The character of Jeannette in The Glass Castle shows the theme of adulthood, growing up, and coming of age in many ways. Jeanette deals with very adult issues at a very young age, and the chaos of her childhood forces her to mature fast, which shows the theme of growing up, and her success supports the thematic topic of “putting your past behind you”.
How is your feeling when you are falling in love? Most of the people say “it is awesome” because they “fall in love with the most unexpected person at the most unexpected time.” How do show your love? Every person has his or her own ways to show his or her love; therefore, Erdrich’s character – Grandma Kashpaw in Love Medicine also has her own ways.
The novel, Turn of the Screw, by Henry James takes place in England and is told from the point of view of the Governess, whose sanity is questionable. The Governess is insane because throughout the novel, she is the only one who sees the ghosts, she is in love with the master, and she allows her desire to protect the children to drive her to insanity.
In the book, The Turn of the Screw, by Henry James, the mental state of the main character, the governess is questionable and often argued by the audience. The governess reports several sighting of two ghosts, Peter Quint and Miss Jessel, however, the strange events degrade the credibility of the governess and readers must decide if they were real or fake. The governess is insane because she imagines the ghosts, displays excessive fear and anxiety and is extremely paranoid over the safety of her charges. All of this reasons are symptoms of insanity which lead us to logically believe she has a mental illness.
In school, we are taught certain things that the schools’ want us to learn, but there are certain things they don’t teach us. Every person in this world, has the right to know about things and learn, whether it’s in school, or they teach themselves things that we aren’t taught in school. In the story, “Fahrenheit 451”, every person is censored and they aren’t allowed to read books, because the government does not allow them to, and there are firemen that burn all the books so no one will get a hold of them. In our time, the 21st century, we are censored from certain things the government does not want us to know, which is unfair because something could be going on in the world and only the government knows about it, so how are we supposed to
The “The Ghost Map” is a book written by Steven Johnson. In the book, the author explains to us why urban planning is necessary to prevent deadly diseases, such as the deadly cholera outbreak.
From the beginning of the story, the narrator claims there is something queer about the house (Perkins 380). Throughout the story, she voices her concerns about the house. She claims she can “feel” something strange about the house (Perkins 380). The narrator believes that the paper looks at her with viciousness (Perkins 382) and says that it has eyes everywhere. She also infers that there are things about the wallpaper that only she knows about and they come into focus more each day (Perkins 380). The narrator convinces herself that there is a woman trapped in the paper who is trying to get out (Perkins 385). She also claims that the woman behind the paper shakes it in hopes to escape (Perkins 388). The narrator becomes obsessed with the ghostly woman, who is in the paper, and convinces herself that she too was once trapped in the paper and escaped. The narrator is determined to catch the creeping woman. She believes that there are others who are trapped in the wallpaper by night and are free during the day. The protagonist's fantasy about people in the wallpaper addresses the idea of supernatural elements in its most prominent form.
In Henry James’s novella, The Turn of the Screw, the topics of sanity and insanity are commonly argued among the readers. Insanity is the state of madness or being irrational while sanity is reasonable behavior. It is up to the audience to decide on whether the author intended for the governess to be sane or insane. Despite this dissension, the governess is insane throughout the whole story because she possesses all the symptoms of a paranoid schizophrenic, has an obsessive personality, and is the only one who claims she sees the apparitions.
When one looks at Freud, they can see that he was primarily concerned with the unconscious, as well as the conscious mind. He sought out the answers to the unconscious motives that drove people then, and still manage to drive us today. In Henry James’ “The Turn of the Screw”, we see an unnamed governess and those around her act strangely. These predominant questions arise - Did the governess actually see the apparitions of the governess and servant before her? What would motivate her to see them, or to even create them in her mind?
Within the Bly household as read in The Turn of the Screw, where the governess is the only person able to see ghosts, everything seems as it is falling apart. As the governess starts working at Bly, everything seems picture perfect, but is quite the opposite as the story progresses. As everything unfolds at Bly the governess seems to become progressively mentally incapacitated. As days pass by the governess believes she begins to see the ghosts on a daily basis, and she becomes so frustrated she accuses the children, Miles and Flora, of meeting with the ghosts. The children never admit to her accusations, which upsets the governess to sure a high degree that she even starts to blame the children of conspiring against her. All of the governess mental episodes is all just a lead up to prove that she is mentally insane.
William Shakespeare wrote Hamlet at a time when England was embroiled in debate about the nature of ghosts. The Elizabethan people believed in the existence of spirits. However, there was a discrepancy in how the people believed the spirits interacted and influenced mankind. The conservative held to the old doctrine stating that ghosts were spirits of deceased people and therefore not evil, while the reforming denied the possibility of ghosts in favor of spirits being evil devils. The Elizabethan Era was one marked by extreme violence and superstition which heavily influenced Shakespeare 's writing, including the ghosts he incorporated into his plays. Elizabethan superstitions are furthered in the play when Hamlet is frequented by a ghost whom
The Turn of the Screw by Henry James is a ghost story that has the reader question everything about it. The reader slowly starts to question the reliability of the narrator and soon has the narrator questioning herself. Believing that the ghost she sees are out to get the children and also struggling to find proof that she is not the only one who sees these ghosts but ultimately ending in the death of one of the children. By looking at the novel through a psychoanalysis lens, the reader can see that the ghosts were just hallucinations and the reader finds Governess reasons for these hallucinations.
Before the 20th century the horror genre was not as famous, but started to become popular in the 20th century with what some people think, the help of Henry James. The horror in the book keeps the reader on the edge of their seat wondering what will happen next, which is why I liked it. Filled with this curiosity ambiguity is used so the reader has to make their own conclusion of the book. In The Turn of the Screw, Henry James uses ambiguity in his book so the reader can arrive at what they want to believe in but at the same time question what they think.
The novella was published in 1898 and soon became popular for its ambiguous quality. During the middle phase of his career, James experimented with his writing and created The Turn of the Screw. This ghost story left the reader questioning the author's purpose to the story (Novels for Students 247). The ghosts are surprisingly not the biggest reason this story is a mystery. The
The comment on Beauty’s freewill accentuates the lack of volition in Beauty’s case for she had to pay for her father’s transgression and the Beauty, as other women in the patriarchal social setup is aware of it and willingly accepts her plight. The magic realist tendencies of Angela Carter’s writings also come to the fore in the intermingling of the world of humans and animals, and the mundane and the magical. It is a type of postmodern gothic, which treats a ghost at the table as an everyday occurrence rather than something to be afraid of.