Prescribed question: How and why is a social group represented in a particular way? Text: pilot of the TV Show “Shameless” (US) Part 2: language and mass communication: the potential for educational and ideological influence of a media, the power of a media to deliver a message, to express an opinion. Thesis: The creators of the TV show “Shameless” included homosexual characters in the show not only to make an appeal for tolerance, but also to present a realistic modern society in which differences seems to be accepted by some while others still marginalize certain communities. Introduction: Introducing the TV show “Shameless”: In which context and how did shows like “Shameless” arrived on TV? Look at the way homosexuality is perceived …show more content…
This conception of entertainment progressively changed as the audience of series was looking for a more realistic approach of our society in television programs. It is in this context that “Shameless” was created. This TV show offered to the general public a modern approach to the working class family and decided to talk to about homosexuality in a context that had rarely been seen before. Some might say that this theme could also be found in the TV show “Modern Family”, but as this show is based on the crazy and unrealistic adventures of the protagonists, the homosexual characters seem unrealistic as well. Thus, even if it might not have been the purpose of the creators, the exaggerated personality traits of the characters forces the show to keep the old stereotypes when developing the personality of its homosexual characters. This is why “Shameless” really stands out from the rest of the modern series; it uses the theme of homosexuality not just as a simple plot device, but as a real call to revolutionize the conception of this theme by the television
David Román creates excellent perspective into the haven and necessity of theatrical arts for homosexual Latino 's in Chapter 6 of Intervention entitled "Teatro Viva!" Román reveals that progressing as a community requires gay Latino men and women to use the theatre as a tool to break the socio-silence surrounding the idea of homosexuality and the AIDS virus. In this case, the region of Los Angeles, California is accounted for as having an enormous amount of input having to do with the de-marginalization of homosexual Hispanics in the world. "Teatro VIVA!" is the name of a Los Angeles county short-skit theatrical outreach program that provided a bilingual education of the gay Latino community confronted with AIDS during the early nineties. This chapter helps by providing the reader with a detailed record of many such performance acts in the Los Angeles around that time.
In the 1980s, during the apogee of the AIDS crisis, many conservatives came forward to blame homosexuals for the epidemic. For instance, according to Armstrong, Lam, and Chase, Kaposi’s sarcomas, alongside other diseases, composes a list of conditions that serves as a criterion for the diagnosis of AIDS. In fact, its relation to AIDS is so remarkable that it became a label; in a society that is divided by pre-conceived ideas of morality, it became a visual representation of HIV as punishment for homosexuality. However, in Angels in America: a Gay Fantasia on National Themes, Tony Kushner attributes a deeper meaning to the lesions caused by Kaposi’s sarcomas – from death sentence to change, and finally, to redemption. Through these lesions, the author symbolizes the paradox of AIDS in an American society that refuses to embrace minorities, and how its destructiveness has fortified the sense of community amongst homosexuals.
Such dynamic is strictly heteronormative due to the disdain for homosexuality in the scheme of Dominican hypermasculinity. When discussing Oscar’s characteristics Yunior compared him to “that fat homo Oscar Wilde,” as a method of demeaning homosexuality (180). The rejection of homosexuals is a mechanism by which the Dominican males work to assert their heteronormative sexuality, reinforcing their masculine traits. Males actively ridicule homosexuality with contempt evident when Oscar’s uncle shares a box of condoms with him and advises him to “use them all, he said, and then added: On girls” (51). This homophobia encourages a detrimental heteronormative discourse that asserts a clear-cut sexual orientation for Dominican
The topic of homosexuality in Tom Hanks speech is one of great division among the people of our country, especially at the time he chose to bring attention to it, yet his use of rhetorical speaking, particularly Ethos and Pathos, assist to both mitigate and normalize a typically polarizing issue. The introduction to his speech features an immediate nod to emotion when he mentions love and his “lover”, or wife, saying “I could not be standing here without that undying love… And I have that in a lover that is so close to fine, we should all be able to experience such heaven right here on earth”. By introducing the concept of “love” as the preliminary subject before the actual meaning of the speech is made clear, a common connection is made between the audience, who includes both celebrities and the American public, that is necessary to establish due to the status that the speaker possesses. Because of this elevated status, Ethos emerges as a secondary rhetorical device that aids Tom in delivering his message.
