Thirdly, the king has difficulty in trusting and confiding her, in spite of fulfilling his will impeccably. There is no need for him to test Griselda, if he really loved her, he would not test her so badly. Additionally, Griselda need not have been tested to prove her worthiness. She is a perfect, beautiful and wise lady. Patient Griselda can be powerful and independent, if she wants to, but she does not use it.
He doesn’t value Katharina as her Bride and only sees her a challenge to be conquered. He treats her cruelly and is shown in believing traditional orthodox patriarchal male dominant character. Bianca – She is the sister of Katharina and is complete anti-thesis of her sister. She is the one suitor’s line up for but due to the ridiculous condition put up by Baptista, they cannot. She is shown to be submissive and materialistic qualities of her which are despised by her sister
The ridicule of love is a prominent theme throughout the play, most obvious though Phoebe’s interactions with love. She is the reason for Silvius’ borderline obsession, and frequently reasons why she does not want to be with him. Phoebe ridicules Silvius, an individual who oozes traditional pastoral views on love, which includes passionately longing for the person he believes to be his one true love, for having these very ideals. She ridicules the fact that Silvius stated that her “eyes can wound” because she believed that “there is no force in eyes that can do hurt” (3.5.16, 25-26). Here, Phoebe debunks every stereotypical view on love that was shown in the pastoral age, where lovers loved each other to painful lengths, where the mental pain of not being able to be with one another transformed into physical pain.
His selfishness however, isn 't fueled by self-love but rather his ability to passionately hate those who cross him and his strong desire for revenge. Heathcliff has the capacity to love, in fact he loves Catherine more than anything else, but her betrayal and his rough childhood destroyed what little hope he had of becoming a good, honest human. After Catherine and Edgar 's marriage, Heathcliff is hurt and bitter. In order to get back at them, Heathcliff decides to pursue Edgar 's little sister Isabella. He is able to easily convince Isabella to marry him, but he really sees her as nothing more than a tool he can use to upset Catherine and Edgar.
As we move through the passage, we see Adriana shift her emotions of depression away from her husband and towards her naïve sister. Adriana becomes so enraged with her sister’s comments, that she refers to Luciana’s mentality as “servant like” (2.1.26). Since servants were treated as the lowest members of society, it is clear that Adriana feels as though Luciana is making a fool out of herself. Shakespeare portrays Luciana in a manner that would suggest that she is an expert on marriage, which is contradictory in itself as Luciana is not yet married. Her tone, while initially understanding and compassionate, quickly turns into one of arrogance and righteousness.
Although Odysseus is a famous, intelligent and heroic figure, his loyalty to Penelope is nonexistent. This is revealed by his affairs with other woman, his extended journey home, and by the fact that he failed to make Penelope his priority. Loyalty is not a difficult concept, all Odysseus had to do to fulfill this was avoid other women, and put Penelope above his selfish ways. His failure to do this proves him to be an unreliable husband, who does not deserve his selfless and trustworthy wife. Loyalty is an essential part of marriage or any relationship and requires both people involved in the relationship.
As for Antigone she became anger with her sister, Ismene, when she refused to help her bury their brother. Over all they are prideful individuals who withhold their stubbornness. For example when Oedipus, was not willing to yield to Liaus where the three rode 's meet and instead he decided to kill him for it and Antigone although it was the law that forbade her from burring her brother she decided to disobey and follow what was right to her. The also performed over the top self-harm; if they were not so dramatic they could of prevent their own deaths and the others around
She was not happy in her relationship or in her position as a mother. “It would have been a difficult matter for Mr. Pontellier to define to his own satisfaction or any one else’s wherein his wife failed in her duty toward their children.”(Chopin 4) In this scene Mr. Pontellier is feeling uneasy regarding how Edna allows to the quadroon nurse to take on her motherly responsibilities so carelessly. Edna does not feel that motherhood is cut out for her. Although she
These statements both are saying that Shakespeare knows that he is breaking promises to possibly himself, his religion and others, by loving a married woman. Though he cannot put all the fault onto her, because his vows to love her were only there to exploit the love she was physically giving him. In connection to Shakespeare’s sonnet, Amy Winehouse’s You Know I’m No Good, she is singing about how she is the one in the committed relationship, yet cannot seem to stay loyal to her significant other. Winehouse may love him, but knows that she is not good for their relationship. In her chorus she sings, “I cheated myself / Like I knew I would / I told you I was trouble / You know that I 'm no good” (9-12).
Lady Macbeth’s signs of guilt first surface in Act 3 Scene 2, where her sanity begins to deteriorate. Thinking out loud she says, “Nought’s had, all’s spent, where our desire is got without content.” All the trouble they went through to get what they wanted was a waste because it cost them their peace of mind. Fear and anxiety are taking over Lady Macbeth to the point of bringing out the humility from deep within her as she refers to her husband as “my lord.” Earlier she spoke at Macbeth and challenged his manliness. Thriving in confidence and power she saw him as nothing but a tool to get what she wants, but now that she’s seen a little blood and had a few nightmares, it has literally brought out the respect in her. She also asks him, “What’s to be done” which forces the audience to wonder where “mastermind Lady Macbeth” has gone!
I believe she is afraid of people’s perceptions of the truth. Would they believe her or would they think it’s a desperate cry for attention? Accepting what has happened is more difficult than just pretending like it never happened. Her environment at home was also not as accepting as most. Melinda felt there was no point in telling her parents because she felt they wouldn 't trust her word.