Art And The Dada Movement Analysis

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Traditional features of Art and The Dada Movement

Merging talent and concept, artists are regarded as skilled illustrious individuals adept at crafting works which can have a remarkable influence to raise the senses, the intelligences, and the emotions of the audience. Individuals respond emotionally and intellectually to visual images, often subconsciously identifying forms that make something look beautiful. Historically, there was a challenging process in becoming an artist. Primarily, art making was known as a profession involving a master and an apprentice. Through vigilant guidance, the apprentice would study the masters work and successively start to cultivate a style. The apprentices would work for themselves once the master considered
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Theories of visual art and cultural influences can unquestionably sway the type of art an individual appreciates. When exploring the endeavours and literatures of philosopher’s and artists, one is able to identify a common pattern at the core of works of art. There is irrefutably a primitive human appreciation for art works containing aesthetic qualities.
Philosophers term the response to an agreeable feature an ‘aesthetic response’. In the 1700’s and 1800’s, European philosophers and art schools developed formulas to analyze and create beautiful works of art. Aacademics underlined beauty as a fundamental element, viewing art as essentially aspiring at absolute beauty. Using features such as unity, rhythm, balance and harmony befitted an approved method to direct artists as they created beautiful
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The Dada movement was a modernist attitude which occurred mainly in New York and Western Europe between 1915-1923, examining suppositions of what art must be, and in what way it should be arranged. It was an influential avant-garde movement, resulting from the pervasive damage and carnage from World War 1. The Dadaists held that if a rational world can construct such devastation, then the rules that control a rational world no longer pertain. For that reason they embraced the absurd, intuitive, radical and abstract qualities - an attack on humanity’s acuity of the creative act. They communicated this credence through works of art which defied the models of conventional philosophy; critiquing the aesthetic experience of prevalent art and irradiating the follies of society. Alongside Pablo Picasso and Henri Matisse, Marcel Duchamp is universally looked upon as the pioneer of the Dada movement, an artist who assisted to delineate the avant-garde advances in painting and sculpture in the initial years of the twentieth century. Dadaists attacked conventional identifications of beauty, artistry, and the reverential eminence of fine art, examining the critical construction of Art itself. Avoiding the purely visual characteristics of art – an academic importance on skillfulness and method – Duchamp concentrated on the conceptual foundations

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