Influences on TV Chandran as a filmmaker
Semiological analysis of the selected films revealed that TV Chandran is a maverick in visualization of the concept of alienation. The study found the influence of renowned filmmakers like Luis Buñuel and Ritwik Ghatak, and the techniques of ‘French New Wave’ genre in his films. The Spanish filmmaker Luis Buñuel’s surreal imagery has inspired him in films like Padam Onnu Oru Vilapam, Danny, Ponthan Mada, Sankaranum Mohanum, Susanna,Vilapangalkkapuram, Bhoomimalayalam, and Ormakkalundayirikkanam. The prominent Bengali filmmaker Ritwik Ghatak also influenced his works. Ritwik Ghatak, known for his meticulous depiction of social reality inspired TV Chandran to focus his themes on the class struggle of ordinary men, and films were a means of expressing his anger at the sorrows and sufferings of his people.
The only Indian influence in his style of film making seems to be Ritwik Ghatak, which he admits with pride. Interestingly, both the filmmakers share a lot in common, even in their career and film. Considered a classical hero among serious fans of cinema today, Ghatak was little appreciated in his days and understood even less. His first film
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A very direct person, he is regular in opposing all established premises, even the film festival circuits and film awards, once again living up to the styles of Ritwik Ghatak.
The ‘French new wave genre’ of 1950s and 1960s has influenced TV Chandran to shoot more current social issues, and motivated him to do experiments with the film form. This made him to deploy documentary style, low key lighting, meta-narratives, and long takes. Moreover, the synergy of objective realism, subjective realism, and authorial explanation created a narrative imprecision in the sense that questions that arise in a film are not replied in the
Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
“Bra Boys: blood is thicker than water” is an interesting one-sided documentary about a group of surfers in Australia. Bra boys is based in Maroubra, in Sydney on the 2nd most popular beach in Australia. It is unapologetic about the antisocial behaviour that group mentality and machismo can trigger and doesn’t shy from depicting violence, conflict and uneasy relationships with authority. The documentary shows the early life of the four Abberton brothers: Sunny, Jai, Koby and youngest brother Dakota.
One of the greatest director ever to live is an independent filmmaker. Spike Lee work in film have revolutionized the industry of filmmaking and independent filmmaker. Spike Lee films were not just revolutionary, they were healing in a way. Spike lee movies spark a generation of black and brown filmmaker. He is just one of the few black filmmakers, who was able to open up a new opportunity for black and brown people in the filmmaking industry.
Finally, the documentary discusses about what
He was a very good film maker and many people enjoyed his works. He impacted American
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
The French New Wave was a film movement in the 1950’ and 60’s that consisted of an explosion of new film techniques, values, and styles that became a defining moment of cinematic innovation that’s impact is still present in the modern film industry. An influx of new, young directors sought to narratively, ideologically and stylistically veer off from the dominant, traditional mainstream cinema production standards and redefine the French film industry. The movement didn’t happen overnight and its origins and influences stem back to the occupation of France by Nazi-Germany during World War II, the subsequent Italian Neo-Realism movement, and a combination of previous film periods. During World War II, Paris was occupied by the Germans. This was a
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre
The dramatic and uplifting movie “Radio” starring Cuba Gooding JR. and Ed Harris, is based on the true life story of James Robert Kennedy, a k a Radio; a mentally retarded young African-American who spends his days pushing a shopping cart around the streets of Anderson, a small South Carolina town, collecting junk and old radios. The movie starts with the heartbreaking scene of Radio pushing his cart around the town, in his own little world; people are ignoring him, and a lady pulls her daughter out of the way, running towards the opposite sidewalk. Every day Radio walks by the school, watching the football team training.
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.
To begin my reflection of my of my journey as an English major here at the department I should first say that any work I completed in my freshman and sophomore year will not be included as I do not have access to them. I have chosen to use pieces that were written in my film studies course and Native American Studies. There are four pieces total that will be looked into three of the four will be pieces will be work from my two film studies courses Film Theory and Criticism and Japanese Film Directors, the remaining one piece as stated above will be from Native American Studies. Initially when signing up for the course in Film Theory and Criticism, I did not know what to expect as we all know how to watch a film, summarize it, and give an
With an investigation of the likeness and dissimilarity of culture, film classifications, and showcasing media amongst Hollywood and Bollywood, it is simpler to appreciate the genuine thought behind the specific filmmaking procedures and way to deal with progress. Hollywood and Bollywood both have advanced over the previous century with one of a kind and particular qualities while being equivalent in a couple of viewpoints. As far as the narrative in script writing is concerned there can be no comparison between the two as both are completely opposite and equally competent in their own right. Hollywood and Bollywood are two words that depict the $80 billion world silver screen industry.
In the academy award winning film ‘Slumdog millionaire’ directed by Danny Boyle, Main character Jamal Malik played by Dev Patel faces many challenges living on the streets and in the slums of Mumbai, India. During the film, Jamal experiences the death of a loved one and extreme poverty adding to the challenges put upon him. Throughout the film ‘Slumdog millionaire’ Danny Boyle’s challenges help viewers to understand characters and manifest the theme “Brutality of Humanity”. The key challenge in the film that helps us understand the Theme of Beauty and Brutality of Humanity is overcoming poverty. Danny Boyle utilises film techniques such as Costuming, Camera shots and Dialogue to show the theme “Brutality of Humanity”.