For example, Louis is pretty open about his sexual identity, but he still feels the need to hide it around his family. Being gay hasn’t always be been a good identity to viewed as. In the 1980’s, it made a bigger impact because a lot of people started to come “come out of closet”. For another example, Roy goes reject the term of homosexual. He believes that being gay means being weak, a person who people take advantage of.
The face of homosexuality rears its ugly head in his
He expressed that, “It's very important that even closeted sexuality be something that's seriously interrogated, because it can lead toward a kind of internalized homophobia within gay or lesbian persons themselves,” (West 404). When society persists in keeping a closed mind and combat homosexuality, then a number of homosexuals will remain hesitant in exiting the closet since, they would be petrified of being terrorized. Consequently, the mainstream causes unjustified homophobia in insecure homosexuals, which could eventually lead to depression. It is abnormal to be fearful of oneself, therefore, communities should put in effort to embrace any sexuality in pursuance of keeping their population mentally healthy. Likewise, “If one is gay or lesbian, one should be proud of it.
Some people spend their whole life's hiding from the people they love because they are either unsure or scare to not be accepted. Many men in the film fund themselves invisible and alone, because they had to stay silent about their sexual orientation. Even if families do not agree with homosexuality they should strive to make each other feel like they would accept each other either ways. Also, parents and children both should look further into educating themselves and each other on the reasons for different sexual orientations. Being educated that not everything is black and white, or concrete can open up a greater understanding of things likes sexual
An accomplished writer and an open homosexual, Andrew Sullivan wrote his best known work speaking for the struggles and social oppritunnitues of homosexuas in a heterosexual based cuture. His best known work was Virtually Normal: An argument about Homosexuality. This work was directed to a conservative audience, as one can sense the defensiveness as he writes about his own experiences with homosexuality, where he uses rhetoric to address the needs and subculture of homosexuality.
The knowledge of exploring who you are as male or female represents the ability to comprehend our identity and become part of society’s standards. Gender is a social constructed characteristic interviewed with cultural views and behaviors ruled by context. Because gender is ruled by society’s standards it has become a negative developmental issue for those who do not fit into gender expectations. Repressive hostility upon identity is a central theme discussed in Fun Home by Alison Bechdel. By using graphic illustrations the author shows in a intimate medium her childhood memories so readers can empathize with her memoir easily.
Wolfenden found that in 1955 30% of those prosecuted were imprisoned. The irony of imprisoning homosexual men in institutions which were all-male seemed lost on the system. (‘Gay’ in the 1950s) With knowing the severity of homosexuality during the 50’s , it brings clarity as to why problems came about when creating the film version of Cat on a Hot Tin Roof. When deciding to make the play into a film, one main change had to be made due to restrictions of homosexual references in films.
Some of the most remarkable are those referring to mainstream American films, which are popular with gay population. Thus, The Wizard of 0z and A Streetcar Named Desire appear in some expressions and dialogues by Prior and Belize, the most “gay” characters in the play: Prior: Stella Belize: Stella for star. Let me see. (Kushner 2011: 65)
Sedgwick abounds in her statement saying that “the appropriate place for the critical analysis to begin is from the relatively decentered perspective of modern gay and antihomophobic theory” (Sedgwick 2008, 1). The prospect of Sedgwick, as it is that of Butler, is to deconstruct the models of thought that Western discourse has imposed upon cultures and individuals. Thus, according to the author, the epistemology of the closet is the: [i]dea that thought itself is structured by homosexual/heterosexual definitions, which damages our ability to think. The homo/hetero binary is a trope for knowledge itself. […] 20th century thought and knowledge is structured–indeed, fractured–by a chronic, now endemic crisis of homo/heterosexual definition […]
While Disney cinema appears to constantly equate queerness with evil, at the same time, they are opening the door for diverse representations of queerness by blurring the binary oppositions of gender and presenting dynamic expressions that challenge everything that is considered
The Role of Media in the feminist movement The term media refers to several different types of methods used to communicate and educate society for a socially aware nation (Pradesh, 2014). It is regarded collectively as ‘mass media’, which includes broadcast media (television, cinema and radio), print media (newspapers, magazines, and journals) and Internet based-web sites (“Role of Media in Social Awareness”, 2013; Pradesh, 2014). Through its different marketing segments, media is a fundamental source for information and idea exchanging.