Standing in the “boneyard,” the evening sky is turning dark; out guide, Tom is giving us a brief history of the Neon Museum, and the stormy history of Las Vegas, Nevada. Tom says, “Be careful of sharp objects,” as our tour begins. The Museum began in 1996 as a way to rescue the remnants of a bygone era. The Young Electric Sign Company donated its corpses to the boneyard, an outdoor collection of signs that once advertised the grand dames of the Las Vegas hotels. With Sassy Sally’s and Binion’s lighting up the night, I am reminded of a Las Vegas, when it was a road in the desert. Tom, was saying, “IF these signs could talk, the stories they would tell of big dreamers and questionable characters.” The Tropicacana Sign catches my eye, with
Element of fiction Explanation Supporting quote Setting The book starts of in a bus travelling to the present-day Grand Canyon once Jason, Piper, and Leo arrive they encounter storm spirits with a bounty on their heads. Then, they are transported to a demigod training-camp where they will take on a quest to save Hera, which requires them to travel to Chicago, Quebec, San Francisco and Detroit. The author changes the time setting at some times by using the Memory Moment signpost, reflecting on characters past experiences to contribute to the plot. “She pointed out the open-air dining pavilion that overlooked Long Island Sound.
“It 's a ghost town rabid underworld / Dionysian night vitriolic twilight / A mirage comes up it never ends”. (Distillers) California is synonymous with the glitz and glamor seen in Hollywood movies. People not living in California fail to see that amongst all the glamour lies cities that at one time were amongst the most dangerous cities. California has a modern noir that resonates in particularly in the city of Los Angles amongst the star stricken Hollywood stars.
September 26, 1942 marked a riveting day for the literary world who received a new writing giant that would make a resounding impact for the Latino community for decades to come. Anzaldúa was born to parents Urbano and Amalia Anzaldúa and was the eldest of four children, all born in Raymondville, Texas. Anzaldúa spent her childhood living in ranches and even traveled to West Texas to become a migrant worker. At age 11, her family relocated to Hargill, Texas for better educational opportunities and through that, Anzaldúa’s vast knowledge of the South Texas landscape and experiences with discrimination soon came to influenced many of her later works. Anzaldúa became interested in writing at a young age, she wrote poetry, journal entries and
“Passport Photos” by Amitava Kumar is an excerpt combining poetry and photography, and making it into a cultural analysis over immigrant conditions. The author explains complicated situations that immigrants have had to deal with when they step towards the U.S. and one of the main conflicts will be language. This piece has described historical moments, such as mentioning “Alfred Arteaga” and the irony of deportation and printing, cultural critiques, and the reality when it comes to the Hispanic cultures. Kumar reflects his book based on a significant image saying “Caution” in English and “Prohibido” in Spanish. In other words, the sign is telling citizens, “Caution”: be careful by avoiding danger, but then it is telling immigrant’s “Prohibido”,
According to the American Association of Museums, In the United States, compliance with museum standards is voluntary, although in order for museum to receive accreditation, they must meet criteria pertaining to standards and public accountability. Located in the Old Colorado City national historic district in Colorado Springs, the Michael Garman Museum and Gallery (also known as Magic Town), is a “3,000 square-foot miniature city that combines hundreds of intricately detailed sculptures and cityscapes with magical elements to create one of the world’s truly unique attractions.” The museum is govern solely by the owner, Michael Garman. Whether the museum meets AAM stands is not an issue for the museum because the museum is a corporate for-profit
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.
