty of nature throughout the Romantic period. Poets, artists, writers, and philosophers all believe the natural world can provide healthy emotions and morals. William Wordsworth, a notorious Romantic poet, circles many of his poems around nature and its power including his “The World is Too Much With Us” and “I Wandered Lonely as a Cloud.”
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;
The calming light that speckles onto the ground through the leaves of the tree enchants the speaker. It captivates the poet to become under nature’s spell by its enchanting beauty. The power and mystery behind nature is unbelievable as humans continue to explore the wonders of how nature works at its
Additionally, “defining the wood with one feature prefigures one of the essential ideas of the poem: the insistence that a single decision can transform a life” (Robinson). This one feature, the yellow leaves, and in it the sole definition of