Social Class In Shakespeare's Twelfth Night

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Thou Got No Class(Except You Do)
Twelfth Night, a festival in some branches of Christianity marking the coming of the Epiphany, is an underlying source of inspiration in of one of William Shakespeare 's romantic comedies: Twelfth Night or What You Will (dictionary). Though there is little information on his life, he was considered to be the world’s best dramatist and has surely left his mark on history permanently.The famous playwrights total writings lining up to 37 plays and 154 sonnets. Class and society played an astronomical role in Twelfth Night, presenting numerous different challenges based on each characters social class. Each social class during this time displayed differing views on each coming issue such as misuse of power, social
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Shakespeare filed confusion with gender throughout the entirety of the play. In the same way, he precedented social class to be viewed correspondingly. Viola was in love with Orsino, surely, but not because of his social stature. She loved him for who he was and did not wish to be with him purely to change her social class. Viola was originally born into a high-class family but decided to pose as a servant despite “what my estate is” (1.2.43-46). Though it’s not nearly as apparent, Moreover, Feste doesn’t care about his social class and doesn’t make any indications that he might. Generally, the fool is displayed as a stock character in works of literature and remains static all throughout the story. Feste is presented just as that. He doesn’t undergo any character development and is only around the move along the plot. He 's described as “wise enough to play the fool” and is able to freely speak his mind without necessarily fearing consequence. Of course, he doesn’t have to necessarily work hard to keep his social stature, for it is the lowliest of the court. He only has to be himself and display a certain amount of wit to get a steady source of
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