And I think because Blaxicans represent two of the most aggrieved groups in Los Angeles, it’s important to understand that certain sets of issues and challenges that have been traditionally labeled as African American or Latino, ultimately, do not exist for people who self-identify as Blaxicans.” stated artist Walter Thompson. Latinos and Blacks are both pointed at in this society, and these kids are growing up being both races. They have to grow up in this society that doesn’t understand that they are just people. These Afro-Mexicans have to face challenges, deal with some rude people, and will probably be treated differently by certain people on the
In Reyna Grande’s compelling memoir, The Distance Between Us, she vividly recounts her life and journey from Mexico to the ‘El Otro Lado,’ the United States. Grande grew up in Iguala, Guerroro, a small town in the heart of Mexico. She and her family were brought up in extreme poverty and thus, her parents left for the United States in order to support them. Grande and her siblings were forced to live with their stern, disapproving grandmother and often faced difficulties because of their abusive and impoverished environment. Abandoned by both parent, the three siblings endure various hardships with the hope of a window of opportunity opening for their family.
From the start, it is clear that T.C. Boyle’s Tortilla Curtain aims to shed a light on the topic of Mexican immigrants in the United States. However, by having both a Mexican and an American woman share similar violent experiences with men, Boyle also places an emphasis on the less pronounced theme of sexual violence and discrimination against women, even in polar opposite realities. Early on, an invisible bond begins to form between the two main female characters, America, a recent Mexican immigrant and mother to be, and Kyra a successful white businessman. And while they never actually meet one another, as they endure and recover from their own personal problematic experiences with certain men, they are affected immensely by these events. America tries her best balance her new life of being an illegal, living in the ravine of Topanga Canyon with Candido, finding work and preparing for her baby to come.
Many theorize that Hotel California’s lyrics is a depiction of the journey through drug addiction. The line in the song, “Warm smell of colitas, rising up through the air” (Douglas), supports this concept exceptionally well. “Colita” is a Spanish slang term for “little tails/buds”, therefore, the lyric reveals the scent of the surroundings, which consists of burning
The majority of illegal immigrant’s chances for success is limited. It is more likely for people who have already been successful in life to achieve their dream than those have not had the chance to. The Tortilla Curtain illustrates the hardships and the discriminations illegal immigrants face with higher class Americans. The coyotes symbolize the immigrant’s lifestyle and how they are viewed with disdain and mistrust. The Arroyo Blanco community presents those who view the immigrants as such, and how difficult it is to break down ignorance barriers to be accepted into it.
Memory affects the way people think and what they do after an epidemic. In the novel Station Eleven, by Emily St. John Mandel, memory plays an important role for Kirsten, Clark, and François. These three characters all create and collect to live in their memories; Kirsten gets tattoos and Clark makes a museum, while François creates a library and publishes newspapers. Kirsten Raymonde, an actress who has seen death right before her eyes multiple times, gets tattoos to remember what she did. The first death she saw in front of her was on stage before the collapse.
I pictured this small rundown room that had a small amount of artifacts to depict historic Caldwell County. When I arrived at the museum i noticed that their was a lot more to see than I had thought there would be. I found that the museum had items such as Native American spears and arrow points, maps, grants, and deeds. There was information that informed about the founding of Caldwell County. Along with this information that told me about the foundation of caldwell county, there was information that showed the establishment of Lenoir.
Unlike Vicente, she travelled to Florida from method of transportation, more specifically, by airplane. Looking back at her homeland of Peru, it wasn’t long until the landscape had vanished from her sight as the airplane absorbed an abundancy of elevation and took flight to Florida. She couldn’t help but mull over how life in Florida would be difficult without the presence of her friends and family, all the while attempting and failing to hold back the tears leaking from her eyes. Looking down at the ocean isolating Peru from Florida at a nearby window, Maria knew she had already made her choice and that there was no turning back. Florida was a place of more significant opportunities of improvement with an abundancy of products and job opportunities, and while she did felt pain in her heart and her stomach drop with nervousness, Maria had to take that chance to help her family and herself have a new life to enjoy living in.
The Isabella Stewart Gardner Museum showcases Mrs. Gardner 's collection to the public in greater Boston area. Each room functions as a pilgrimage, as one travels through various countries and time periods ending at the chapel and subsequently the Gothic room. In this paper, I will examine the Gothic room 's theme in relation to the placement of its objects. I will also evaluate the room 's strengths and challenges in serving the public, and how the practices employed in this room fit into the context of accessibility for the entire museum.